Archive for the ‘Songs of 1960s (1961 to 1970)’ Category
Na dekho badan hee badan
Posted on: March 7, 2024
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5711 | Post No. : | 18229 |
“Aansoo Aur Muskaan”(1970) was directed by P Madhvan for Screen Gems, Bombay. This “social” movie had Hema Malini, Ajay Sahni, Wonder child Bobby, Jagdeep, David, Suresh, Maruti,Birbal, Prem Kumar, Sadan, Swaraj Kumar, Subba Rao, Raghaviah, Anand, Behari, Pandey, Babu, Kiran, Bindu, Shabnam, Tuntun, Kanakadurga, Shyamala, Udayalakshmi and Om Prakash in it. Kishore Kumar had made a special appearance whereas Padmini and Man Mohan had made guest appearances in the movie.
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Hans kar hansaa mastee mein gaa
Posted on: March 5, 2024
- In: Dance song | Debut song of movie in the blog | Guest posts | Manna Dey solo | Manna Dey songs | Post by Sadanand Kamath | Raj Kapoor songs | Raj Kapoor songs by Manna Dey | Song from unreleased movie | Songs from Unreleased Films of 1960s | Songs of 1960s (1961 to 1970) | Songs of 1961 | stage dance | Yearwise breakup of songs
- 3 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5709 | Post No. : | 18227 | Movie Count : |
4961 |
Every year, hundreds of Hindi feature films are certified by Censor Board of Film Certification (CBFC). Just for a sample check, I found that for the years 1951-1980, on an average, 100-120 Hindi features films had been certified/released. I am sure the number of Hindi films certified/released in the subsequent decades must have increased significantly. There were many Hindi feature films which had been shot but got shelved or remained incomplete or if completed, remained unreleased. I checked on the websites of Indian Motion Pictures Producers Association (IMPPA) and Producers Guild of India (GUILD) for the list of such films. Unfortunately, no such information is available on the website. It is one more example of the poor upkeep of film related statistics.
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Le pee zaraa aur pee
Posted on: February 28, 2024
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5703 | Post No. : | 18221 |
‘Toofaan Mein Pyaar Kahaan’ (1966) was produced by S H Munshi and was directed by Phani Majumdar. Ashok Kumar and Nalini Jaywant were in the lead roles, supported by Jayshree Gadkar, Sailej Prakash, Lata Sinha, Madhumati, Achala Sachdev, Tarun Bose, Tiwari, Sundar, Bhagwan Sinha etc. This was the last film of Nalini Jaywant as a lead actor after which she had a long hiatus of about 15 years to reappear as a character actor in ‘Bandish’ (1980) and ‘Naastik’ (1983).
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Laal teraa jug jug jiye maataa
Posted on: February 12, 2024
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5687 | Post No. : | 18204 |
“Mere Laal”(1966) was directed by Satyen Bose for S S Chitramandir, Bombay. This “social” movie had Dev Kumar, Indrani Mukherji, Jagdev, Shekhar Purohit, Lalit Kapoor, Prakash Mishra, Abhi Bhattacharya, Jamaal, Samson, Rajkumar, Siddiqui, Ghulam Sabir, Master Anwar, Master Satyajeet, Madhuraj, Juthika devi, Darshan, Moolchand, Meenakshi, Mahesh, Ratan etc in it.
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This article is the 18200th song post in the blog.
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5683 | Post No. : | 18200 |
It is said that a journey of a thousand miles begins with a single step. This is a Chinese saying which teaches us that even the longest and most difficult ventures have a starting point; something which begins with one first step.
We in the blog have been following this saying without realising it. If one song post is considered one step, then we took our first step on 19 July 2008. Today (8 February 2024) is the 5683rd day for the blog. With this post we take our 18200th step. Or to be more precise, this post is the 18200th post for the blog. The figure of 18200 is quite a mind boggling figure, but we were able to achieve it without putting us under any pressure. We just kept covering a few songs every day, kept celebrating important milestones, kept enjoying the journey, and now, here we are.
