Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Boat song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In my younger days, the name of the film FUNTOOSH (1956) sounded to me a bit bizarre. I had also heard people using this Hinglish lingo as adjectives in different context. I had no occasion to watch this movie but judging (or misjudging) from the name of the film, I thought that it was a comedy movie and the song ‘ye meri topi palat ke aah’ was a pointer to that. It was only later when I heard ‘dukhi man mere’ I felt that the film was of a different genre.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Mahendra Kapoor today, 9th Jan, his birth anniversary.

As I am searching for songs to post for today, I came across this simply super gem of a melody which I have heard long time back, and which has since been eluding me. This song just has to be counted amongst the best and softest duets ever. Rendered softer than silk and softer than velvet, this duet is by Asha ji and Mahendra ji. I am sure as you would hear this, the reaction is going to be, “wow, not posted yet?”.
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“Uphaar” (1971) is a Rajshree Productions movie. This movie was directed by Sudhendu Roy. The actors in this movie were Kamini Kaushal, Nana Palsikar, Aarti, Jaya Bhadhuri, Swaroop Dutt, Nandita Takur, Suresh Chatwal, Leela Mishra, Ratna Mala, Lata Arora, Minu Mehtab, Yunus Parwaiz, Shail Chathurvedi etc.
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“Hariyali Aur Raasta” (1962) is a Shri Prakash Pictures Production. The movie was produced by Vijay Bhatt and directed by Shankarbhai Bhatt. The starcast of the movie included names like Mala Sinha, Manoj kumar, Jagdeep, Shashikala, Helen,Manmohan Krishna,Krishna Kumari, Surendra,Om Prakash,Samar Roy etc.
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when one listens to O P Nayyar’s music, one often may find his music sounding same. But when one frees one’s mind of such pre conceived notions (viz. different compositions of a music composer needs to sound different from each other), one can enjoy music the best. And in case of O P Nayyar’s music, one should listen to the music and enjoy the indescribable quality of enjoyment that these compositions bring. This quality cannot be taught/ learnt/passed on to future generations. It was a quality that went into oblivion with O P Nayyar. And we need to savour the legacy that O P Nayyar has left behind.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Zalzalaa (1952), is film produced under the banner of Art Films of Asia Ltd. It is produced and directed by Paul Zils. Paul was a German filmmaker who made India his home for more than two decades from mid 40s to the 60s. He is credited with the rejuvenation of India’s documentary film movement, after the departure of the British in 1947, and a prime moving force behind the Films Division of govt. of India (which was known as Information Films of India under the British regime).
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