Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1960s (1961 to 1970)’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Welcome all readers to another century celebration. With this post, this blog now has completed publication of 4900 songs, which is a remarkable feat by many standards. And this milestone is yet again marked with the consistency and continuity that has been unbroken for more than three years now. Much more than the number and the content of the posts, it is the perseverance and commitment to this effort, that are the outstanding qualities of maintaining the healthy pace of growth on this blog. And I present all kudos and praise to Atul ji, for spearheading this effort. A singular effort that is unparalleled in the cyber space. Heartfelt greetings to Atul ji and all readers of this blog, and best wishes and all my support in the cause of what this blog is attempting to accomplish.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

While Helen rules the roost as the phenomena of the dance number in Hindi films, there came a phase in the 1960s and 70s, when a number of contenders stepped in to the arena of dance item exponents. As the dance number became progressively an important ingredient of the formula, especially a cabaret, and then especially in the ‘cloak and dagger’ type of films, the demand for dance item experts increased. To fill in a void that was probably beyond the bandwidth of Helen’s availability, the opportunities were taken up by actresses whose names became synonymous with sizzling dance numbers on the screen, and they made a place for themselves in the B/C grade films. The leaders in this group of actresses are Bela Bose, Faryaal, Lakshmi Chhaayaa, and JaishreeT. In their own right, these dancers have carved out a niche in the annals of Hindi films dance item.
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“Meri Bhabhi” (1969) is a movie produced by A G Films. It was directed by Khalid Akhtar. the movie had Sunil Dutt, Waheeda Rehmaan, Kamini Kaushal, Abhi Bhattacharya, Mehmood, Aruna Irani, Lalita Pawaar,Kanhaiyya laal, Raj Mehra, Tiwari, Mukri, Sundar,Lalita kumar, Baby Sabihaa etc in it.
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“Opera House” (1961) is a Pushpa Pictures presentation. It was directed by P L Santoshi. The movie had Ajit, B Saroja Devi,K. N. Singh, Lalita Pawar, Bela Bose, Maruti, Johnny Whisky,Baalam, Mumtaz Begum,Niranjan Sharma,S N Bannerji etc in it.
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Though I have not kept track of it, I have a feeling that most songs picturised on Shammi Kapoor (in his Shammi Kapoor style movies) have been covered in this blog. I need to put all these songs in some proper tags so that keeping track of them becomes easier.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In this post I present a qawwaali written by Sahir Saab. In the string of qawwaalis, I had some time back posted the iconic qawwaali from the film Kaala Samunder (1962), with the mukhdaa (title) “Meri Tasweer Le Kar Kyaa Karogey Tum” . There is one more qawwaali from the same film, not as well known, and is somewhat rare and obscure. But then, bless this YouTube that I am able to trace this qawwaali finally.
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“Shehnaai” (1964) , not to be confused with “Shehnaai” (1947) is a movie produced by New Oriental pictures. S D Narang was the director and this movie had Vishwajeet, Rajshree, Veena, Johnny Walker,Chaand usmani, Asit Sen, Leela Chitnis, Parveen Chaudhary,Nirupa Roy, D.K.Sapru, Rehman, Ifthekar etc in it.
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“Pyaasi Shaam” (1969) is a Kewaljeet Productions movie which was directed by Amar Kumar. The cast of this movie included names like Sunil Dutt, Sharmila Tagore, Feroz Khan, Anjali Kadam, Dhumal, Sunder, Vimal Ahuja, Manmohan Krishna, Kamal Kapoor, Birbal, Om Prakash etc.
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In Hindi movies, most activities are carried out according to a set piece pattern, and that included songs as well. Teasing songs, romantic songs, expression of love song, all of them seem to follow some well laid down guidelines.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I apologize to the readers if they feel that I seem to be stuck in the second half of 60s, while I am selecting songs from Usha Khanna’s films. It seems to be true. Hard as I may try, I am not able to extricate myself from the films of the years from 1966 to 1970. And the reason is that I simply keep bumping into one wonderful gem after another, and the music itself compels me to continue writing about this era of Usha ji’s career. From all counts that I can admit so far, the 60s was the most prolific and the also the most tuneful decade for this composer.
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