Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rare song’ Category


This blog had songs from “Naadaan”(1951) and “Nadaan” (1971). It turns out that a movie of the same title was also released as early as 1941. Very little information is available about this movie. This movie was directed by Zia Sarhadi. The movie had Aman, Noorjahaan, Masood etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Chaar Chaand -1953 was one of those non-descript movies which leave no trace behind them, once they go off the screen.

I had not seen this film and I did not get any information about this film anywhere on the net or in any books or magazines. With a star cast of B grade, like Shyama, Suresh, Bhagwan, Shaikh, Majnu, Cuckoo etc, even its production banner was not well known- Fine art films, Bombay.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the process of searching for some rare songs sung by G M Durrani, I came across a song ‘chamkat damkat daamini’ sung by him in the film GEET GOVIND (1947) with Aabha and Geeta Dutt. I have not heard the name of the film nor the song. I am not even aware of Aabha, one of the playback singers in this song. Perhaps she may be one of those ‘one-film’ playback singers.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

An affable presence, whether it be stage, screen or real life. And a soft and sweet voice – conversations of concern for humanity and society. A man of letters, well read, and well heard too, who continued to write till the end of his stay on this earth. A man of very impressive personality, who had the fortune of working with academic and social luminaries like Gurudev Rabindranath Tagore, Dr. Zakir Hussain and Mahatma Gandhi. Balraj Sahni, a personality who could empathize with the issues of poverty and unemployment, from personal firsthand experience. And when he passed away, and was placed in state at his residence, besides a copy of Bhagwadgita, there was also placed near him a copy of ‘Das Kapital’ of Karl Marx, and tiny bust of Lenin. A man of the masses, whose roles in films like ‘Dharti Ke Lal’(1946), ‘Hum Log’ (1951), ‘Do Beegha Zameen’ (1953), ‘Heera Moti’ (1959) are a hallmark of simplicity and reality, roles that are a reflection of the mind of a thinker and a sensitive human being. It is more than coincidental that his birth anniversary is today, 1st of May, the day dedicated to the labor class. Today (1 may 2013), we celebrate the century year of his birth.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

On the eve of my retirement from the service in 2006, I had started buying VCDs/DVDs of many classic Hindi films mostly of 40s and 50s to watch them as a part of my post retirement activities. While I have watched most of them, there were still a few VCDs which were lying intact without even breaking the plastic wraps. One of such VCDs was of the film ‘Village Girl’ (1945). What caught my attention was not the intact plastic cover but a boldly printed statement on the top of the VCD cover in Hindi which in English meant ‘Mohammed Rafi’s first song – ajee dil ho qaaboo mein to dildaar ki aisee taisee’. Until now I was under the impression that Mohammed Rafi’s first debut Hindi film as a playback singer was ‘Pahle Aap’ (1944). I decided to first watch the film.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

= = = = = = = = = = = = = =
The Voice of Mukesh #16
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This delightful and endearing sound of a heart that is finding love for the first time, took me by surprise. And the song seems to be really rare, in that I am not able to locate any published version online so far.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. With this, the blog reaches the figure of 8000 songs.

Chris Gayle’s recent record breaking feat in the 20/20 match at Bangalore, nowhere near compares with Atul ji’s performance on this blog. 😀 😀

I would challenge Chris Gayle to continue scoring this way, even for just one more match. Oh, I am so confident that he will not be able to repeat his performance. Not very soon, and neither so convincingly. But on our blog, the centuries being posted by Atul ji are remarkable – consistent, and incessant in their regularity. Just two weeks, give or take a day, and there we are, another century notched up on the board.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

NAYI KAHAANI (1943) was produced under the banner of Prabhat Film Company and directed by D D Kashyap. The star cast included Jairaj, Miss Ross, B Nadrekar, Shalini, Paresh Banerjee, Master Balakram etc. I had not heard of Miss Rose as an actress. A search on the website did not reveal much information about her except some basic information here. She was born as Rose Masbiah in Calcutta (Kolkatta) in a Jewish family. Her filmography indicates that she started working for Madan Theatres in Calcutta starting with the film ‘Hindustan’ (1932). Sometime around 1938, she shifted to Bombay (Mumbai) and joined Sagar Movietone. After the closure of Sagar Movietone, she seems to have become a freelance actor doing roles in films produced under the banners of Ranjit Movietone, National Studios and other film production banners in Bombay/Poona. During her career, she acted in 24 films. ‘Daasi Yaa Maan’ (1946) was her last film. She was a good singer and in a few films, she sang her own songs.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Most readers of this Blog know Mr. Raja ji Swaminathan, as a very knowledgeable well wisher of this Blog and as a Blogger himself. His pioneering work of subtitling films is the most praiseworthy.
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