Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Translation by Sudhir’ Category


“Lahore” (1949) was a nice movie which was based on the aftermath of India’s partition following independence. This movie was a Jaimini Dewan production and it was directed by M L Anand. The movie had Karan Dewan, Nargis, Kanan Devi, Om Prakash, Randhir, Balakram, Ram Avtaar etc in it.
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“Kotwal Sahab” (1977) is a movie which is directed by Hrishikesh Mukherji. This movie was different from the usual Hrishikesh Mukherji movies. Instead of his usual his usual breezy, humerous, sensitive kind of direction that one is used to, Hrishikesh Mukherji has took up a more serious topic in this movie. In this movie, Shatrughan Sinha is a no nonsence honest police officer. His wife Aparna Sen has a dark past and she does not know how to share that past with her husband, because she fears that it may complicate matters. Utpal Dutt, playing a unscrupulous politician who is aware of Aparna Sen’s past is out there to take advantage of her plight.
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“Mili” (1975) was a copy of “Anand” (1971) which in turn was a copy of a Japanese award winning movie that Hrishikesh Mukherji had seen in a film festival sometime in late 1960s. I do not now remember the name of this movie but I had read about it in magazines of 1970s. I request other readers to tell me the name of this movie which inspired these movies.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Put together the year 1964, the names like Dara Singh, Ameeta, Feroze Khan, Mumtaz, King Kong, Tiger Jogender, a director by the name Nanabhai Bhatt, and a film title like Samson. And here is a ready recipe for a B/C grade stunt film. The name and presence of Dara Singh could well have been the saving grace of this film, in the local B/C grade cinema halls circuit, and likewise the name of the film does not sound so unfamiliar. But then, pour into this mix some lyrics by Majrooh Sultanpuri, and some melodious tunes by Chitragupt. Well now, the recipe does turn out to be more interesting, for now at least we are assured there will be some good music coming along with the stunts. Mind not the situations and the people who would perform these pieces of music on screen, the promise of some good songs will not be turned down.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Continuing with the series of posts about rare Mukesh gems, here is a wonderful solo song from the film Hum Matwaale Naujawaan (1961). This film is a social drama, produced under the banner of Rover Films, Bombay and directed by LR Asthaana. The star cast includes Shekhar, Saeeda Khan, Jeevan, Agha, Lillian, Mirza Musharraf, Chaman Puri, Gopal Sehgal, Tun Tun, Indira Bansal, Kammo Tripathi, Ravikant, Baby Farida etc. The film was not any major success at the box office, but it did leave its mark. Its music and songs are really very good – a typical grade A quality of music for a B/C grade film. The lyrics are Majrooh Sultanpuri and the music composition is by Chitragupt. This song is a lovely melody, that has been wonderfully rendered by Mukesh.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Presenting the song in response to the farmaish posted by Arun ji Deshmukh.

I am sure the number of folks would be very few, those who have not heard the iconic song, ‘Mere Piyaa Gaye Rangoon’ . The film Patanaga comes from the year 1949, which is considered as a watershed year in the annals of Hindi film music. So many wonderful movies with great music and great songs were released in this year, that it became a memorable year in terms of rising popularity of film music in India. The film is produced under the banner of Verma Films, Bombay and is directed by the distinguished Harnam Singh Rawail.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Bhupen Hazaarika, the sound and the soul of culture of the east, is now silent, forever. A stalwart of many talents who would be honored by audiences and critics in many countries, a multi faceted personality who was single handedly responsible for breathing life into the endeavors of Assamese cinema, bringing international recognition to the age old music and culture of far eastern India.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

Presenting the song in response to the farmaish posted by Lalitha ji.

Stree (1961) is another classic creation by the legendary V Shantaram. The film depicts the story of Shakuntala and Dushyanta (from the epic Mahabharat). For V Shantaram, this was a remake of his earlier film Shakuntala (1943). Interestingly, the earlier film was made with Jayashree (mother of Rajshree) in the role of Shakuntala. At that time, Jayashree was married to V Shantaram. The 1961 remake featured Sandhya in the main role, and after divorce with Jayashree, Sandhya was now the wife to V Shantaram, who himself re-enacted the role of Dushyanta in the movie.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

What to say about this qawwaali. . . what a gem, what a superb, almost impromptu presentation, and the lyrics, gosh, such wonderful, impactful, crisp, and short, with a punchline in each antaraa that spontaneously evokes the reaction, ‘waah waah kyaa baat hai’, ‘kya misra maaraa hai. . . kamaal hai.’.
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