Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi songs’ Category


“Gareebi” (1949) is a movie about which very little information is available on internet. Fortunately, we have our own encyclopaedia Mr Arunkumar Deshmukh, who was not only around when these movies were released, but on many cases he even watched such movies and took notes.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Welcome all readers to another century celebration. With this post, this blog now has completed publication of 4900 songs, which is a remarkable feat by many standards. And this milestone is yet again marked with the consistency and continuity that has been unbroken for more than three years now. Much more than the number and the content of the posts, it is the perseverance and commitment to this effort, that are the outstanding qualities of maintaining the healthy pace of growth on this blog. And I present all kudos and praise to Atul ji, for spearheading this effort. A singular effort that is unparalleled in the cyber space. Heartfelt greetings to Atul ji and all readers of this blog, and best wishes and all my support in the cause of what this blog is attempting to accomplish.

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Though I have not kept track of it, I have a feeling that most songs picturised on Shammi Kapoor (in his Shammi Kapoor style movies) have been covered in this blog. I need to put all these songs in some proper tags so that keeping track of them becomes easier.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In this post I present a qawwaali written by Sahir Saab. In the string of qawwaalis, I had some time back posted the iconic qawwaali from the film Kaala Samunder (1962), with the mukhdaa (title) “Meri Tasweer Le Kar Kyaa Karogey Tum” . There is one more qawwaali from the same film, not as well known, and is somewhat rare and obscure. But then, bless this YouTube that I am able to trace this qawwaali finally.
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“Saajan Ki Saheli” (1980) is a movie which came up in the last stage of the Golden era of Hindi movie music. Those were the days when Disco music was becoming the rage and lyrics were losing their importance in such songs. During those days, we fortunately still had the kind of music in some movies that we had grown up to love all these decades. These were off beat movies, smaller budget movies, family values movies- in brief “non mainstream movies”.
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“Pyaasi Shaam” (1969) is a Kewaljeet Productions movie which was directed by Amar Kumar. The cast of this movie included names like Sunil Dutt, Sharmila Tagore, Feroz Khan, Anjali Kadam, Dhumal, Sunder, Vimal Ahuja, Manmohan Krishna, Kamal Kapoor, Birbal, Om Prakash etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I apologize to the readers if they feel that I seem to be stuck in the second half of 60s, while I am selecting songs from Usha Khanna’s films. It seems to be true. Hard as I may try, I am not able to extricate myself from the films of the years from 1966 to 1970. And the reason is that I simply keep bumping into one wonderful gem after another, and the music itself compels me to continue writing about this era of Usha ji’s career. From all counts that I can admit so far, the 60s was the most prolific and the also the most tuneful decade for this composer.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A soft and very sensuous piece of music from the 1969 film, Bandish. The film is produced under the banner of JJ Films, Bombay and directed by Charandas Shokh, the star cast of the film includes Shailendra, Sonia Sahni, Azra, Ulhaas, Sham Kumar, Mirza Musharraf, Kundan, Brahmchari, SK Prem, Sarita Devi, Uma Dhawan etc. The lyricist is yet another new name for this blog, Akmal Hyderabadi. The music is composed by Usha Khanna.
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Today India follows the decimal system as far as currency is concerned where 100 paise = 1 rupee. But that was not always the case. The decimal systen was adopted by India in 1957. Before that one rupee was equal to 64 paise, and one anna equalled 4 paise. Thus half a rupee was 8 anna and so on. To differentiate between the paisa of the decimal system from the paisa of earlier days, the decimal system paisa was called “Naya Paisa” (new paisa). After 1964, the prefix naya was dropped, but in day to day life, usage of the term “naya paisa” continued well into 1970s. In fact, the coins itself had the word “naya paisa” or “naye paise” written on them.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Insaan Aur Shaitaan, a film from 1970, came in the time when Sanjeev Kumar had already moved into significant and leading roles in A grade films. Probably this films would be one of his last few commitments in the action thrillers of the B/C category where he was fighting off criminals and saving the honor of young ladies and the nation.
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