Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sadanand Kamath’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

DHANNA BHAGAT (1945) was produced under the banner of Ranjit Movietone and was it was directed by Kidar Sharma. The star cast included Kamla Chatterjee, Kamal Zamindar, Baby Mumtaz (Madhubala), N Kabir, Chandabai, Pesi Patel, Rajendra Singh, Shanta Kumari, Pandit Iqbal, Nazira, Anwari, Yeshwant Dave etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

RANEE (1943) was produced and directed by P C Barua under the banner of Barua Productions. The star cast included P C Barua and his wife Jamuna in lead roles with Bikram Kapoor, Patient Cooper, Kalawati, Johar Ganguly etc in the support roles. The story of the film, culled out from the review published in July 1943 issue of ‘Filmindia’ is as under:
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I had carried an impression for a long time that the only film in which Raj Kapoor acted with Kamini Kaushal was ‘Aag’ (1948) which was his debut film as a producer and director. A couple of months back, I got one mp3 clip of a rare song from an obscure film JAIL YATRA (1947) in which Raj Kapoor was teamed up with Kamini Kaushal as a romantic pair though the lead actor was Gajanan Jagirdar who was also the producer and director of the film. Other actors in the film were Badri Prasad, Sunalini Devi, Bikram Kapoor, Dixit, Ramlal, Hemavati, Pratima Devi etc. Acting with Kamini Kaushal in ‘Jail Yatra’ (1947) perhaps gave confidence to Raj Kapoor to cast Kamini Kaushal opposite himself in ‘Aag’ (1948).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

LADAAI KE BAAD (1943) was produced under the banner of Navyug Chitra and was it was directed by Ram Daryani. The star cast included Snehlata Pradhan and Shahu Modak in lead roles with David, Kusum Deshpande, B Sawsare, Sharda, Raja Pranjape, G Savkar, Pratima Devi, Sudha Apte etc in secondary roles. Apart from doing the lead role, Snehprabha Pradhan was also the story writer and choreographer for the film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the 1930s and 40s, Hindi film industry attracted many well known poets and writers of Hindi/Urdu. Munshi Premchand joined Ajanta Cinetone and wrote story and screen-play for the film ‘Mazdoor’ (1934) in which he also played a cameo role. Dr Safdar ‘Aah’ Sitapuri, the Urdu poet and writer joined National Studios in 1939 and later Bombay Talkies as screen-play/dialogue writer and lyricist. Later, he also directed two Hindi films. Upendranath ‘Ashq’ joined Filmistan in 1944 as screen-play and dialogue writer. Josh Malihabadi, the Urdu poet joined Shalimar Studio in 1942 as dialogue writer and lyricist. Amritlal Nagar joined the film industry in 1941 as a screen-play/dialogue writer and lyricist. The list is not exhaustive.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Prabhat Film Company’s ‘Padosi’ (1941) can be regarded as the first Hindi film based on the theme of Hindu-Muslim unity. This theme was considered as a courageous and risky proposition as sword pf Damocles was bound to hang over the head any producer dealing with such an explosive subject. The fanaticism prevalent in both these communities could wreck the box office prospects of the film. Defyung such dire predictions, ‘Padosi’ (1941) went on to became a box office hit.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

PYAAS (1941) was produced under the banner of Ranjit Movietone for Murli Movietone and it was directed by Ram Daryani. The star cast included Ishwarlal, Snehprabha Pradhan, Shamim, E Billimoria, Nazir, Gulab, Gope, Sharifa etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A few days back, I had mentioned in one of my articles in the Blog that I regard 1940s as the transitional phase for Hindi film music which paved the way for the arrival of the golden period of Hindi film music in 1950s and 1960s. The music director who triggered the ‘renaissance’ period of the 1940s in Hindi film music was Master Ghulam Haider. His song compositions in ‘Khazaanchi’ (1941) revolutionised Hindi film music. One of the popular songs from the film Saawan ke nazaare hain (Khazaanchi) was a trend setter not only for Hindi film music but also for the picturisation of the song.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I came to know about a film made in 1940 with a title ‘Intezaar’ through Filmindia magazine. Later, it was given a new title ‘Sneh Bandhan’ (1940) and was released with the same name. I did not evince much interest in knowing about the film until I came across the mp3 clip of a beautifully worded song from the film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

BARSAAT KI EK RAAT (1948) was produced under the banner of Deewan Pictures, Bombay and it was directed by G Singh. The star cast included Amarnath, Pran, Asha Posley, Durga Mota, Shamlal, G N Butt, Baby Lata etc. I have no idea about the story of the film. Going by the refrains of the songs of the film, the story seems to be revolved around the romantic pairs with moods of exuberance and separation.
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