Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sadanand Kamath’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4863 Post No. : 16654

‘Jab Se Tumhen Dekha Hai’ (1963) was produced by Surinder Kapoor under the banner of Amar Chhaaya Films and was directed by Kedar Kapoor. The star cast included Geeta Bali and Pradeep Kumar in the lead role with the supporting cast of Agha, Vijaylaxmi, Siddhu, Sunder, Tun Tun, Mohan Choti, Ravikant etc. Shammi Kapoor, Shashi Kapoor, Om Prakash, Bhagwan, Kumkum, and Shyama made their guest appearances in the film. This was Surinder Kapoor’s maiden film as a producer.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4862 Post No. : 16653

Shekhawati region of Rajasthan consists of the districts of Churu, Jhunjhunu, Sikar and some parts of Jaipur and Nagaur districts. The region is well-known for its painted havelis and temples. I had travelled in Shekhawati region in February 2013 mainly to see the magnificent painted havelis. There are hundreds of such havelis, some abandoned, some still being used as residential houses and a few which have been converted into heritage hotels. There are extensively and intricately painted havelis of some of the industrialists like Birla, Singhania, Goenka, Jhunjhunwaala, Podar, Morarka, Modi etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4860 Post No. : 16650

There was a time when the combination of Pyare Lal Santoshi (P L Santoshi), as a director, Rehana as the heroine and C Ramchnadra as a music director was a sure shot formula for box office success of the films. This combination gave hit films like ‘Shehnaai’ (1947), ‘Khidki’ (1948) and ‘Sargam’ (1950). But in 1952, this successful combination came to an end when ‘Shin Shinaaki Boobla Boo’ (1952) miserably failed at the box office. Though P L Santoshi remained active in the next about 2 decades, he did not regain the status in Bombay film industry which he had enjoyed in the 1940s.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4858 Post No. : 16648

Today, November 5, 2021 is the 13th Remembrance Day of producer-director, B R Chopra. I admire him for his courage to make films on sensitive and socially relevant issues at a time when most of other producers would have avoided such issues. As far as I know, B R Chopra became the director without working under any one of the well-known directors of his time or even working in any other departments of the film making which is laudable.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is his 700th post in the blog.

Blog Day :

4851 Post No. : 16641

O P Nayyar was an odd man out in Hindi film industry as a music director. He did not have the formal or informal training in the music. He did not undergo ‘apprenticeship’ under any music directors. He did not work with Lata Mangeshkar during his entire career as a music director. The top three star-actors of 1950s and 60s – Dilip Kumar, Dev Anand and Raj Kapoor avoided him as a music director after working with him for one or two films. He did not work with Raj Khosla after his spate with him in ‘Ek Musaafir Ek Haseena’ (1962). His egoistic, stubborn, ‘calling spade a spade’ type of nature and some shades of eccentricities should have made him persona non grata in the Hindi film industry. Despite all these odds, he attained the status of one of the top music directors of Hindi films during 1950s and 1960s.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4849 Post No. : 16639

This is the tale of a Hindi film director whose first film he wrote and directed, became a super hit. Unfortunately, he also reached the pinnacle of his career as a director with his very first film. The reason was that none of his subsequent films could achieve the same scale of successes as was with his first film. He was associated with Hindi films as a director for nearly 3 decades, but he directed only 6 films. During the same period, he also produced 3 films. His name was Ram Krishna Nayyar, better known in Hindi film industry as R K Nayyar. In my view, he was a director whose expertise was in directing films in the genre of romantic mystery thriller.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4846 Post No. : 16634

The song, tum jo aao to pyaar aa jaaye zindagi mein bahaar aa jaaye was from a ‘B’ grade film, ‘Sakhi Robin’ (1962) sung by Manna Dey and Suman Kalyanpur. The song was written by a then struggling lyricist, Yogesh Gaud which was set to music by Robin Banerjee who was trying to establish himself as the music director in Hindi films but did not succeed. If this song was to appear in an ‘A’ grade film, probably this duet would have been sung by Mohammed Rafi or Mukesh with Lata Mangeshkar. Another popular song, na jaane kahaan tum thhe na jaane kahaan ham thhe from ‘Zindagi Aur Khwaab’ (1961) was sung by Manna Dey with Suman Kalyanpur set to music by Dattaram who was also trying his best to graduate from assistant to Shankar-Jaikishan to an independent music director since 1957.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4840 Post No. : 16627

‘Ye Gulistaan Hamaara’ (1972) was produced and directed by Atma Ram under the banner of Guru Dutt Films Combined. The star cast included Dev Anand and Sharmila Tagore in the lead roles supported by Pran, Iftikhar, Sujit Kumar, Johny Walker, Jaishree T, Lalita Pawar, Kanan Kaushal, Ramesh Deo, Raj Mehra, Keshav Rana, Janakidas etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4839 Post No. : 16625 Movie Count :

4589

In Hindi film industry, there have been many ‘rags to riches’ stories since its inceptions. There were instances where ‘rags to riches’ went back to their ‘rags’ status because they could not prudently handle their wealth and the fame. On the other hand, there are instances who could retain their rich status thanks to their dedication to work as well as prudent financial planning. One of them was Chandrashekar Narvekar, who is known in Hindi film industry as N. Chandra (born 04/04/1952).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4837 Post No. : 16621 Movie Count :

4588

‘Sonal’ (1973) was an obscure film which was produced under the banner of A K Productions. The film was directed by Prabhat Mukherjee. The star cast included Mallika Sarabhai and Jatin Khanna in the lead roles supported by Iftikhar, Gajanan Jagirdar, Sulochana, Sona, Gurnam Singh, Tarun Ghosh etc. It was debut film for Mallika Sarabhai and Jatin Khanna. The film’s censor certificate was issued on December 26, 1973. I am not sure if the film was released.
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