Archive for the ‘Post by Arunkumar Deshmukh’ Category
Surya dev Dinesh hey
Posted on: July 13, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
After finishing my last song series on Talat Duets, I started thinking about a New Series. While browsing through my saved Drafts in G Mail, I realised that there were at least 100 songs and their links,lying unused in the Draft Box. All these handpicked songs were the songs that had remained unused as they were not used in that series. Whenever I want to do a series of say 10 songs, I am prepared with at least 15-16 songs. Many times, during the series period itself, I discover some new song suitable for that series and such songs then make back door entry in the series, with some of the earlier planned songs left waiting in the wings. Such songs thus add up to the number of undiscussed songs lying unused.
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Zulfon waale ko kya pata
Posted on: July 8, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today we are going to discuss about a song and the concerned film, which turned out to a great disappointment, despite boasting of all the ingredients that were required to make it a hit film.
The film Garam Coat-55 was made in a time when Nehru’s socialism was having a great influence on the film industry. Many IPTA workers faced the dilemma of choosing between Stark Communistic approach and socialistic pattern advocated in India. The major difference was that Nehru’s socialism never detested private business or the big private industry, but certainly a concern was voiced for the ‘Have Nots’.
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Gori ki chatak matak mein mera dil
Posted on: July 5, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
What do film stars do when they retire or stop working ?
Actually, the artistes can be divided into two parts. One, those who stop working voluntarily or retire by choice and Two, those who stop getting work and are compelled to retire. Of course the first category has definite plans post retirement, so they do what was planned. However those who stop getting work or are compelled to call it a day have either to fall back on their savings or do something else to survive.
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Bol bol bol bol my little dove
Posted on: July 2, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song under discussion is “Bol bol bol bol My little dove” from the film Baap Bete-59. The music Director for this film is Madan Mohan.
MADAN MOHAN. An Unique composer. A thorough Gentleman. Lata Mangeshkar had called him “The King of Ghazal”. He created masterpieces in her voice, which set high standards in films. Madan Mohan, however,could never combine Class with Mass appeal unlike other composers like Naushad, S D Burman or Roshan or Shanker – Jaikishen.
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Sambhaalo…palla dori palla
Posted on: June 30, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Here is a song from the film ABHIMAN-57. The name Abhiman ( Pride ) will remind people of another film of the same name , made in 1973-featuring Amitabh and Jaya. It was on the life of two singers who get married because of music and later get separated also because of music and Pride of one partner. This 1957 film was also about Pride but not about Music. It was a family drama depicting false pride of a girl-destroying her family.
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Ik din tumne kahaa thha ji
Posted on: June 28, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
I am sure you must have heard the names of Music Directors Fakir Muhammed, Shambhoo, Dattaraj, Brij Bhushan, Raj Ratan, Ronodev Mukherjee, Kamalkant and Vishnu Khanna.
No ? I am surprised. OK. At least you must be knowing Music Directors Ajay, Baboo Singh or Vijay Honavar ? Your blank face says, you have never heard their names.
I am not asking you names of Music Directors from the 1930s or 1940s. All these were composers in the 1960s. If I ask you about Satyam, Jagdish or Ratandeep-Hemraj, what will you say ?
These were Music Directors in the 1970s. They composed music for 5 to 15 films each in the 70s.
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Raghupati Raaghav Raajaaraam
Posted on: June 23, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
When I think of Hindi Film Industry, I always ask a question to myself. Why was it that so many successful and talented artistes died so unceremoniously and in tragic circumstances ? Why did those who achieved unsurpassed stardom have such unhappy and sad ends to their lives ?
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Dil de ke bahut pachhtaaye
Posted on: June 21, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
There are certain special words which seem to be favourites of film makers. These are used frequently in the Titles of films that are made. Some of the words I counted are not surprising. The work Ek (or its variations) has the distinction of appearing most frequently in the title of Hindi movies. Some examples for such titles are Ek roz, Ek thi Ladki, Eklavya etc etc. A staggesring 209 number of Hindi movies contain the word “Ek” or its variations !. This is for the period from 1931 to 2012. The next most popular words are Mera/Meri-165 films, Dil- 121 , Pyaar- 108 , Do- 91 , Hum/Ham/Hamara/Hamari – 87, Prem – 68 , Ghar- 51 , Veer – 45 etc etc.
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Sun lo meri jaan
Posted on: June 17, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
THE VELVET MAGIC – TALAT DUETS……Song No. – 10…Last song of the series.
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We end this series with a duet of Talat and Suman Kalyanpur, from the film Pyar ki Dastaan-1961.
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