Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Aadesh Srivastava


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4833 Post No. : 16616

Hullo Atuldom

Another date of October for which I always need to write out a post for.

It being the birth date of an actor whose work I began liking post 1975- “Sholay” to be exact. I liked the way he delivered his dialogues. Some dramatic dialogues which he had casually uttered are iconic and classic and stuff which fans quote as legendary.

Remember ‘mere paas maa hai’ it was not said forcefully or with banging of fists or any such heavy add-ons. He was also given dialogues which were comic in nature -for example the cricket commentary in English that has made “Namak Halal” a movie worth watching; he even managed to squeeze in some comedy intto the fight sequence in the climax of the movie. But I always loved the late night scene in Asrani’s office when Amitabh Bachchan calls Asrani and Dharmendra for a meeting to discus the situation between Vasudha and himself. I know I need not mention that I am talking of the Hrishikesh Mukherjee ’70s classic “Chupke Chupke” and the expression that he had when he said “for safety’s sake main woh bhi batadoonga”- priceless. He was so nice at depicting his emotions and I may have mentioned this a few times in earlier posts about how the scene between Sanjeev Kumar and AB Sr. in “Khuddar” was memorable as both the actors spoke with their eyes. An added advantage the film industry had when working with AB Sr. was he was good in action sequences too and is known to have enacted many of them without using a body-double or ‘stuntman’ (in filmy parlance). He managed to overcome his awkwardness where dance (a necessity in Indian movies) was concerned. He has also tried his hand at singing for his characters; for which initially, he was made-fun-of as he was considered to be a tuneless singer but he has sung and many of them have been very popular with his fans.

Today’s post which celebrates this all-time favorite actor of mine turning a year older or a step closer to 80 has a song from the 2003 (can’t believe this film was 18 years back, time has just flown) B R films production and Ravi Chopra directed “Baghban”. It had music by Aadesh Srivastava and Uttam Singh and songs were penned by Sameer. Alka Yagnik, Hema Sardesai, Richa Sharma, Sneha Pant, Udit Narayan, Aadesh Srivastava, Sudesh Bhonsle and Amitabh Bachchan were the playback singers used.

This song is pictured with an emotional Raj Malhotra (AB Sr.) singing, and yearning for his wife Pooja (Hema Malini) who is staying with one of their sons and he himself with another son. The story of ‘Baghban’ was something which was popular in the 60s and early 70s; but even this movie was successful with the new generation moviegoers. This song can also been seen as proof of what I stated earlier in this post viz. “actors speaking with their eyes”; here it is Hema and AB Sr. They have played the old couple so convincingly. The song is sung by Amitabh Bachchan and Alka Yagnik.

Here is wishing the (once) Angry- Youngman, Shahenshah of Bollywood, Star of the Millennium, Big B or AB Sr. (people in entertainment industry have been addressing him in this manner for a few years now) a Happy Birthday and lots of good health.


Song-Main yahaan tu wahaan zindagi hai kahaan (Baagbaan)(2003) Singers-Amitabh Bachchan, Alka Yagnik, Lyrics-Sameer, MD-Aadesh Srivastava

Lyrics

main yahaan tu wahaan
zindagi hai kahaan

main yahaan tu wahaan
zindagi hai kahaan
main yahaan tu wahaan
zindagi hai kahaan
tu hi tu hai sanam dekhta hoon jahaan
neend aati nahin yaad jaati nahin ee ee
neend aati nahin yaad jaati nahin
bin tere abb jiya jaaye naa aa aa
main yahaan tu wahaan
zindagi hai kahaan

waqt jaise thehar gaya hai yahin
har taraf ek ajab udaasi hai
bekaraari kaa aisa aalam hai
jism tanha hai rooh pyaasi hai

