Archive for the ‘Rafi solo’ Category
Ek do teen dil gayi chheen
Posted on: October 24, 2011
Today India follows the decimal system as far as currency is concerned where 100 paise = 1 rupee. But that was not always the case. The decimal systen was adopted by India in 1957. Before that one rupee was equal to 64 paise, and one anna equalled 4 paise. Thus half a rupee was 8 anna and so on. To differentiate between the paisa of the decimal system from the paisa of earlier days, the decimal system paisa was called “Naya Paisa” (new paisa). After 1964, the prefix naya was dropped, but in day to day life, usage of the term “naya paisa” continued well into 1970s. In fact, the coins itself had the word “naya paisa” or “naye paise” written on them.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Insaan Aur Shaitaan, a film from 1970, came in the time when Sanjeev Kumar had already moved into significant and leading roles in A grade films. Probably this films would be one of his last few commitments in the action thrillers of the B/C category where he was fighting off criminals and saving the honor of young ladies and the nation.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
As I am selecting more songs to post for the composer Usha Khanna, I am actually faced by the dilemma on which ones to post first and which to defer. Every film that she has composed for, contains such musical gems that it is a wonder. Being relegated to the B/C grade films most of the time, Usha Khanna has still done a yeoman’s service to the Hindi film music, producing one great melody after another. Coming across the names of the films for which she has composed music, the first reaction is ‘haanh?, what was that name again’, that is the level of obscurity which pervades her creations.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog
I am not one who believes in star positions in the galaxy determining happenings on earth but maybe some things were ordained.
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Jaane wo kaun hain
Posted on: October 20, 2011
“Bheegi Raat”(1965) is a Maya movies production, which was directed by Kalidas. the movie had Meena Kumari, Pradeep Kumar, Shashikala, Rajendranath, Ulhas, Raj Mehra, Ashok Kumar, Kamini Kaushal, I. S. Johar, Hari Shivdasani etc in it.
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In Hindi movie, it is only the hero and the heroine who are supposed to have tender feeling and who are supposed to fall in love. Other characers are supposed to be people without feelings who have no place for romantic songs in their lives.
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Aji aisi nazar ko kyaa kahiye
Posted on: October 19, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The general impression of a qawwaali is that is sung by a group of singers and musicians together. Either it is one group that is presenting, with one or two lead singers, a number of other singers providing the chorus, and some members of the group are playing the musical instruments. Or it is a presentation by two groups composed as described above, who may be competing with each other, in presenting ideas about a specific theme. This latter variation is called ‘baitbaazi’ .
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- In: "appeasement" song | "reconciliation" song | Aansoo song | comforting song | expression of love | Feelings of heart | Lyrics by nahm | Lyrics contributed by readers | Rafi solo | Rafi songs | Remorse | Sentimental song | Songs of 1960s (1961 to 1970) | Songs of 1965 | Yearwise breakup of songs
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In Hindi movies, there are songs for all occasions including songs meant to assuage the hurt feelings of the beloved. Now, how can one go about assuaging the hurt felings of one’s beloved ? The common and gentlemanly method is to say sorry. But then Hindi movie heroes (like Government employees) 🙂 can never see the errors of their ways and cannot say sorry. Even when they say sorry then do not mean it. In a railway station, one listens to the announcement saying ” The train is running late. We are sorry for the inconvenience”. The announcer hardly sounds sorry while making this announcement.
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when one listens to O P Nayyar’s music, one often may find his music sounding same. But when one frees one’s mind of such pre conceived notions (viz. different compositions of a music composer needs to sound different from each other), one can enjoy music the best. And in case of O P Nayyar’s music, one should listen to the music and enjoy the indescribable quality of enjoyment that these compositions bring. This quality cannot be taught/ learnt/passed on to future generations. It was a quality that went into oblivion with O P Nayyar. And we need to savour the legacy that O P Nayyar has left behind.
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“Swarg Narak” (1978) was produced by Vijaya Productions and directed by Dasari Narayan Rao. This movie had Sanjeev Kumar, Jeetendra,Tanuja,Vinod Mehra,Mausami Chatterji,Shabana Azmi,Jagdeep, Om Shivpuri,Komila Wirk,Raj Mehra, Shammi, Vikram Gokhale, Birbal etc.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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