Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lata song’ Category


“Ishq Par Zor Nahin” (1970) was a Twinkle Stars presentation. It was produced by Suresh Saigal and directed by Ramesh Saigal. The movie had Sadhana, Dharmendra, Biswajeet, Kamini Kaushal,Madhumati, Nadira,Randhir, Meena.T, Udayachandrika(south),Leela Mishra, Jagdeesh Raj, Abhi Bhattacharya, Jagdeep etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is said that among the domesticated animals, dogs have a special bonding with human beings. They can anticipate their masters’ mind and act accordingly. During my childhood, we had cats as pet but not the dogs. However, we always had some street dogs around us who were like pets to us. While our pet cats’ loyalty was suspect, I always found street dogs around us very loyal. Theyalso had the ability of assessing the degree of our docility and act accordingly.
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Last week, I suddenly felt an urge to write an article on Shashi Kapoor whom I admire for being a different Kapoor from his two illustrious brothers – Raj Kapoor and Shammi Kapoor. He may not have the genius and business acumen of Raj Kapoor nor have the yahoo image of Shammi Kapoor. But he scored over his two illustrious brothers in that he was the most handsome among them. I remember a handsome and boyish looking Shashi Kapoor in ‘Waqt’ (1965). With his handsome and ever smiling face, he had a huge fan following during his hey days. He was different from his brothers on one more count – he married an English girl Jennifer Kendal who was associated with a theater group.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Poonam Ki Raat’ (1965) – a film that is rich in wonderful songs. The lyrics from the pen of Shailendra and the lilting tunes from the baton of Salil Chaudhry, have made almost all songs of this film as wonderful gems. Three songs from the film are already represented here – the soulful and pensive rendering of “Dil Tadpe Tadpaaye” by Rafi Saab, the fabulous, ritzy dance number “Ta Dhim Tana Dhim. . .” that only Asha Bhosle can do, and the haunting sounds of “Saathi Re. . . Tujh Bin Jiyaa Udaas Re” in the voice of Lata Mangeshkar. So now it is the turn of a romantic duet to follow. And this song here is one wonderful melodious creation, with voices of Mukesh and Lata Mangeshkar.
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Rajesh Khanna (29 december 2012-18 july 2012) is no more. He breathed his last yesterday. He was just 69 years of age. He was ailing for a few months but we thought that his ailment was nothing more than routine age related problems that everyone with advancing age has to face.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

July 17th is the birth anniversary of Snehal Bhatkar ( 17/07/1919 – 29/05/2007), one of the forgotten music directors of the Hindi film industry. On his last death anniversary, I had written an article on him for this blog. So I would skip his profile. Snehal Bhatkar was a talented music director who, like many lesser known music directors, lost in the rigmarole of the Hindi film industry.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Yesterday, Atul ji has posted a song whose lyrics were sent in by Prakash ji. The song –“Kaise Mitti Ke Maadho Se Paala Padaa” . On screen, it is Leena Chandavarkar trying to woo an apparently unwilling Sanjeev Kumar who seemingly does not understand the moves she is making and the words she is singing. Or maybe he does, but is choosing to remain aloof and unconcerned. I remember this song from the radio listening days, but I saw the video only today. And as soon as the song started, and Leena Chandavarkar started to sing out her complaints to her ‘beau fatale’, I immediately recalled another song – same era, same pair of actors on screen, the same complaint. Well one difference, the mood in the song that I refer to, is a bit more explicit, and a bit more demanding.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Sannaata’ is a film from 1966 that has simply sublime music composed by Hemant Da. The film has only 4 songs, and all of them are absolute gems of melody.
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