teree soorat ab ek pal kyun nazar se hatati nahin
raat din toh kat jaate hain
umr tanha katati nahin
chaah ke bhi naa kuchh keh sakoon tujhse main aen aen
chaah ke bhi naa kuchh keh sakoon tujhse main
dard kaise karoon main bayaan aan aan
main yahaan tu wahaan
zindagi hai kahaan

jab kahin bhi aahat huyi
yoon laga ke tu aa gaya aa
khushboo ke jhonke ki tarah
meri saansen mehka gaya
ek woh daur thha
ham sada paas thhe ae ae
ek woh daur thha
ham sada paas thhe
ab toh hain faasle darmiyaan aan aan
main yahaan tu wahaan
zindagi hai kahaan
hmm hmm hmm
hmm hmm hmm
hmm hmm hmm

beeti baaten yaad aati hain
jab akela hota hoon main
bolti hain khaamoshiyaan
sabse chhupke rota hoon main
ek arsa huwa muskuraaye huye ae ae
ek arsa huwa muskuraaye huye
aansuon mein dhali daastaan aan aan
mai yahaan tu wahaan
zindagi hai kahaan
tu hi tu hai sanam dekhta hoon jahaan
neend aati nahin
yaad jaati nahin ee ee
neend aati nahin
yaad jaati nahin
bin tere ab jiya jaaye naa aa aa


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4588 Post No. : 16210 Movie Count :

4411

Today, February 8th is the 5th Remembrance Day of the poet and lyricist, Nida Fazli (12/10/1938 – 08/02/2016) who left for the heavenly abode on this date 5 years back. 80 years ago, Ghazal singer, Jagjit Singh (08/02/1841 – 10/10/2011) was born on this date. More than a co-incidental connection between the two, they had a special connection through their collaborations. Nida Fazli was the master of expressing the romance, realities and the philosophy of life by way of ghazals and nazms while Jagjit Singh added soul to Nida Fazli’s words through his emotive voice.

There was another co-incidence about Nida Fazli and Jagjit Singh. Both came to Mumbai around the same time, 1964 and 1965 respectively, for pursuing their career. It was Jagjit Singh’s first LP album with his wife, Chitra Singh titled ‘Unforgettable’ (1976) which made him popular as a ghazal singer. Almost at the same point of time, Nida Fazli had also become one of the most sought-after poets in mushairas all over India.

Both Jagjit Singh and Nida Fazli used very simplistic approach in making their ghazals popular among the masses. Jagjit Singh rendered ghazals in his emotive voice with simple music using only 3-4 musical instruments. He mostly avoided the use of semi-classical genre such as thumri and dadra as was the convention at that time. Nida Fazli, by and large, avoided the use of Persianised Urdu words in his ghazal. He used the mix of simple words from Hindi and Urdu to make them understandable to the masses. He moved away from the convention of ghazal writing as an expression of the unrequited love and the piognant mood associated with such love. Instead, he expressed through his poems the human relationships, socio-economic and political situations as also on realities of life. His poem depicted the humanist approach.

I have selected a few of couplets from his ghazals, some of which have been sung by Jagjit Singh, as examples of his non-conventional way of putting his thoughts in simple words with deep meanings:

uss ke dushman hain bahut aadmī achchha hoga
wo bhi meri hi tarah shahar mein tanha hoga

safar mein dhoop to hogi jo chal sako to chalo
sabhi hain bheed mein tum bhi nikal sako to chalo

[Note: This entire ghazal was recited by Prime Minister, Narendra Modi during a Rajya Sabha debate on March 8, 2016 in the context of Government’s difficulties for the smooth passage of bills in Rajya Sabha]

dhoop mein niklo ghataaon mein nahaa kar dekho
zindagi kyaa hai kitaabon ko hataa kar dekho

duniya jise kahte hain jaadoo kaa khilauna hai
mil jaaye to mittī hai kho jaaye to sona hai

hukoomaton ko badalne to kuchh muhaal nahin
hukoomaten jo badalta hai wo samaaj bhī ho

