Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Daak Babu” (1954) was an obscure Jubilee Pictures production directed by Lekhraj Bhakri, with Talat Mehmood and Nadira in the lead roles. Hindi Geet Mala lists 10 songs from this movie with links to most of them here. Out of these, four are already on Song-a-Day web-site.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

We in this blog have been discussing HFM (and also NFS) for nearly nine years by now.

Availability of songs is a necessary and mandatory requirement for discussing a song. I recall that we in the early days of the blog used to discuss songs that were well known songs which were readily available on YT.
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Bhaabhi aayi

Posted on: May 15, 2016


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film Subah ka tara-54, a Rajkamal film by V. Shantaram.

V.Shantaram is one of the most respected Directors and Producers of India. His life story is truly a “Rags to Riches” story. Born at Kolhapur, V. Shantaram ( 18-11-1901 to 27-10-1990), spent his childhood doing hard work for survival. He could hardly study upto Matriculation. From work in a Cinema Theatre to work in a Drama company to work in a Cinema company- he did considrable amount of menial jobs in the film industry in his early days..
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Sholay-1975’ was telecast on a ‘movie channel’ as many as three times between the second and fourth week of March this year. On the first occasion (12th March) I had gone to my Uncle’s place and I watched it there.
(And from there I also sent message on the ‘whattsapp group’ so the ‘Sholay fans’ in the group could watch it 🙂 )
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bhai Bahan” was a very common title for movies during the golden era of HFM. There were atleast three movies with this title in 1950, 1959 and 1969.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I had the good fortune of talking over the phone to Shri Srinivas Chary, courtesy Shri Arunkumar Deshmukh, in the last week as well as this week. Srinivas ji was a Mumbaikar till the middle of the 1970s when he decided to settle down in Chennai. He is a member of RMIM (Rec. Music. Indian. Music). During our talk, Srinivas ji told me about RMIM meeting held in April 2006 at Bangalore wherein, among others things, 2 CDs containing some rare film and non-film songs of Talat Mehmood were presented. He was associated with the preparation of the CDs and he contributed some of the songs of Talat Mehmood from his collections. He said that songs from Talat CDs as well as songs from some other CDs are available on Dr Surjit Singh’s Website.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from the film ‘Rangeela’-53, which was produced and directed by Master Bhagwan. The song is sung by Mohd. Rafi.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Recently, a discussion took place in the ‘Whatsapp-group’ of Atulites where Pradeep ji and Atul ji mentioned about ‘various projects’ that Atulites were pursuing at their individual levels as well as at the group or sub-group level.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

When I retired from my active service in 1998, computers were very much in great use and all my staff was using them. There was a desk top in my cabin, very much on my table, but not knowing anything about it, I never touched it and it remained only as a show piece for the visitors. Occasionally, my deputies would come in and show me some data on the computer.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, May 8th 2016 is being celebrated as Mothers’ Day in many countries including India. Whether it is Mothers’ Day or any other day, whenever I remember my mother, I always recall the famous dialogue ‘mere paas maa hai’ written by Salim-Javed and delivered on the screen by Shashi Kapoor in the film ‘Deewar’ (1975). These four simple words say a lot about the importance of the mother. I used to wonder what gave Salim-Javed the idea to create this famous dialogue. I checked their profiles and came to know that both of them had lost their mothers in their respective childhoods. My own take is that somewhere in their sub-conscious minds, they missed their mothers and that was how this dialogue came about. In any case, this dialogue fitted well in the film. Shashi Kapoor had his mother as the only possession which he valued above materialistic possesions.
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