Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1948’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Suhaagraat” (1948) was an Oriental Pictures production. It was directed by Kidar Sharma. The movie had Bharat Bhushan, Begam Para, Geeta Bali, Maruti etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Divas of Hindi film music (3)
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The third song of the series is another duet from the film ” Rang Mahal ” (1948). The singers are Mohammad Rafi and Suraiyya. The film is making a debut in the blog with this song. The film’s cast is Suresh, Suraiyya, Shahnawaz, Lalita Pawar and Anant Marathe. Myswar.com is crediting all songs of this film to K. Datta and V. Balsara, as Music Directors, whereas the Excel sheet of Rafi songs has only the name of K. Datta. The lyricist is Shiv Kumar.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The year was 1935 and New Theatres’ ‘Devdas’ (1935) was making waves across Indian sub-continent with K L Saigal’s mesmerising songs. One of Bomaby’s film production companies, Sagar Movietone felt that it should also have an actor-singer of the caliber of K L Saigal to counter the ‘Saigal effect’. A film distributor brought a young and tall handsome lawyer to Bombay and arranged his meeting with Mehboob Khan, the director associated with Sagar Movietone. Mehboob Khan found qualities in this man which he felt could be an answer to K L Saigal. The name of that handsome lawyer was Surendra Nath Sharma better known in Hindi film industry as Surendra or Surendranath.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Voice of Mukesh #41
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Ah, the good feeling of having met one small success. Friends and readers will remember from earlier posts in this series, that we are running short of three songs in the journey of completing all that Mukesh has sung for Hindi films. Well, that number reduces to two today. 🙂
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The ‘W’ song is a Rafi solo from the film ‘Ghar ki Izzat'(1948). From the sound of it, it does not sound like a 40’s song at all. Rather it feels like a 50’s song. The lyricist is Ishwar Chandra Kapoor and Pandit Govindram is the music director. Though the first hit solo by Rafi sahab is said to be from the film ‘Dulaari'(1949), Suhaani raat dhal chuki, but there are by some amazingly melodious songs like Keh ke bhi na aaye tum, Bahut maayoos hokar koochha e qaatil se ham nikle, Bahut mukhtsar hai hamaari kahaani, Ab na been bajaa, Mohabbat mein khudaaya aise guzre, Ae dil neend na aayee tamaam raat from before 1949. In these songs too he is standing out as the clearest and most mellifluous voice among singers of the time. Even more so in those two songs from the film ‘Amar Raj” (1946) posted in the blog. With songs like Ye zindagi ke mele and Ik dil ke tukde hazaar huye also in 1948, which are my personal favourites, Rafi sahab had already announced his arrival, even though we were not born to hear this announcement 🙂 🙂 .
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Many Colors of Love #7 – Teasing the Eve
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And so wrote the scribe

“Ladki Cycle Waali”

“De Gayi Raste Mein Ik Pyaar Bhari Gaali”

“Gaali Pe Chhod Diya”

“Tujh Jaise Deewaane Ka Sar Kyun Nahin Tod Diyaa”

(‘Pati, Patni Aur Woh, 1978)
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This is his 600th post in the blog

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The Voice of Mukesh #33
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I am sure the readers are kind of wary by now, of the delays and gaps between the posts that I am able to prepare and send to Atul ji for publication. Multiple reasons I can ascribe to this irregularity, but I depend on the indulgence of all of you, and the joys of uncertainties too.
🙂
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