Archive for the ‘Wedding ritual song’ Category
Aayee piyaa ke des dulhaniyaa
Posted on: August 17, 2024
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5874 | Post No. : | 18448 |
“Grihasthhi”(1948) was directed by S M Yousuf for Aaina Pictures, Bombay. This “social” movie had Sulochana Chatterjee, Kuldeep, Yakub, Pran, Masood, Mirza Musharraf, Mehrunissa, Rekha, Rajni, Chamcha, Abu Bakar, Bhaga Bai, Lalita Pawar, Pandit Kaul etc in it.
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Dulhan ban ke saajan ke dwaar
Posted on: June 15, 2024
- In: "Dulhan" song | "sahelis teasing a lady" song | Devnagri script lyrics by Sudhir | Lyrics contributed by readers | Rare song | Songs of 1940s (1941 to 1950) | Songs of 1947 | Songs with missing details in HFGK | Songs with missing details on HFGK | Wedding ritual song | Wedding song | Yearwise breakup of songs | Zohrabai Ambalewaali song
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5811 | Post No. : | 18346 |
‘Mehndi’ (1947) was produced by Fazli brothers and directed by Sibtain Fazli for Fazli Brothers, Bombay. This Muslim social movie had Karan Diwan, Nargis, Begum Para, Ghory, Murad, Jillo Bai, Pratima Devi, Anwari, Jani Babu, Baby Shyama etc. in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5699 | Post No. : | 18217 |
“Raunaq”(1944) was directed by Dwarka Khosla for Saubhagya Pictures, Bombay. The movie had Motilal, Charlie, Chandramohan, Swarnlata, Chandraprabha etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5698 | Post No. : | 18216 | Movie Count : |
4957 |
‘Bride and Prejudice’ (2004) was an English language film produced by Miramax Films, Pathe Pictures, UK Film Council and 5 other film production companies based in the USA and Europe. The film was directed by Gurinder Chadha. The cast included Aishwarya Rai and Martin Henderson in lead roles with the supporting cast of Anupam Kher, Nadira Babbar, Naveen Andrews, Namrata Shirodkar, Meghna Kothari, Piya Roy Chowdhary, Indira Verma, Daniel Gillies, Sonali Kulkarni, Nitin Ganatra etc. The film was shot in the UK, the USA and India. The lead actor, Martin Henderson was born and brought-up in Auckland, New Zealand and now settled in Los Angles with his career in films and TV. Naveen Andrews was born and brought up in London. His parents were immigrants from Kerala. He is now a naturalised US citizen with his career in films and TV.
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Bhaagan ke rekhan ki bahangiyaa
Posted on: January 29, 2024
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5673 | Post No. : | 18184 | Movie Count : |
4948 |
William Shakespeare’s plays such as ‘Othello’, ‘Macbeth’, ‘Hamlet’, ‘Romeo And Juliet’, ‘A Midsummer Night’s Dream’, ’12th Night’, The Comedy of Errors’ etc have been adapted in Hindi films. These Shakespearian plays have romance, emotions, tragedy, melodrama, actions etc and Hindi mainstream filmmakers thrive on such ingredients in the film. The most popular Shakespeare’s play which have been adapted for Hindi films is ‘Romeo and Juliet’. There may be at least a dozen Hindi films adapted and inspired from this play. From the summary version of this play which I have read, two important aspects in the play emerge. First, the lovers are from two different feuding families who desperately try to separate them. Second, from the incipient stage of their love, there are strong indications that they are not going to be united and at the end, they die as doomed lovers. So, the adapted films need to have these two important aspects to qualify as a fair adaptation of Shakespeare’s ‘Romeo and Juliet’. The viewers must feel that it is tragic love story from start to end. Insofar as Hindi adapted films are concerned, I feel that Jaddan Bai’s ‘Romeo and Juliet (1947), directed by her son, Akhtar Hussain with her daughter, Nargis playing the role of Juliet, can be said to be the first version in Hindi film with an earnest degree of adaptation of Shakespeare’s play. In fact, this film has accredited William Shakespeare as the ‘story writer’. Films such as ‘Ek Duje Ke Liye’ (1981) and ‘Qayaamat Se Qayaamat Tak’ (1988), also fulfill this criteria.
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Le liya dil hamaara chaandni ne
Posted on: August 13, 2023
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5504 | Post No. : | 17946 |
Hullo Atuldom
13th August is a day when a few beautiful Bollywood ladies have their birthdays.
If Sridevi had been among us, her fans & the various channels would have gone crazy showing her films, songs, dances etc. on her 60th birthday. But that is not to be as she is lost to us her fans and we can only think of her, enjoy her songs etc.
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Raajaa ki aayee hai baaraat
Posted on: March 21, 2023
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5359 | Post No. : | 17577 | Movie Count : |
4791 |
Hullo Atuldom
Born into the film industry. Married into another famous movie-making family. Debut film (in Hindi) with a star-son; a Khan at that. In fact, heroes in her first six films had KHAN as their last name.
I am speaking of Rani Mukherjee who was born into the Mukherjee-Samarth family. Her father Ram Mukherjee was the son of Ravindramohan Mukherjee who was Sashadhar Mukherjee’s (founder of Filmalaya studios) brother. Her mother is the playback singer Krishna Mukherjee. Additionally her brother is director Raja Mukherjee. So that is Rani’s maayka.
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Jhin min jhini
Posted on: March 16, 2023
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5354 | Post No. : | 17558 | Movie Count : |
4785 |
Vishal Bhardwaj’s Trilogy of Shakespeare plays – 1: ‘Maqbool’ (2004).
Williams Shakespeare’s plays have been very popular with the Indian theatres since the theatre movement started sometime in the later 18th century. It was in the late 19th century that some of the famous Shakespeare’s plays were adapted in the Indian theatres in Hindi, Urdu and other prominent regional languages like Bengali, Marathi, Gujarati, Tamil etc. The plays were molded into Indian socio-economic and political background. With the advent of silent films in India in 1913 and later the sound films from 1931, the film producers also adapted some of the popular Shakespeare’s plays for their films.
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Jhoome jee bahaar jhoome
Posted on: March 5, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5343 | Post No. : | 17520 |
#the Decade of Fifties –1951 – 1960 #
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In this post we are going to listen to a song from the ‘1957’ movie ‘Aadmi’.
Films with the same title “Aadmi” have been released in 1939, 1957, 1968 and 1993. Out of these, films released in ‘1939’, ‘1957’ and ‘1968’ are already represented on the blog. One of them, viz ‘Aadmi-1968’ is YIPPEED on the blog.
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Aadhi raat jab chaand dhale
Posted on: February 15, 2023
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5325 | Post No. : | 17455 | Movie Count : |
4762 |
In this article, I propose to explore two films – ‘Duvidha’ (1973) directed by Mani Kaul and ‘Paheli’ (2005) directed by Amol Palekar. Both these films are based on a short story, ‘Duvidha’ by the writer of Rajasthani literature and Sahitya Akademy Award winner, Vijaydan Detha (popularly known as ‘Bijji’). Bijji wrote the short story in 1958 by using a verbally transmitted Rajasthani folktale to convey a bride’s silent defiance of the prevailing patriarchal system by embracing a ghost as her husband when her real husband leaves for a faraway town on business for 5 years, two days after the marriage. The defiance came from the fact that her husband did not take into consideration his wife’s emotional needs while taking this decision. The author has used the metaphor of the ghost through which the wife’s silent revolt occurs.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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