Muhaal= difficult

kabhi kabhi youn bhi ham ne apne jee ko bahlaaya hai
jin baaton ko ḳhud nahin samjhe auron ko samjhaaya hai

ghar se masjid hai bahut dur chalo youn kar le
kisi rote huye bachche ko hansaaya jaaye

hoshwaalon ko khabar kya bekhudi kya cheez hai
ishq keejiye phir samjhiye zindagi kya cheez hai

Both Nida Fazli and Jagjit Singh got associated with Hindi film industry almost at the same time. Nida Fazli wrote his first lyrics for ‘Satranj Ke Mohre’ (1974). Jagjit Singh rendered his first full-pledge song as a playback singer in Hindi film, ‘Aavishkaar’ (1973) with his wife Chitra Singh.

Despite both Nida Fazli and Jagjit Singh being in Mumbai since 1965 and both having the inter-related careers, it took almost 25 years for both of them to collaborate for the first time when Nida Fazli wrote the lyrics for the film ‘Billoo Baadshah’ (1989) for which Jagjit Singh was the music director and also the playback singer for one song. It took another four years when their first non-film album, ‘Insight’ was released in 1993. for which all the songs were written by Nida Fazli. Thereafter their collaborations continued until Jagjit Singh’s death kept them apart.

Nida Fazli entered the Hindi film industry as a lyricist at a time when the quality of song writing had the initial sign of deterioration. In the post-1980’s scenarios, his filmy songs stand apart from most of the songs written during that period. And when he joined with Jagjit Singh, their collaborative as well as individual efforts took us back to the golden period of Hindi film music for few moments.

On the occasion of the 5th Rememberance Day of Nida Fazli and 80th birth anniversary of Jagjit Singh, I have selected one of those Hindi film songs where Jagjit Singh has sung the song written by Nida Fazli. The song is ‘meri aankhon ne chuna hai tujhko duniya dekh kar’ from ‘Tarkieb’ (2000) with Alka Yagnik joining Jagjit Singh in rendition. The song was set to music by Aadesh Srivastav.

‘Tarkieb’ (2000) failed miserably at the box office and faded into oblivion. But the song under discussion has ensured that the name of the film is not forgotten. Such is the power of Jagjit Singh-Nida Fazli combination.

Video Clip:

Audio Clip:

Song-Kiska chehraa ab main dekhoon(Tarkieb)(2000) Singers-Jagjit Singh, Alka Yagnik, Lyrics-Nida Fazli, MD-Aadesh Srivastav
Both
Chorus

Lyrics

chaand bhi dekha
phool bhi dekha
baadal bijli titli jugnu
koi nahin hai aisa
tera husn hai jaisa
tera husn hai jaisa

meri nigaah ne ye kaisa khwaab dekha hai
zameen pe chalta huwa mahtaab dekha hai

meri aankhon ne chuna hai tujhko duniya dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
kiska chehara
kiska chehara
ab main dekhoo….n
tera chehara dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar

hu hu hu hu
ta ta ra ta ra ra ta ra

neend bhi dekhi
khwaab bhi dekha
neend bhi dekhi ee
khwaab bhi dekha aa
choodi bindiya darpan khushboo
koi nahin hai aisa
tera pyaar hai jaisa
haan tera pyaar hai jaisa aa
meri aankhon ne chuna hai tujhko duniya dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar
kiska chehra
kiska chehra..aa
ab main dekhoo…n oon oon
tera chehra dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar

ru ru ru

rang bhi dekhaa aa
roop bhi dekhaa aa aa
rang bhi dekhaa aa
roop bhi dekhaa aa
rasta manzil saahil mehfil
koi nahin hai aisa
tera saath hai jaisa
ho tera saath hai jaisa aa
meri aankhon ne chuna hai tujhko duniya dekh kar

meri aankhon ne chuna hai tujhko duniya dekh kar
kiska chehra..aa
kiska chehra abb main dekhoo..n oon
tera chehra dekh kar
meri aankhon ne chuna hai tujhko duniya dekh kar

bahut khubsoorat hai aankhen tumhaari
(aaaaaa aaaaaaaa)
bana dijiye inko kismat hamaari
(aaaaaa aaaaaa )
usse aur kya chaahiye zindagi mein
(hmm hmm hmm hmm hmm)
jise mil gayi mohabbat tumhaari
(hmm hmm hmm hmm hmm)


