Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Ghazal’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Connoisseurs of vintage Hindi film songs while listening to songs like jaao jaao ae mere sadhjo raho guru ke sang and baba man ki aankhen khol, would identify these songs with K C Dey without blinking their eye lids. The name K C Dey and kirtan songs (devotional and philosophical songs) are inseparable. Since he was blind, this genre of songs suited him best when he was also acting and singing in the films. Whenever I listened to his filmy songs, I felt that his voice quality suited well for thumri and ghazals. Little did I know at that time that he was also an accomplished Hindustani classical and bhajan singer with more than one hundred NFS in Hindi, Urdu and Bengali to his credit. I also find from his discography that he had recorded at least four Gujarati devotional songs in 1942.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Recently, I came across on the internet, an old review of the book ‘Darlingji – the true love story of Nargis and Sunil Dutt’ (2007) on Onlooker magazine. The book was written by Kishwar Desai. What caught my attention in the review was a comment about Jaddan Bai, Nargis’s mother. It was stated in the review that there was a subtle hint in the book about Jaddanbai being a love child of Motilal Nehru and Daleepa Bai – a courtesan of Allahabad. I am not sure whether this is a fact or a mere rumour which remained unsubstantiated. But this review brought back to my mind Jaddanbai whom I had almost forgotten. In any case, my awareness about Jaddan Bai ( 1892 or 1906 – 08/04/1949) was limited to her being the mother of Nargis and some connection to Hindi film industry.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A year before she arrived at the zenith of playback singing with Aayega aane waala in Mahal (1949), a still-teenage Lataji vocalized her first ghazal – the mind-blowing Dil-e-naashaad ko jeene ki hasrat ho gayee tumse under the baton of Hansraj Bahl in Chunariya (1948). Her superb rendition of this none-too-easy a number with expression, enunciation and mastery on its many murkis in all octaves is just breath-taking.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Voice of Mukesh #4
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The year 1945 saw the release of two films which had songs by Mukesh. The films are ‘Moorti’ and ‘Pehli Nazar’. The latter, of course, is the film that set Mukesh on the path of stardom as a singer. Let us first talk about ‘Moorti’.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Duniyaa jise kehati hai jaadoo ka khilonaa hai
Mil jaaye to mitti hai kho jaaye to sonaa hai

This couplet of a ghazal written by Nida Fazli, the modernist Urdu poet and writer, made him famous among mushaira goers. Later this full ghazal was sung by Jagjit Singh and Chitra Singh sometime in late 70s bringing Nida Fazli in the limelight in a wider canvass including Hindi film industry.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is the story of a diva who, despite being in the midst of very adverse family circumstances in her formative years and facing the conservative society, created a niche for herself in the field of classical and ghazal singing. It is also the story of a woman who, despite fame and adulation showered on her by millions of fans, felt lonely all through her life.
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“Sultaana” (1934) is one of the earliest Hindi movies. It was producer under the banner of “East India Film Company”. A R Kardar was the director. This by now forgotten movie had Mazhar Khan, Zarina, Indubala, Nazir, Gul Hameed etc in it.
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