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- In: "Ghunghroo" song | Asha Bhonsle Mahendra Kapoor duet | Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Duet | Lyrics contributed by readers | Mahendra Kapoor songs | Paaon/ Painyya song | Songs of 1960s (1961 to 1970) | Songs of 1963 | Yearwise breakup of songs
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5671 | Post No. : | 18179 |
‘Dev Kanya’ (1963) was a directed by SN Tripathi for Sur Sagar Chitra, Bombay. This movie had Mahipal, Anita Guha, BM Vyas, Krishna Kumari, Babu Raje, Mukri etc in it.
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Ek hain sab Hindustani
Posted on: January 26, 2024
- In: Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Inspirational song | lullaby | Lyrics by Prakashchandra | Lyrics contributed by readers | Number song | Patriotic song | Songs of 1960s (1961 to 1970) | Songs of 1970 | Thousandth song for the artist | Thousandth song in the blog | Yearwise breakup of songs
- 7 Comments
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This song post marks the 1000th song of Laxmikant Pyarelal as music directors in the blog.
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5670 | Post No. : | 18177 |
Today (26 January 2024) is Republic Day of India.
India became a republic on 26 January 1950. That was easily a red letter day in the history of Modern India. It was on this day that India decided to be a country that would be a democracy where each citizen, irrespective of his caste, creed, religion, gender, economic status etc would enjoy equality without discrimination. The country would be governed according to the acts of Indian constitution that was adopted on this date.
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- In: "Moonch/mustache song | "Nok-Jhonk" song | Body part song | Devnagri script lyrics by Sudhir | Duet | Guest posts | Lyrics contributed by readers | Post by Arunkumar Deshmukh | qawwali | Rafi songs | Shamshad Begam Rafi duet | Shamshad Begam songs | Songs of 1960s (1961 to 1970) | Songs of 1962 | Yearwise breakup of songs | Zulf song
- 2 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5665 | Post No. : | 18168 |
Today’s song is from the film ‘Baghdad Ki Raaten’ (1962).
The film is labelled as ‘kalpanik‘, (काल्पनिक) meaning based on an imaginary story. I would have loved to meet the writer of this story, who had such fantastic imagination, but the film mentioned that the story was by the ‘Story Department ‘ of the banner/studio. That explains ! It is not possible to imagine such stories by one single person. The Arabian Night stories were supposed to be told by Scheherazade-wife of the King Shehriar of Persia- to her husband at the rate of one story a night for continuously 1001 nights, to avoid her death. I am sure even she would gladly embrace death after hearing the ‘Arabian Stories’ made by the imaginative story departments of Indian films ! In this one department, we easily defeat the rest of the world’s filmmakers !!
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5662 | Post No. : | 18164 |
Shakespeare’s plays have been one of the important sources for adapting them in Hindi films since the beginning of the Indian film industry in 1913. However, since very few films produced and released during the silent film era survived, it is difficult to say how many silent films were based on Shakespeare’s plays. A research paper on Shakespeare on Screen by Dr. Joseph Koyippally has identified 8 silent films based on Shakespeare’s plays that were released between 1923-30.
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Hum tum ye rang roop ye raaten
Posted on: January 13, 2024
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5657 | Post No. : | 18158 |
Today, January 13, 2024, is 94th birth anniversary of music director, Sardar Malik. In his childhood, he had wished to be a singer, but the fate turned him toward music direction. He did not have a prolific career. He never got opportunity to work with top film banners in spite of talents which was reflected in most of the songs he composed. Recently, I had gone through his interview on Vividh Bharati which was probably conducted after his ‘retirement’ from the film world. From his talk, I could visualize him to be a man of principles, a man of least resistance and a man of self-respect which will not allow him to indulge in networking. Lastly, he was a sensitive person who refrained from hurting anyone even if he had suffered from wrongdoings.
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