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4102 Post No. : 15252 Movie Count :

4190

The Dadasaheb Phalke Award is India’s highest award in cinema. It is presented annually at the National Film Awards ceremony by the Directorate of Film Festivals, an organisation set up by the Ministry of Information and Broadcasting. The recipient is honoured for their “outstanding contribution to the growth and development of Indian cinema” and is selected by a committee consisting of eminent personalities from the Indian film industry. The award comprises a Swarna Kamal (Golden Lotus) medallion, a shawl, and a cash prize of ?1,000,000 (US$14,000). Presented first in 1969, the award was introduced by the Government of India to commemorate Dadasaheb Phalke’s contribution to Indian cinema. Phalke (1870–1944), who is popularly known as and often regarded as “the father of Indian cinema”, was an Indian filmmaker who directed India’s first full-length feature film, Raja Harishchandra.

The first recipient of the award was actress Devika Rani, who was honoured at the 17th National Film Awards held in 1969. As of 2017, there have been 49 awardees. Among those, actor Prithviraj Kapoor (1971) and actor Vinod Khanna (2017) are the only posthumous recipients. Raj Kapoor accepted the award on behalf of his father Prithviraj Kapoor at the 19th National Film Awards in 1971 and was himself a recipient in 1987 at the 35th National Film Awards ceremony. Bommireddy Narasimha Reddy (1974) and Bommireddy Nagi Reddy (1986); Raj Kapoor (1987) and Shashi Kapoor (2014); Lata Mangeshkar (1989) and Asha Bhosle (2000) along with B. R. Chopra (1998) and Yash Chopra (2001) are the siblings who have won the award.

Note:- all of the above information I have extracted from Wikipedia and apologize for any wrong information therein.

October 11th 1942 was the date when Teji Bachchan- wife of Shri. Harivansh Rai Bachchan gave India the Shahenshah of Bollywood. He goes by the name Shri. Amitabh Bachchan. Anyone who has even the faintest knowledge about Indian movies -anywhere in the world- would have heard about this actor. He may have not been India’s first mega-superstar, that title will always be associated with Rajesh Khanna. The reason I have used the term Mega-Superstar for Rajesh Khanna is because Dilip Kumar- Dev Anand-Raj Kapoor were equally big stars of their generation and the trio were inspiration for the next set of actors like Manoj Kumar, Dharmendra, Rajendra Kumar, Rajesh Khanna, Jeetendra, Amitabh Bachchan etc. The popularity and fan-following that Rajesh Khanna achieved was much more than what the trio of the 50s and 60s may have experienced collectively. Amitabh Bachchan had a long journey to reach the level of popularity that was Rajesh Khanna’s; but even at the height of his superstardom one has never heard of girls writing letters to Amitabh with blood, or throwing themselves at his car or trying to commit suicide at the news of his marriage to Jaya Bhaduri etc.

What Amitabh experienced was a different kind of affection from his fans. There were people who prayed for his life in 1982 when he had an accident during the shoot of “Coolie”. There are accounts of people walking barefoot from far-flung places to the hospital where AB was admitted and battling for life after the accident; people offering prayers at various places of worship cutting across religious differences. AB has always thanked his fans for all the love they showered on him during that period. In fact, he always greets them on Sunday evenings (whenever he is in Mumbai i.e.) for which there is a huge crowd of fans waiting outside his Mumbai residence.

