Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sudhir’ Category


I found that both I as well as Sudhir jee came up with articles for this song ! I have combined both the articles in this write up. The first half (discussing Ashok Kumar’s career), is written by me. The second half, discussing this song is by Sudhir jee
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Atul’s write up
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A few days ago (13th october to be precise), we discussed Kishore Kumar’s songs on the occasion of his death anniversary. It was mentioned in passing in one of the articles that 13th october also happened to be the birthday of Ashok Kumar, Kishore Kumar’s elder brother. As a result of this death of his kid brother on his birthday, Ashok Kumar would no longer celebrate his birthday.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ek Raat (1967) is a B/C grade film produced under the banner of East and West Movietone, Bombay, and is directed by Rajnath. The music for this film is composed by Usha Khanna. The lyrics for this film are written by three poets viz., Anjaan, Yogesh, and Jalaal Malihabaadi. The star cast is made up of Sheikh Mukhtar, Ravi Kumar, Simi, Shyama, Madan Puri, David, Helen, Lakshmichhaaya, Samson, Haroon, Bhagwan Sinha, Nazir Kashmiri, CL Shah, Bihari, Vasanti. This film was the debut vehicle for actor Ravi Kumar. The name does not sound familiar from other films, and I would request our knowledgeable readers to add more information about this actor.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Arun ji,
Waah Waah Waah,
Kyaa hi laajawaab yaad taaza karaayee hai aap ne.

When I read your comment on the farmaishes, I was not able to immediately connect with the song, but when I went back to my collection and pulled out, the song just bowled me over once again. What a rhythm, what a pace, what a wonderful play of words – a song that really makes one want to do a tap dance. Wow and wow. 😀
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There is one big loss that the society faces of the demise of the radio broadcasts, and the rise of television and other devices. In the decades of 60s and 70s, and maybe even 80s, when radio was the prime mover of entertainment, one could bank upon hearing it somehow, someplace, every place through the day. In the morning radios would be the wake up call at homes, with news, religious music, and film music playing till one left for school or work. Afternoons and evenings again, radio used to play news and music and one could hear the sounds emanating from many households. And yes, radio would play all day at small tea shops, paan shops, and general merchants, and if there was a cricket commentary being broadcast, it was not out of place to see large crowds at tea shops and paan shops.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Continuing the search for the qawwaali form of music in Hindi films, I come across two wonderful qawwaalis from the film Bahu Begum (1967). I present the first one in this write up.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Doctor (1941) is a classic landmark film produced under the banner of New Theatres, Calcutta and directed by Subodh Mitra. The music composition is by Pankaj Babu, and the lyrics are penned by Aarzoo Lucknowi and Asgar Hussain Shor. The lead role of the principled and self effacing doctor is played Pankaj Babu. Other actors in the star line up include Nemo, Jyoti Prakash, Panna, Bharati Devi, Ahindru Chaudhry, Amar, Indu Mukherjee, Buddh Deb, Arbind Sen, Tona Roy, Ardhendu Mukherjee, Sukumar Pal etc. A fairly detailed synopsis of the film is available online, and is also partly covered in other songs from this film already discussed on this blog, especially Mehak Rahi Phulwaari and Kab tak niraashaa ka andhiyaara . This particular song is written by Agsar Hussain Shor.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Comparatively, the treasure of Hindi songs by Pankaj Babu is limited. In the Hindi/Urdu domain, Pankaj Babu has scored music for about 25 films from 1933 to 1954, some of them in collaboration with RC Boral. He has rendered less than 40 songs in all, in Hindi films. Outside of films, and excluding the live programs and recordings, the non-film Hindi songs number about 20. And so comparatively, his contribution appears to be not as significant (in the Hindi domain) as that of his contemporaries. His musical creations are more prolific in the Bengali film and non-film space. By some accounts, Pankaj Babu has composed over five thousand songs. Simply going by the numbers, it is evident that his major contribution has been in Bengali.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Aag (1967) is a production from the banner of Dimple Films, produced and directed by Naresh Kumar. The star cast of the film includes Feroze Khan, Mumtaz, Shyama, Achla Sachdev, Jeevan, Aruna Irani, Madan Puri, Sunder, Mohan Choti, Manohar Deepak, Tun Tun, Bipn Gupta, Indira Bansal, Randheer etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Ek Sapera Ek Lutera’ (1965) is a musical bonanza from the pen of Asad Bhopali and the baton of Usha Khanna. The film itself is a B grade production, and did just OK on the box office. Produced under the banner of Dimple Films, Bombay and directed by Naresh Kumar. The star cast is a typical B grade lineup for those times, featuring Feroze Khan, Kumkum, Uma Dutt, Mumtaz Begum, Shyam Kumar, Indira Bansal, Tuntun, Ramavtar, Rashid Khan, Daljeet, Sheikh, Sunder, Gopal Ralhan, Rani, Madhu Apte, Krishna, Khairaati etc. The film is a costume action cum romance drama, that is based on the life style and culture of snake charmers and gypsies.
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