Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Khan Mastana songs’ Category


These days people fight elections to come to power and once they get a taste for it, then want to cling to it at any cost. During mythological times, the King of gods, viz Lord Indra would cling to his chair like a leech. One did not have to fight elections to come to power those days. One needed to do tapasya (penance) in a jungle for long years. Whenever a tapaswi sage would decide to go to a jungle and do “tapasya”, Lord Indra would get worried, thinking that the sage was after his chair. So he would try to disrupt the “tapasya”.
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“Zindagi Ya Toofaan” (1958) is a movie that had Pradeep Kumar,Nutan,Johny Walker and Minu Mumtaz in it. The movie as well as its songs are not all that well known these days. But that has not stopped me from discussing a couple of songs from this movie.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Parbat Pe Apna Dera (1944) is one of the more important creations of V Shantaram. The film deals with the concept of ‘maya’ the enduring allurement of the material world that spares no one. The theme also deals with the consequences fo desires, which are mostly painful and damaging. Briefly, Ulhas is an ascetic who lives alone on a hilltop, and does not allows any visitors or passersby to come to him. Once, Vanmala chances to come face to face with this ascetic, in one of her treks. She is injured, and the ascetic has some cure that relieves her of pain. She is the daughter of a rich person, probably used to having her way. She insists on continuing to meet Ulhas, against his wishes, and continues to bring him gifts, almost setting up a household on the hilltop, once where there was an abode of renunciation. One thing leads to another, and the ascetic ties the nuptial knot with this rich lady, leaves his ‘parbat’ (symbolically the high vantage point of human experience), and comes down to ‘civilization’ to live with his newfound family.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

As with many movies of that era, I saw Dr. Kotnis Ki Amar Kahaani (1946) on Doordarshan as a child. Sometimes, I am thankful for the times and the circumstances I grew up in. As teenagers, we did never have enough pocket money to spend on visits to the cinema halls. Our cinematic excursions were limited to view the weekly movie on DD, that too at a friend’s home. There was a time, many others would also remember, the weekly movie was actually shown partly on Saturday and partly on Sunday. I can recall a long list of movies from the 30s to the 50s thus viewed. This was before the time cable took over, and a black and white showing on the TV screen became a rarity. And the movies watched then, had a lasting impression and influence on my mind. The life and times were simpler; the movies and its people meant a value in social and traditional terms, and money was not the name of the game.
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All patriotic songs have the ability to move the listeners. Out of these songs, the most moving songs are those that talk of the martyr, the shaheed. There has been in fact two movies called “Shaheed”, viz “Shaheed” (1948) and “Shaheed” (1965).
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