Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Feelings of heart’ Category


1963 was a year when Hindi movie music was at its pinnacle. There were countless musical extravanzas that were released that year. Just thinking about the names of the movies boggles the mind. In this year, we had movies like “Mere Mehboob”, “Apna Bana Ke dekho”, “Asli Naqli”, “Meri Soorat teri aankhen”,”Sehra”,”Ye raaste hain pyaar ke”,”Ustaadon ke ustaad”,”Bharosa”,”Dil Ek Mandir”,”Professor”,”Gumrah”,”Pyaar kiya to darna kyaa”,”Bluff Master”,”dil Hi to Hai”,”Ek Dil Sau Afsaane”,”Aaj aur Kal”,”Gehra Daag”,”Bandini”,”Dil Tera Deewaana”,”Tere Ghar Ke Saamne”,”Rustam Sohrab”,”Bin Baadal Barsaat” etc etc.
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“Marine Drive” (1955) is a B grade movie starring Ajit and Bina Rai. And like all such movies, this movie too had A grade music. The movie and its music may not be very well known today, but the music is wonderful to listen to, if one digs up the songs of this movie.
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“Shabnam”(1949) is a movie starring Kamini Kaushal, Dilip Kumar, Cuckoo, Jeewan etc. This movie seems to have lots and lots of songs in it that get played in the movie one after the other. Of course, I have not seen this movie and my observation is based on the number of songs that this movie has. As it is, I have discussed four songs from this movie and there seems to be many more songs in this movie.
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Throughout the world, there have been tragic love stories that are simply known by the name of the lovers- viz Romeo Juliet, Laila Majnu etc. In Punjab, there have been not one or two, four four such love stories. The most well known of them is “Sohni Mahiwal”. The second most well known must be “Mirza Sahiban”.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor of write ups to this blog.

When I was a young boy I never quite understood why a movie was often referred to with the director’s name attached to it. For example, people would talk about Hrishikesh Mukherjee’s Anand or Bawarchi or Shakti Samanta’s Aradhana. For me these were movies of Rajesh Khanna first and foremost. Yet they would invariably be attached to the director, as if he owned the movie.
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Recently reader Sudhir likened my knack of discovering musical gems to going into a coal mine and stumbling upon diamonds. It is a good comparison, and I in fact feel that the likelihood of coming up with musical diamonds in the metaphorical musical coal mine is far more, seeing how many of them I discover on a regular basis. I in fact liken it to walking on a beach, and coming across these gems lying undiscovered.
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