He may have been dubbed the angry-young-man in the early phase of his career but he was equally adept at emotional, romantic or comic roles. “Mahaan” (1983) had him in three roles where we had him as an emotional father/ husband, serious-faced inspector and comic stage artist. The turn of the century saw him change his style and take on a variety of roles and characters- strict father who will not accept his son marrying against his wishes (Kabhi Khushi Kabhi Gham), strict principal who wanted all his students to adhere to the ‘parampara’ ‘pratishtha’ etc laid down by the college (Mohabbatein), friendly-indulgent father to Akshay Kumar (“Ek Rishtaa: the bond of love” and “Waqt: the race against time”) etc. etc. etc. We saw him as a rustic near-bumbling cop in “Bunty Aur Babli”; aging teacher of a deaf-blind girl in “Black”; these successful experiments have seen him through 50 years in an industry which has many talented actors but no one has been given epithets like “Shahenshah of Bollywood”, “Big B” or “Star Of The Millennium”. He continues his reign over the hearts of his fans in spite of the next generation and the one after it giving movies that gross over 100 crores per film. He still gets author backed roles that befit his age and many-a-times is the central character of the story as in “Baghban” and “Baabul”. His detractors may feel that he is the most off-key (besura) singer (and I believe he agrees that he is mostly off-key) but the songs that he has sung (from the first full song “mere pass aao mere doston”) have been well received by his die-hard fans-yours truly included. 🙂

Coming back to the opening para of this post- here is the connection- Amitabh Bachchan is the recipient of this prestigious award for this year. He joins an august list of personalities who have had a major influence on the Indian film industry beginning from Devika Rani who is acknowledged as the first lady of Indian cinema.

This is the latest feather in AB’s cap in addition to the Padma awards – Padma Shri, Padma Bhushan and Padma Vibhushan; 4 National Awards for best actor and 15 Filmfare awards and numerous other awards from various national and international organisations.

Today he turns 77 and I am confused as to which is an appropriate song that should go with this post- I have a big collection to choose from- the blog has about 20 songs which have had Amitabh Bachchan in the recording room as a singer or uttering a few words with the main singer.

Today’s song is from the BR films produced 2006 release “Baabul”. It had AB play an indulgent and friendly father to Salman Khan and a loving father-in-law to Rani Mukherjee. The movie had a simple story of the loving father-in-law, fighting the opposition from his own wife and other family members, against his decision of getting his son’s widow remarried. The song comes at the fag end of the movie. It was on my list of songs under consideration for this post. What clinched the matter in its favour is that the song has two versions to it. The version in the movie is in the voice of Amitabh Bachchan and the album version is in Jagjit Singh’s voice. And only this morning I saw a message on our WhatsApp group that yesterday was Jagjit Singh’s anniversary.

So, we wish our Big B a long and healthy life and lots more years of entertaining us along with remembering Jagjit Singh and his smooth voice.

Video (Amitabh Bachchan voice)

Audio

Song-Kehta hai baabul o meri bitiya (Baabul)(2006) Singer-Amitabh Bachchan/ Jagjit Singh, Lyrics-Sameer, MD-Aadesh Srivastava

Lyrics

kehta hai baabul o meri bitiya
tu toh hai mere jigar ki chitthiya
kehta hai baabul o meri bitiya
tu toh hai mere jigar ki chitthiya
daakiya koyi jab aayega
tujhko churaa ke le jaayega
katega kaise lamha tere bina bata
jiyunga kaise tanha tere bina bata
katega kaise lamha tere bina bata aa aa
jiyuga kaise tanha tere bina bata

tu suhaagan rahe sang saajan rahe raat din
iss khushi ke liye har sitam main uthha loonga aa
tere jaane kaa gham mujhko hoga magar laadli
leke iss dard ko main sada muskuraaoonga
baabul toh dil se de raha duaa yahi
khushi ke saaye mein ho zindagi teri
baabul toh dil se de raha duaa yahi ee
khushi ke saaye mein ho zindagi teri

