Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Ghazal’ Category


I am aware of a 1971 movie called “Apna Desh”. It turns out that there was another movie of the same name. “Apna Desh” (1949) was a Rajkamal Kala Mandir production. It was produced and directed by V Shantaram. The movie had Pushpa Hans, Umesh Sharma, Manmohan Krishna, Chnadrashekhar, Sudha Apte, Keshavrao Date, Krishna Goyal, Satish Vyas etc in it.
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There have been hundreds of singers, lyricists and music directors who have contributed their mites in enriching the Hindi movie music. Songs from over three hundred singers, over three hundred lyricists and over two hundred music directors find representation in this blog.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

August 19th is the 36th death anniversary of the Sahitya Akademy Award winner for Urdu poetry and Hindi film lyricist Jan Nisar Akhtar. In his last birth anniversary on February 14th, I had covered his profile while discussing the song main abhi ghair hoon penned by him. Suffice it to say here that such a talented Urdu poet born in the family of Urdu scholars and poets was not as successful as a lyricist as his contemporaries like Majrooh Sultanpuri, Sahir Ludhianvi and Shakeel Badayuni. From what I gathered from various websites, he appeared to be surviving more on his shayaris than from writing songs for Hindi films. He was wellknown for his repartee through his shers (couplets). During his filmy career of over two decades, he wrote only around 150 songs for the Hindi films.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I was aware of Behzad Lucknowi as a lyricist for the films mainly of the 40s. I found that he suddenly vanished from Hindi film industry after he wrote lyrics for a few songs in films released in 1951. Last week, I accidentally came across an audio clip of a ghazal sung by none other than Ghulam Haider from the film ‘Zamindar’(1942). This beautiful ghazal was written by Behzad Lucknowi. I was so touched by this poignant ghazal that I started looking for his other songs penned by him for Hindi films. Two songs among a few already covered in this blog were very familiar to me but I was not aware that those two songs were written by Behzad Lucknowi. Those two songs were : zindaa huun is tarah kigham-e-zindagi nahin, tumhaare bulaane ko ji chaahataa hai. After listening to these songs and the ghazal from the film referred to above, there was an urge in me to know more about Behzad Lucknowi. As it turned out, he was an interesting personality.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I find it interesting to compare the filmy careers of G M Durrani and Surendra Nath. Both of them were tall and handsome and amateur singers. While G M Durrani virtually ran away from his home town Peshawar for Bombay (Mumbai) to pursue a filmy career, Surendra came to Bombay after completing his education (B.A., LLB) to become a lawyer. But a chance meeting with Mehboob Khan in 1936 changed his career path and he became a singer-actor in his first film ‘Deccan Queen’ (1936). Because of his singing style, he was seen as a clone of K L Saigal. In fact, he was called ‘Bombay Saigal’ after his parody song birhaa ki aag lagi more man mein based on K L Saigal’s baalam aaye baso more man mein. G M Durrani also started his stint with the film industry around the same time (1935-36) as an actor-singer in ‘Saaed-e-Hawas’. After acting in a couple of films, he decided to concentrate on playback singing with his distinct voice which was not influenced by K L Saigal.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

July 14th is the 37th death anniversary of the great maestro Madan Mohan ( 25/06/1924 – 14/07/1975). An artillery man in the army during the second world war, he aspired to become an actor in the Hindi film industry. After the end of second world war, he quit army and came to Bombay (Mumbai). He did act in a few films like ‘Shaheed’ (1948) but the almighty seemed to have already decided him to be a music director. His father, Rai Bahadur Chunnilal Kohli was a big name in the Hindi film industry ( being partner in Bombay Talkies and later Filmistan) in the 40s. But he was against his son joining the film industry. As a result, Madan Mohan had to struggle a lot to get an entry into Hindi film industry of his own efforts. He started his career as an assistant to music directors Shyam Sundar and S D Burman sometime in the late 40s.
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