Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘expression of love’ Category


This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We have seen many “tanga” (chariot category for this blog) songs in Hindi Cinema with different situations. In some situations, the hero is chasing his loved one to convince her by praising her beauty. In few cases, heroine is riding a bike with her friends going for a picnic.
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Nutan (DOB-4 june 1936 – DOD-21 february 1991) left for heavenly abode this day 20 years ago. Twenty years ago ! How time flies !

She belonged to one of the first Hindi movie dynasties. Her mother(Shobhana Samarth) was a noted actress in Hindi movies, as was her sister (Tanuja). With Tanuja’s marriage to Shomu Mukherji, this family married into another big Hindi movie dynasty that included Joy Mukherji, Ashok Kumar, Kishore Kumar etc. Later on, her son, Mohnish Bahal and her neice Kajol would also act in Hindi movies , with Kajol marrying Ajay Devgan, another well known actor.
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“Dharmputra”(1961) was a movie made on the sensitive matter of communal harmony. And not surprisingly, this movie was produced by B R Chopra, who in the past had tackled other sensitive topics in his earlier movies e.g. “Sadhana” (1958) and “Dhool Ka Phool” (1959).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the financial markets to which I belonged until my retirement, there is an oft repeated remark that not even a die-hard practitioner or expert in the financial markets can claim that he knows everything about the markets. This is mainly on account of the fact that financial markets are dynamic by nature. How true this maxim is in the realm of old Hindi film songs where dynamism flows from unearthing old gems and some related unknown anecdotes.
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“Dulaari” (1949) is a movie which is today fondly remembered as the movie that helped Rafi break into the big league with the song Suhaani raat dhal chuki. Till then, Rafi’s style of singing had few takers in the Hindi movie music and with this movie it became the new style of singing. It was a paradigm shift which few people at that time may have realised. In fact the management term “Paradigm Shift” itself was not coined at that time.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Another unheard film, that I got familiar with as I started to track a song that I came across after ages. Having heard it on the radio many years ago, I found it again few days ago on YouTube.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movies and a regular contributor to this blog.

JAADOO NAGARI (1961) as the name suggests, was a fantasy film with Ranjan and Vijaya Choudhary as lead actors. Other cast included Tiwari, Helen and Majnu. The film was produced under the banner of Mukul pictures and directed by Radhakant who had directed some of Dara Singh films such as Rustam-e-Rome (1964), Boxer (1965), Insaaf (1966) and Toofaan (1969).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Do not know if the director was running out of ideas, but this song appears to be a duplicate in some ways. The film is Baadhsah from 1964. Two songs from this film are already posted. With reference to the song “Ae Jee Mein Ne Kahaa Suniye To Zaraa” – when I compare these two songs, they seem to be very similar in intent and also in terms of the players on whom this is picturized. The earlier posted song is also performed on screen by this actress, Kumari Rani, trying to stop and annoyed looking Dara Singh from leaving her company. The scenario is repeated in this song also. Once again, the song is performed by Kumari Rani. Dara Singh is playing the offended gentleman, and the lady love is trying to stop him from leaving. In this case, the one additional characteristic stands out – apparently the lady knows some kind of magic, for she disappears and reappears a few times during the performance of this song.
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