Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1972’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The year is 1972, and Salil Da has completed two decades in the film industry. Making his debut with the 1953 Bimal Roy production, ‘Do Bigha Zameen’, he continues to be a fairly busy music director in the early 70s. Somewhat unassuming, somewhat low key, his creations continue to catch one’s ear as well as one’s fancy. During the 50s and 60s, he has made his mark with such films that have become memorable on account of his music – ‘Biraj Bahu’ (1954), ‘Jaagte Raho’ (1956), ‘Musaafir’ (1957), ‘Ek Gaon Ki Kahaani’ (1957), ‘Madhumati’ (1958), ‘Parakh’ (1960), ‘Chhaayaa’ (1961), ‘Kabuliwaala’ (1961), ‘Half Ticket’ (1962), ‘Poonam Ki Raat’ (1965) etc. The seventies have emerged and Salil Da already has films like ‘Anand’ (1971) and ‘Mere Apne’ (1971) under his belt. In 1972, his melodies from ‘Annadaata’ are making waves on the radio. In 1972, Salil Da will also compose for two more films that did not get retained on the memory cards of the listening public. One is ‘Sabse Bada Sukh’ that has two wonderful songs. And the second is an even more obscure film, ‘Anokha Daan’, which carried as many as five superb melodies.
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Watching old Hindi movies (and its songs) is a good way to look back at the past and see how things were back then. Another way of looking back at the past is by going through the publications of those days.

I recall that I was an avid reader of books in my younger days, viz 1970s. I would read each and every book, whether they were meant for kids or grown ups. In addition to being an avid reader, I was an avid collectors of children’s magazines in Hindi. The children’s magazines in Hindi those days used to be “Bal Bhatri”, “Nandan”,”Champak”,”Parag”, “Lotpot”, Chandamama”, “Indrajaal Comics” etc. You name the children’s magazines and I collected them. I not only collected them, I catalogued them systematically too. They were my prized possessions. I would not be averse to get hold of magazines not in my collection, but I would be quite reluctatnt to lend my magazines to others, because the likelihood of the borrower returning the book were remote in most cases. One needed to pester the borrower hard, sometimes by visiting his home, before one could get your book back.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my travels and trekking in the Himalaya, I have met some interesting personalities – from fellow travellers/ trekkers, drivers, guides, porters, villagers etc. I even had the company of Bhotia dogs during some of my high altitude treks. I remember that in 1986, a Bhotia dog accompanied me during the full 65 kms of trek from start to finish crossing a pass with knee deep snow. Fortunately, it was a round trek thus bringing the Bhotia dog back to his village.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Prakash ji has written for the second time in ‘Readers Farmaishes’ requesting for the upload of this wonderful sad song in the voice of Lata Mangeshkar. The music composition is by that underrated genius – Ganesh. Prakash ji has mentioned that the song itself is not posted anywhere on the internet. So when I read this comment from Prakash ji, repeating his request for this song, I had to pull this out from my collection, and have posted it on YouTube today.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

One of my many weaknesses is that at any given point in time I’m humming or singing a song, completely oblivious to the surroundings. This has resulted in embarrassing situations at times (like when I burst out singing “chhoo lene do naazuk honthon ko” once while waiting for a flight in the departure lounge in an airport causing some heads to turn). Now, if I’d been Rafi saab or Talat Mahmood or Kishore, I’d probably get away with it – but I have no illusions about my singing having anything close to a favourable impact on the unintended and hapless targets of my indiscretions. It is just one of those things that I need to watch out for, I suppose.
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1970s, especially the first half of it was ruled by R D Burman as a music director. So much so that the other music directors too began to compose music that sounded like R D Burman’s music. And of course they began to use the voice of Kishore Kumar also, who had become the top male singer just as R D Burman had become the top music director.
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Manoj Kumar, like the politicians of those days, had hit upon the formula of championing the cause of the “Aam Janta” and he would make movies where he played a character appropriately called Bharat who would take up cudgels on behalf of the public.
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Here is another “How come this song was not posted earlier !” category of this. This song is from “Mere Jeewan Saathi” (1972). This movie was a Shilpkaar production. It was produced by Vinoh Shah and Harish Shah. Ravi Nagaich was the director and the movie had Rajesh Khanna, Tanuja, Bindu, Rajendranath, Sujit Kumar, Utpal Dutt, Helen, Nazir Hussain, K.N.Singh, Sulochana Latkar, Krishna Kant, Brahmchari, Renu, Sonu, V.D.Puranik, Gurnam, Sabina, Vijay Dewan, Mohan, Arun Bose, Fazloo, Kabir Kumar, Mamaaji etc in it.
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“Naina” (1972) is an obscure movie despite being a movie of recent vintage by the standards of this blog. This movie was produced by Babubhai Shah and directed by Kanak Mishra. The star cast consisted of names like Shashi kapoor, Rajshree,Mousmi Chatterjee, Padma Khanna, Praveen Paul, David Abraham, Rehmaan, Akashdeep, Sanjana, Sunder, Shaukat Kaifi Azmi etc.
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