Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi solo’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The personality personified in these two lines “Dil Hai Hamaara Phool Se Naazuk, Baazu Hain Faulaad” – that is the image of Dara Singh that I have always carried with me. A childhood hero, a super powerful man, who was always friendly and helpful for the needy, and was a scourge for the baddies.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are qawwali’s and than there are some qawwali’s. Or should I say there are qawwalis and than there are some filmi qawwalis by Roshan. To begin with I am not a very big fan or a knowledgeable person to talk about qawwali, hence this flippancy 😉 .
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The haunting image of a worn-out, white bearded face, with lines of age alluding to maybe a century of anguish, haltingly climbing down the service staircase in the deserted studio, wanting to reach the chair with ‘Director’ imprinted on its back. Or the vision of a decrepit man standing in the theatre doorway, his hands out flung across the entrance, and the sharp lighting from behind giving an impression of a phoenix rising from the ashes. These two celluloid illustrations are probably two of a handful of very gripping, compelling and spellbinding images that have left a lasting imprint on the minds of the cinema viewers and more importantly, a telling statement that redefined the very cultural fabric of the society and of film making itself.
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In old Hindi movies, especially those of 1950s and 1960s, we often see songs picturised on “Taanga”, also called “Tonga”, not to be confused with a country of this name. 🙂

“Taanga” was actually a mode of public transport in India those days. With time, Taanga has all but vanished as a mode of public transport in India. But they have not become extinct. One can still find them in some small towns of India. I have noticed them in small places in Madhya Pradesh, Chattisgarh etc. In fact, one can see them in Fatehpur Sikri near Agra in UP. I recall that we (I, my wife and daughter) actually rode on a Taanga to go to Fatehpur Sikri a few years ago.
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“Son of India”(1962) was a Mehboob Production movie. It was produced and directed by Mehboob Khan. The movie had Kumkum, Kamaljeet, Jayant Kumar, Kanhaiyalal, Simmi, Lilian, Sulochana, Mukri, Sajid, Murad, Bakhtawar etc in it.
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“Ek Mahal Ho Sapnon Ka”(1975) was produced and directed by Devendra Goel. The movie had Ashok Kumar, Dharmendra, Sharmila Tagore, Leena Chandawarkar, Deven Verma, David, Ramesh Dev, Achala Sachdev, Sanjana, Asha Chandra, Brahmchaari, Birbal, Jagdish Raj, Hercules, Azad Irani etc.
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“Chhote Sarkar”(1974) is quite an obscure movie by now, which is a surprise seeing that this movie had Shammi Kapoor and Sadhana in lead roles.

The fact that the movie was released in 1974, by which time both Shammi Kapoor and Sadhana were past their prime as lead actors, may be the reason for the obscurity of this movie. The movie was obviously planned to be released in 1960s, but the movie could not be released for various reasons. By the time it finally saw the light of the day in 1974, it was too late. The taste of the movie goers had changed drastically in the interim period. As a result, this movie sank almost without a trace.
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“Maa Ka Aanchal” (1970) was a Hari Natraj Films Production. It was produced and directed by Jagdev Bhambri. The movie had Sanjeev Kumar, Abhi Bhattacharya, Anjana(Mumtaz), Leela Mishra,Jagdev,Sheela R., Satpal Nishan, Sushma, Johnny Whisky, V.Gopal, Gopal Segal, Amol Sen, Dilip Dutt, Deena Nath, Master Rattan, Abdul, RajKumar Dutt, Abdul etc in it.
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