Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Kishore Kumar songs’ Category


When I was growing us in late 1960s and 1970s, I was only aware of a few festivals when we had holidays. There were days like Holi, Deewaali, Raksha Bandhan,Durga Puja (Dashara), Id, Chrishmas etc. Then there were a few days thaat were known as days, viz Children’s day (Jawaharlal Nehru’s bithday), Teacher’s day (Radhakrishnan’s birthday) etc.
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Kishore Kumar, popularly regarded as a happy go lucky individual was deep down a sensitive soul. After making a couple of light hearted movies, Kishore Kumar began to make some serious movies on sensitive issues. But unfortunately the Hindi movie audience were not ready for such movies. In fact even today there is only a very small audience for serious and sensitive off beat movies.
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“Laawaris” (1981) was Produced and directed by Prakash Mehra. The movie had Amitabh Bachchan, Zeenat Aman, Amjad Khan, Suresh Oberoi, Bindu, Raakhee Gulzar, Om Prakash, Ranjeet, Ram Sethi etc in it. The movie was criticised quite badly by the movie reviewer of the magazine that I used to read those days. The critic wrote that the best scene in the movie was one that had the words “The End” in it.
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The first solo song that Kishore Kumar sang in his playback career was for Dev Anand in the movie “Ziddi” (1948) under the music direction of Khemchand Prakash. Then S D Burman, his mentor used his good offices to get Kishore Kumar to give plaback for Raj Kapoor in “Pyaar” (1950). But from that time onwards, Kishore Kumar sang for himself or for Dev Anand, in case it was a Dev Anand movie with S D Burman’s music direction. I can think of one more exception during 1950s though where Kishore Kumar sang for someone other than himself or Dev Anand. It was the iconic song Din hai suhaana aaj pahli taarikh hai(Pahli taarikh) (1954) which was picturised on Raja Nene.
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We in India seem to have one festival or the other almost on a daily basis, which is natural seeing how many religions, regions and Gods we have. Similarly, we in this blog seems to have anniversaries almost on a basis, which is natural seeing how many people have contributed in the makings of the songs that we in this blog discuss.
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“Pati Patni Aur Woh” (1978) was a B R Chopra production. It was produced and directed by B R Chopra. The movie was a light hearted adult comedy in the sense that it depicted the tale of a man carrying on an affair with his female secretary in office behind the back of his homely wife.
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Kishore Kumar was around in the Hindi movie playback scene for two decades from 1948 to 1968 but all these while he was on the fringes. But a combination of many circumstances, that are well chronicled, ensured that changes of epic proportions took place in the Hindi movies schemes of things in late 1960s. Whe the commotion was over and things settled down, the old order had changed giving way to the new. The old timers (heroes, singers, music directors) suddenly found themselves upstaged and evicted from the scene in the new order.
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As a human being, Kishore Kumar was quite a study in contrast. He was mainly known by his ability to bring a smile, if not whole hearted laughter in people’s mind. His joie de vivre was infectious with his fellow artists. If Kishore Kumar acted opposite actresses now known for playing tragedy roles (viz Nutan and Meena Kumari), then you can bet that the resultant movie would be a light hearted comedy, and not a serious melancholic stuff.
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