Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1940s (1941 to 1950)’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4792 Post No. : 16551 Movie Count :

4566

The name of Chimanlal Trivedi, the producer-director may not ring bell in the minds of most of the admirers of old Hindi films. In Mumbai, he was the contemporary of well-known producer-directors like Chandulal Shah, A R Kardar, Mehboob Khan, V Shantaram etc in the 1940s.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4792 Post No. : 16550 Movie Count :

4565

Today’s song is from the film Rai Saheb-1942.

How many of us really know anything about the title ” Rai Saheb” ? I am sure most people may not know.

When the British were ruling a larger part of the world, they had a system of honouring special people for their Loyalty towards the Raj, or for those who had done some great work, those who worked for removing the social ills etc etc. To do this, these people were given special Titles. The British Royalty used to bestow honourable titles for extraordinary work in its Empire, like OBE (Order of British Empire), CBE,CSI and similar titles. Usually such titles used to be given to Royal people of its Empire like Kings, Rajahs, Maharajas etc etc. It was a great honour.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4791 Post No. : 16548

Today’s song is from the film Rang mahal-1948. This social film was made by Eastern Pictures, Bombay. It was written and directed by Pt. Anand Kumar.

Not much is known about this director. He was one of those aspirants who ran away from home to Bombay- the Dream City, to make a career. In his first attempt he failed, went back to his village to do the ‘run away’ scene again second time, with more money. Even this time he failed, so he returned to his home and became a big and famous writer. He came back to Bombay only when he was invited by the film industry to make use of his skill !
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4788 Post No. : 16544 Movie Count :

4564

Today’s song is from the film Pratigya-1943.

In HFGK the name of the film in Hindi is correct-” प्रतिज्ञा”, but in English it is written as ” Pratigya “. I do not understand why it could not be written correctly as ” प्रतिज्ञा “. Even film Sant Gyaneshwar-1940 had the same problem. In Hindi it is written correctly, but in English it is Gyaneshwar. Some English language scholars must solve this puzzle. My guess is, because in colloquial Hindi language ज्ञ is pronounced as ग्य . Like ग्यान for ज्ञान . HFGK must have opted for this spelling. It is funny – in Hindi it is written correctly, but in English, this way. If it was the other way round, I could have understood, since colloquial Hindi is Gya. I can’t somehow digest this awatar of English words !
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4785 Post No. : 16541 Movie Count :

4562

The history of Hindi film songs indicates that, by and large, singers who have been formally trained (gandabandha disciples) as Hindustani classical/semi-classical vocalists had the marginal presence in the Hindi films as playback singers. They mainly concentrated on their career as public or private concert singers. Some of them like Mukhtar Begam, Begam Akhtar, Indubala, Angoorbala, Kamala Jharia etc who were actor-singer during the early phase of the sound films, later concentrated on their career as vocalists in Hindustani classical and semi-classical genres.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4784 Post No. : 16539

Today’s song is from the film Prarthana-1943. The film was made by Minerva Movietone. The music was composed by Saraswati Devi. After a vertical rift between a disgruntled group led by S. Mukherjee in Bombay Talkies, the group left Bombay talkies and established their own Filmistan studio. Many people went with them. Some remained with Devika Rani. Saraswati devi also left Bombay Talkies but became a Free-Lance, without joining any group. The cast of the film was Sabita Devi, Motilal, Jahanara Kajjan, Nimbalkar, Menaka, K.N.Singh and many others.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4782 Post No. : 16536 Movie Count :

4560

I have come across 3 Hindi films on the story of ‘Krihsna-Arjuna Yuddh’. I had never heard of the story of war between Krishna and Arjun in Mahabharat. How could they be at war with each other when Arjun and Lord Krishna were not only great friends but they were also relatives. Then how did the story of ‘Krishna-Arjuna Yuddh’ emerge? I could not get the slightest indication of the story even as a sub-plot in Mahabharat. A search on the internet revealed that there was indeed a story of Krishna-Arjun war. I came across at least two such stories with some minor variations though the main theme (the reasons for the war) remained the same in both the stories. There may be a few more versions of this story.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is his 1000th post in the blog.

Blog Day :

4779 Post No. : 16531

POST NO. 1000
——————————-

I had never imagined that in my life I would ever write 1000 articles on old films and music. When I retired from my regular service in 1998, I had many offers from the Pharma Industry, because of my 35 years’ successful track record. I had joined the Pharma giant – Glaxo Laboratories as a Medical Representative and retired as the General Manager – Marketing.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4778 Post No. : 16530

We are in the midst of Saawan, the 5th month of the Hindu calendar. Besides, being a holy month for Hindus, it is also a month for romanticism. After experiencing the scorching summer for a couple of months, rains bring a great relief to the people. By the time, the month of saawan starts, the rains have already transformed not only the dry agricultural fields into green but also the surroundings areas. Also, in the saawan month, the intensity of the rains gets reduced allowing the inter-play of showers and soft sunrays. All these changes in the climate make the atmosphere congenial for romanticism. Longing, rejoicing and separation become the part of the romantic month of saawan for those in love. Poets, writers and artists have been inspired by the romaticism of saawan in their works.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4774 Post No. : 16524

Today, August 13, 2021 is the 44th Remembrance Day of a playback singer who was associated with the historic moment in the Indian film industry when for the first time, a system of playback singing was introduced in the film ‘Dhoop Chhaaon’ (1935)/’Bhaagya Chakra’ (Bangla). Yes, the playback singer is Parul Ghosh, one of the first three female playback singers – other two being Suporva Sarkar and Harimati Dua.
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