Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Ghazal’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Recently, I came across a non-filmy song on the internet, sung by Talat Mehmood which happened to be his first disc cut in 1941 for HMV. The mukhda of the song was

sab din ek samaan nahin thha
ban jaaunga kyaa se kyaa main
iskaa to kuchh dhyaan nahin thha

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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This film “Laal Quila” (1960) would have been forgotten but for the two immortal ghazals composed by S. N. Tripathi, and sung by Mohammed Rafi. These ghazal’s ‘lagtaa nahin hai dil meraa ujde dayaar mein’ and ‘na kisi ki aankh ka noor hoon na kisi ke dil ka qaraar hoon ‘ have a place in the hearts of urdu poetry readers be they lay person or scholors.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Unknown composers Composer 9- Kamal Rajasthani
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How important is LUCK in one’s life ?

There will be different opinions. Some people will be tempted to quote the saying-” Luck is another name for Hard work “.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Among the Mughal emperors, Bahadur Shah Zafar (24/10/1775 – 7/11/1862) evoked my sympathy whenever I used to read the chapters on Mughal Empire in the history book during my school days. One rarely comes across such a moving tale of a reluctant emperor at a time when Mughal empire had almost crumbled. It is an irony of fate that the last emperor of Muhgal dynasty who had ruled India for over 300 years had to spend the last few years of his life in exile in Rangoon (Yongon) in Burma (Myanmar) and died unsung in anonymity.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Connoisseurs of vintage Hindi film songs while listening to songs like jaao jaao ae mere sadhjo raho guru ke sang and baba man ki aankhen khol, would identify these songs with K C Dey without blinking their eye lids. The name K C Dey and kirtan songs (devotional and philosophical songs) are inseparable. Since he was blind, this genre of songs suited him best when he was also acting and singing in the films. Whenever I listened to his filmy songs, I felt that his voice quality suited well for thumri and ghazals. Little did I know at that time that he was also an accomplished Hindustani classical and bhajan singer with more than one hundred NFS in Hindi, Urdu and Bengali to his credit. I also find from his discography that he had recorded at least four Gujarati devotional songs in 1942.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Recently, I came across on the internet, an old review of the book ‘Darlingji – the true love story of Nargis and Sunil Dutt’ (2007) on Onlooker magazine. The book was written by Kishwar Desai. What caught my attention in the review was a comment about Jaddan Bai, Nargis’s mother. It was stated in the review that there was a subtle hint in the book about Jaddanbai being a love child of Motilal Nehru and Daleepa Bai – a courtesan of Allahabad. I am not sure whether this is a fact or a mere rumour which remained unsubstantiated. But this review brought back to my mind Jaddanbai whom I had almost forgotten. In any case, my awareness about Jaddan Bai ( 1892 or 1906 – 08/04/1949) was limited to her being the mother of Nargis and some connection to Hindi film industry.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A year before she arrived at the zenith of playback singing with Aayega aane waala in Mahal (1949), a still-teenage Lataji vocalized her first ghazal – the mind-blowing Dil-e-naashaad ko jeene ki hasrat ho gayee tumse under the baton of Hansraj Bahl in Chunariya (1948). Her superb rendition of this none-too-easy a number with expression, enunciation and mastery on its many murkis in all octaves is just breath-taking.
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