waqt ke saath zakhm yeh bhar jayega
pal guzar jayega tu meri baat maan le ae
yaadon ke aasre umr kat’ti nahin
hai haqeeqat yahi abb too jaan le ae ae
samundaron ka paani koyi naa pi saka
akela khaara jeevan koyi naa jee saka aa
samundaron ka paani koyi naa pi saka
akela khaara jeevan koyi naa jee saka

kehta hai baabul o meri bitiya
tu toh hai mere jigar ki chitthiya
daakiya koyi jab aayega
tujh ko churaa ke le jaayega
katega kaise lamha tere bina bata
jiyunga kaise tanha tere bina bata
katega kaise lamha tere bina bata
jiyunga kaise tanha tere bina bata


This article is written by Gajendra Khanna, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4005 Post No. : 15109 Movie Count :

4150

For today’s post, I have chosen a movie who’s two namesakes are already there on the blog and thanks to their popularity they have even been yippeed already. However, this 2002 release and another namesake are perhaps waiting for me to open their account on the blog.

This film like many of the movies (phenomena particularly seen in 1930s) was inspired by a play. The director Vipul Amrutlal Shah adapted this movie from his own Gujarati play Andhalo Pato (Blindman’s Bluff). He has done these kind of adaptations later as well. I feel that its certainly a good idea to adapt movies from plays, novels, short stories etc as these often have wonderful ieas in them around which screenplays can be built. A good script will always give strength to a movie. Music no doubt is important to a movie but it can only do so much alone. I hope our filmmakers today will focus more on continuing this trend of re-using good stories rather than re-using good songs to make something else out of them!

The film tells the story of Vijay Singh Rajput (Bachchan) a hard-working but temperamental man who has spent all his life working for one bank and even achieving them international recognition. When Vijay loses his mind and goes on a violent rampage beating up another employee, he is subsequently fired. He decides to take vengeance by organising a full on heist and having the same bank robbed by three blind men as no one will suspect them. The film was quite appreciated when it released.
The detailed plot was as follows:-

Obsessive and temperamental bank manager Vijay Singh Rajput (Amitabh Bachchan) loses his job for badly beating up a bank clerk who tried to embezzle money. Angered at losing his job he plots revenge on the bank by intending to stage a heist. He employs three blind men – Vishwas (Akshay Kumar), a blind person who has the power of the sixth sense, Elias (Paresh Rawal) and Arjun (Arjun Rampal) — when, after passing by school for the blind, he understands that blind people can be trained to do things like sighted people. He blackmails and enlists the help of Neha (Sushmita Sen) who is a teacher at the school to train the trio to do the seemingly impossible heist. He chose blind people because they, as thieves, would never be suspected as noone would believe blind people can rob a bank.

The bank robbery is successful, with the jewels safely captured by the three. However, in the process of robbing the bank, Elias’s face is exposed, captured in footage and prompting citywide posters with his face. Meanwhile, Mr. Rajput anxiously tries to extort information from Vishwas and Arjun regarding the jewels and their location. Unable to answer, as they did not collect the items, they try to defer the answer by changing subjects. Ultimately, it is revealed that Elias is the one with complete knowledge of the box’s belongings. Meanwhile, tensions rise between Rajput and Neha; the latter resists the abusive nature of Rajput and his obnoxious harassing of Vishwas and Arjun. Arjun confesses his love to Neha, who reveals that she is associated in the plot only for the well-being of her younger brother, Rahul, who has been kidnapped by Rajput.

In a furious attempt, the police try to locate Elias. Elias lands up at Rajput’s place after getting drunk. Rajput tries several ways to force Elias into revealing the location of the box. Unable to generate an answer, he slams Elias, who falls on the ground and injures his eyes, causing bleeding. Even in this scenario, Rajput tries to get the information, but Vishwas and Arjun resist and claim that they will reveal the location if Elias is treated by paramedics. Rajput sends them to get Dr. Siddiqui. Vishwas senses that Elias is in danger and Arjun and Vishwas double back to the training center to save him. Rajput starts to harass Elias by tickling him to force him to reveal the answer.

