Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1950s (1951 to 1960)’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

As I had mentioned in my post the day before, more news and information to share. Let me start by telling about the visitors we had in Delhi during the last four, five weeks. The first to come was Dr. M L Kapoor, from Suffolk, Virginia in the US. Dr. Kapoor is an avid lover of old Hindi films and film music. He is a diehard fan of Pankaj Mullick and Naushad. He has two cars, and the number plates of the cars carry the words ‘NAUSHAD’ and ‘PMULICK’. He is one of the guiding spirits behind the websites on KL Saigal, Pankaj Mullick and KC Dey. He is a doctor of internal medicine, now retired. His main area of interest is the films from New Theatres.
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“Pocketmaar” (1956) was a Black and White movies production. It was directed by H Sa Rawail. The movie had Dev Anand, Geeta Bali, Sunder, Nadira, Gope, Bhagwan Sinha, Lalita Pawar, Tiwari, Kumud Tripathi etc in it.

This movie had eight songs in it. As many as seven songs from this movie have already been discussed.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Unknown composers Composer 7-Hiren Bose
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Hindi films and Hindi Music always played a bigger role than just entertaining people.It helped to keep a common thread between Indian people and lovers of Hindi films and music all over the world. Those music lovers who left India and settled in different countries all over the Globe and those music lovers of undivided India, separated now in various countries accross the borders have always cherished the melody of sweet songs of Yore !
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It would be an injustice to call Om Prakash just a comedian. Although that is the performance for which he is most famous. In a career that spans almost six decades (from mid 40s to early 90s), Om Prakash has acted in more than 300 films. And yes, most of them in comic roles. But what sets him apart from the regular crop of comedy actors on the Hindi screen, is his
ability to handle serious roles as a character artist. His portrayals in films like ‘Khandaan’ (1965), ‘Gopi’ (1970), ‘Buddha Mil Gayaa’ (1971) and ‘Annadaata’ (1973) are serious characterizations that stand on par with the leading artists of his time.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Unknown composers Composer 4-Pt Motiram
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Mayanagari Mumbai attracts people. Earlier, when it was BOMBAY (Bambai), it acted like a magnet for all those who wanted Name, Fame and Wealth. Bombay gave this all to the Lucky and the Desrving with both hands stretched fully.
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“Mother India” (1957) was a Mehboob Production movie. It was produced and directed by Mehboob Khan. The movie had Nargis, Sunil Dutt, Rajendra Kumar, Raj Kumar, Kanhaiyalal, Jilloo Maa, Kumkum, Chanchal, Sheela Naik, Mukri, Ram Shastri etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The other day a song “na toofan se khelo na saahil se khelo” from the film (Udan Khatola-1955) was posted in the blog. It was 2-3 days later that I saw that song video and heard the song. I had heard it before and but dont remember seeing it before. Having seen that movie long back on Doordarshan. ‘O door ke musafir ham ko bhi saath le le re’ and ‘ dil ka salaam le jaa ulfat ka jaam lejaa’ are the songs which I recognise as from this film. Rest few songs I know but could not associate from this film.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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Unknown composers Composer 2-Ghantasala
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Till 1947, Hindi films were made in Bombay, Lahore, Calcutta and Poona. Most studios were located in these cities. South Indian language films were made mainly in Madras and Bangla films were made in Calcutta and Dhaka.
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