Archive for the ‘Songs of 1990s (1991 to 2000)’ Category
Suraj Naache Saagar Naache
Posted on: December 19, 2014
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Raag Maalikaa in Hindi Films – 19
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‘Patthar Ke Insaan’ of 1991 is produced and directed by Shomu Mukherjee. The film was dedicated to his father, Padmashri Sashadhar Mukherji. The story written by K Bhagyaraj had a star-cast consisting of Jackie Shroff, Vinod Khanna, Sridevi, Poonam Dhillon, Om Shivpuri, Saeed Jaffrey, Satish Shah, Subiraj, Amita Nangia, Anjana Mumtaz, Mahesh Anand, Moon Moon Sen, Mushtaq Merchant etc.
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Garaj baras pyaasi dharti par
Posted on: October 14, 2014
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The 3rd death anniversary of Ghazal King Jagjit Singh was on October 1Oth and the 76th birth day of Urdu poet and lyricist Nida Fazli was on October 12th. For the occasions, I had planned to write a combined post and had selected a song months back to be posted on the Blog in October 1Oth or 12th. But some other activities relating to travels and pre Deewali atmosphere in my house resulted in diversion of my mind and in the process, I completely forgot about writing the article for the occasion. It was only when I saw a post on the occasion of the birthday of Nida Fazli that I got reminded of my pending article. Even though anniversary dates have passed, it is never late for paying tributes.
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A group of regulars of this blog met at Bangalore on 5 october 2014. This article, describing the genesis of that meeting is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Genesis (a.k.a The Making of ASAD Gangout Bangalore 5 OCTOBER 14)
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Looking back, I think we can trace the genesis of the Gangout to a recent spurt in Atulite enthusiasm, itself triggered by the 10,000th song on Atul’s blog.
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Dhadkan zara ruk gayee hai
Posted on: September 27, 2014
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Of late, I have been watching some offbeat Hindi movies (also called parallel cinemas or middle cinemas) on DVDs which I had bought at the time of my retirement to watch them later at my leisure. These type of films though artistically well conceived with good narrative style, the realism depicted in some of such films are too disturbing for me. Going by my experience, such well made films may not have repeat audience either in theatres or for watching on DVDs. After watching ‘ Kaagaz Ke Phool’ (1959) sometime in mid 6Os during Guru Dutt’s film festival, I have yet to amass courage to watch it once more though I have the DVD of the film. As against this, I must have watched umpteen times, movies like ‘Chalti Ka Naam Gaadi’ (1958), ‘Padosan’ (1968), and ‘Chupke Chupke’ (1975). Among the films of the recent period, I have seen ‘3 Idiots’ (2OO9) at least 3 times.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
‘Mammo’ (1994), ‘Sardari Begum’ (1996) and ‘Zubeida’ (2OO1) were films of Muslim trilogy directed by Shyam Bengal. The main feature of these three films was that they were all woman oriented films based on real life stories. These films belonged to what is labelled as parallel cinemas. I have watched all the three films. Why these films are called trilogy? Let us go through in brief, the stories of each of the main characters in these films.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is from Border (1997) the war film based on the ’71 Indo-Pak war. It was by J.P.Dutta who up until then had made a few Rajasthan based stories— Ghulami, Yateem, Hathyar, Batwara, Kshatriya etc. Them he made 3 movies based on the life of those who live in the Indo Pak border —Border, Refugee & LOC Kargil. This shows his general fascination for the desert and some love for the Indo Pak relation. His movies have always had songs which decry the border drawn between the 2 countries.
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Chanda maama boley apne
Posted on: August 12, 2014
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
MAYANAGARI film world can be quite generous to some and extremely harsh to others. Generous to the extent that there are fabulous rewards in it for those who get the right breaks, while it can be quite mean for the people behind the scenes, who help others to succeed.
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Sapne mein milti hai
Posted on: August 7, 2014
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Yesterday evening Vividh Bharati was playing a whole lot of songs penned by Gulzar in the last two decades. And I was like “Oh My God! What a selection to post on the upcoming occasion of Gulzar Saab’s birthday”. But then I had this problem of zeroing into the right song for the blog as each and every song was a WOW! Just when I had thought of an appropriate number the next one would follow and I felt “nahin re, this should be the one!”. In the process I had selected all the songs played in that half an hour.
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Kya tujhpe nazm likhoon
Posted on: July 13, 2014
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Atul Song-A-Day 10K Song Milestone Celebrations – 16
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This Non-Film Raaga Maala is by Ustad Ahmed Hussain and Ustad Mohammed Hussain. The composition is unique and very complex. The two brothers have incorporated 9 different ragas in each Antara (total 18 ragas in two antaras). Each time they mention a raga, they sing that verse in that particular raga. It is very admirable that the duo has written the lyrics themselves.
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