Archive for the ‘Songs of 1960s (1961 to 1970)’ Category
Raat se kaho rukey zaraa
Posted on: July 11, 2011
This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
The 1965 movie, Luteraa, is a typical pirates movie, with an esteemed star cast that includes Dara Singh, Prithviraj Kapoor, Nishi, Helen, Hiralal, Jeevan, Maruti, Bela Bose and others. The story is about two brothers who are separated as children. Prithviraj Kapoor plays the role of the elder brother, who grows up to be the leader of a pirate group. Dara Singh also grows up to be a sort of vigilante who operates as a loner. Hiralal is a king, and Nishi is his daughter, the princess. Jeevan is the Wazir in the court of Hiralal.
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Zindagi ka ajab fasaanaa hai
Posted on: July 10, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This is another beautiful ghazal from the film Chhoti Chhoti Baaten (1965), presented as a duet in this movie. The ghazal is sung by Mukesh and Lata Mangeshkar, and on screen, it is picturized on Moti Sagar and Manju. Moti Sagar plays the role of Motilal’s son in this movie. Motilal leaves his children and comes to live in a village. After some time, one of his sons, Moti Sagar, disillusioned with his own life in his own ways, also follows him and starts to live with his father in the village. Here, he falls in love with a village girls, Radha, played by actress Manju.
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“Pyaar ki Pyaas” (1961) is a moving story of an orphan girl who is adopted from an orphanage by a childless couple who bring her up with love an affection. But once the couple manage to have a child of their own, this girl gets neglected and she ends up in the same orphanage. In the end, the couple realise that their neglect towards the girl was unfair and they search for her. In the end,all is well that ends well.
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This article is written by Sudhir,a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
This is the typical Shammi Kapoor fun and exuberance solo. In many of his successful movies, one will find a solo song, sung by Rafi, almost within the first 10 or 15 minutes of the movie, “Jawaanian Ye Mast Mast Bin Piye” from Tumsa Nahin Dekha, “Kisi Na Kisi Se Kabhi Na Kabhi” from Kashmir Ki Kali, “Dil Deke Dekho, Dil Deke Dekho” from Dil Deke Dekho, “Laal Chhadi Maidaan Khadi” from Jaanwar, “Aji Aisa Mauka Phir Kahaan Milega” from An Evening In Paris, and so on. It used to be like making a dynamic musical entry. 🙂 Such songs used to be the staple diet of pre teen boys like me. I would listen to a Shammi Kapoor song like this only once, and it would be committed to memory. And I used to be very much in demand at the family gatherings and birthday parties, to perform these songs. (Wow, I used to do that? What fun!!)
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Koyi nahin hai phir bhi hai mujh ko
Posted on: July 4, 2011
This is a song that I have heard many a times in the past but all these days I had no clue which movie this was from. It is not that I was not familiar with the movie. Indeed I was very much aware of the movie and I had discussed as many as four songs from this movie in the blog.
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Haal e dil yoon unhen sunaayaa gayaa
Posted on: July 3, 2011
I have so far discussed over 4100 songs in this blog, and I still feel that I have only scratched the surface. There are still tens of thousands of great songs that belong here. In fact, many well known songs are yet to figure in this blog. Hopefully, with time, all the missing songs will also appear here.
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I have heard this song many a times but I was not aware of its details till recently. It is only just now that I have come to know that this song is from “Saawan Ki Ghata” (1966). The song is sung by Asha Bhonsle. The music is composed by O P Nayyar.
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Saaf karo insaaf karo
Posted on: July 1, 2011
This article is written by Sudhir,a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Vasant Desai had a fairly long stint of thirty plus years in the film industry, and yet his total assignments as a music director are less than fifty. It is said that he did not take up or did not get many assignments because of his style. His style is deeply rooted in the classical and folk traditions, and he maintained that style throughout his career. In the 60s and 70s, his assignments are few and far between, and yet, with each outing as a composer, he has left an indelible mark.
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It is a song that I have heard many a times right from my younger days, and I in fact had noted down the lyrics of this song in a diary that I used to maintain in 1970s. This diary had lyrics of songs noted down by me from radio as well as scorecards of test matches (noted down through radio commentary) that India played those days. 🙂
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