Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘1948


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The ‘W’ song is a Rafi solo from the film ‘Ghar ki Izzat'(1948). From the sound of it, it does not sound like a 40’s song at all. Rather it feels like a 50’s song. The lyricist is Ishwar Chandra Kapoor and Pandit Govindram is the music director. Though the first hit solo by Rafi sahab is said to be from the film ‘Dulaari'(1949), Suhaani raat dhal chuki, but there are by some amazingly melodious songs like Keh ke bhi na aaye tum, Bahut maayoos hokar koochha e qaatil se ham nikle, Bahut mukhtsar hai hamaari kahaani, Ab na been bajaa, Mohabbat mein khudaaya aise guzre, Ae dil neend na aayee tamaam raat from before 1949. In these songs too he is standing out as the clearest and most mellifluous voice among singers of the time. Even more so in those two songs from the film ‘Amar Raj” (1946) posted in the blog. With songs like Ye zindagi ke mele and Ik dil ke tukde hazaar huye also in 1948, which are my personal favourites, Rafi sahab had already announced his arrival, even though we were not born to hear this announcement 🙂 🙂 .
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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The Many Colors of Love #7 – Teasing the Eve
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And so wrote the scribe

“Ladki Cycle Waali”

“De Gayi Raste Mein Ik Pyaar Bhari Gaali”

“Gaali Pe Chhod Diya”

“Tujh Jaise Deewaane Ka Sar Kyun Nahin Tod Diyaa”

(‘Pati, Patni Aur Woh, 1978)
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This is his 600th post in the blog

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The Voice of Mukesh #33
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I am sure the readers are kind of wary by now, of the delays and gaps between the posts that I am able to prepare and send to Atul ji for publication. Multiple reasons I can ascribe to this irregularity, but I depend on the indulgence of all of you, and the joys of uncertainties too.
🙂
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #32
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Listening to this song, one cannot help but feel – aah, Mukesh, the voice of Gods.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #31
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Yesterday I had posted a lovely duet song from the film ‘O Jaanewaale’ (1948). With reference to certain online resources, Mahesh ji wanted to check whether the music director behind this song is Pankaj Mullick. I was surprised to see this query. But I was able to unravel it quickly. Appears that the online resource that Mahesh ji referred to has an error. The name of the film is correct, but the remaining details are picked from a Geet Kosh entry that is one after this film. Hence the confusion. This is a careless error in transcription from the printed source to the web based page displays.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #30
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‘O Jaanewaale’ is kind of an unheard film from 1948. Searching for the next installment in this series of Mukesh songs, I come across this film, which probably I would have simply overlooked otherwise. Produced under the banner of Navhind Pictures, Bombay, it is directed by S Sardesai. The star cast includes Geeta Desai, Trilok Kapoor, Umakant, Pande, Mehar Sultana, Manchi Thoothi, RB Rohini, and Master Chandrakant. The music of this film is by a music director whose name sounds totally unfamiliar – Ali Hussain Moradabadi, a name that appears on this blog for the first time today. The film has seven songs, penned by three poets by the names Kaifi, Mustafa an S Sardesai. However, there is no specific information that links a poet’s name to each song.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

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The Voice of Mukesh #29
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The tapestry of the fables of love is never compete without the legendary saga of the flame and the moth – much better represented in the Urdu zubaan as Shama aur Parwaana. Somehow, the English equivalents of some of the more profound words and concepts in Hindi and Urdu, simply do not carry the same weight and substance. The English equivalents are a poor excuse to express that which is alien to that language. Shama and Parwaana are an example of such translation dilemmas. There seems to be no adequately authoritative word in the English language to convey the same sentiments in totality.
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