Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Manna Dey songs’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Continuing the search for the qawwaali form of music in Hindi films, I come across two wonderful qawwaalis from the film Bahu Begum (1967). I present the first one in this write up.
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“Aankhen” (1968) is a “Saagar Arts International” movie which was directed by Ramanand Saagar. This movie had Dharmendra, Mala Sinha, Mehmood, Madan Puri,Amarnath, Zeb Rehman, Kumkum, Sujit Kumar, Nazir Hussain, Jeevan, Sajjan, Hiralal, Daisy Irani, Parduram, Dhumal, A. A. Khan, Master Rattan, Lalita Pawar etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A qawwaali that is true to its art form, a naatiyaa kalaam, presented in the honor of an un-named saint. Apparently, it is a some celebration at the dargaah of a departed saint. The words tell about the divine powers of just being there, and requesting in humble supplication, and the desires and aspirations will be fulfilled.
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I have discussed a couple of songs from “Suhaag Sindoor”(1961) in the past. Here is another song from this movie. The song is sung by Rafi and Manna Dey and it is picturised on Johny Walker (lip syncing in the voice of Rafi) and Balraj Sahni (lip syncing in the voice of Manna Dey).
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In this blog, we discuss songs of yesteryears. Many of the songs are well known and some are in fact so well known that they have become part of day to day life of people.

But there are many songs which are lesser known and then there are songs that have been forgotten.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

aaj phir jeene ki tamanna hai
aaj phir marne ka irada hai

No better words to express the exuberance and the playfulness of a liberated spirit. A poet’s dream and life’s illustration in reality, all anxieties and caution thrown to the winds and the desires to live the life the way it should be. These words from the pen of Shailendra, and numerous other such gems, of all moods and flavors, embellish the Hindi film screen for 160+ films across two decades. A poet par excellence, Shailendra was a rebel spirit meshed in a romantic mould, whose understanding and expression of human emotions and situations is second to none.
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I have not watched the movie called “Talaaq” (1958) but from its songs and some online reading up (both could be misleading 😀 ) leads me to believe that Rajendra Kumar and Kamini Kadam get married, have a child (Honey Irani) then fight among themselves and then file for divorce. In all these, the child finds himself kicked around like a football. when the warring duo finally reconcile with each other and search for their child, they find out that he is not to be found. For all they know, he has become an orphan and who knows, he could well have ended up in an orphanage.
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