In the action, Elias falls off the balcony and dies. Unable to bear the shock of the death, Neha pulls a gun on Rajput and threatens to reveal everything to the police if he does not leave her and the other two alone. Rajput notifies Neha that all these acts were done under her training, and he is spotless. Unable to bear this fact, Neha shoots herself, just as Vishwas and Arjun return after hearing loud screams.

Both men gang up on Rajput and try to attack him. Once Rajput realises that the men are ignorant about the jewels, he starts shooting them. The police arrive, and confusion ensues. Vishwas and Arjun come out and claim that Rajput is abusing them while he claims that there is a big conspiracy involving the two men, Neha and Elias. Unable to believe that blind men can ransack a bank and amidst Rajput’s impassioned defence, the police start getting suspicious. In the heat of defending himself, Rajput reveals that he had sent over Elias, thus confessing his crime.
In the end, Rajput has been locked away. Vishwas and Arjun decide to take care of Rahul and ultimately find the jewels – they were hidden in Elias’ musical instrument.

This would appear as the typical Hindi film end where the evil man ends up in jail. However, old timers may be remembering the curious case of Bandini having two endings being shot. As told in Bioscope ki Baaten on Vividh Bharti’s pitara programme long back Bimalda could not decide what end to give the movie. One option was to send Nutan’s character to hear new beau played by Dharmendra and the other was for her to go to her old love Ashok Kumar. As per announcer Kamal Sharma who hosted it as per my memory, Bimalda shot both the endings and showed it to a selected audience (perhaps the distributors??) who decided that the ending where She goes to side of the ailing Ashok Kumar would be more apt.

However in this movie’s case, the film makers had another ending in mind which was released in the overseas version! In the overseas viewers version, Rajput bribes the cop (Aditya Pancholi) and is set free, in return to get him his share and gets his manager Bhandari (Ajit Vachani) arrested. Vishwas and Arjun are sitting in a train (waiting for it to depart) and Rajput is standing on the platform with a smile on his face. He then warns them that “A dangerous game is about to begin”, after which Vishwas and Arjun both draw their guns, and the film ends.

Perhaps the film makers felt that overseas audience would better accept the corrupt angle while also leaving room for a sequel which never happened. Obviously, the alternate ending overseas version was longer in length too.

Interestingly, when the movie released, the pirated movies would often come via the Dubai route and in India, people going to cinemas and watching it at home were seeing the different endings! The movie was a big hit. I especially loved the way Sushmita Sen matched up to Amitabh Bachchan during her very effective role. Its sad that we have got to see so less of her in films. Bollywood, She hasn’t been seen since Chingaari (2006). Are you listening??

Before, I come to the chosen song itself, I must mention a very curious case of P-stats for the song. One man who “appears” as if He is yet to make his debut on the blog as far as one can see has not yet made his debut on the blog is making his debut with this song post. What’s interesting is that He’s making his debut on the blog as a singer, a composer as well as what he’s most known as – a Lyricist! Another interesting thing is that his co-composers in the song are a well known composer duo as well as a talented, now sadly deceased, solo composer. So this song for which he has written the lyrics has four composers! That’s quite rare must say!! I was surprised when I first discovered this and had to get hold of the “record” i.e. the CD to confirm the same! This gentleman has not only been a singer, composer and lyricist but also contributed to films as a dialogue writer as well as an actor!
You can see the CD for the credits here on Amazon.

I hope I have made you curious about the identity of the artist! You’ve probably heard some songs of his. He’s known for reviving Bambaiyya style songs in films like Ghulam (1998) and Satya (1998). For many years he was in demand for his Bambaiyya lyrics! His name is of course Nitin Raikwar.

How he came to write probably his biggest hit which kick started his lyricist career is a quite interesting incident. The year was 1996. Actor and filmmaker Neeraj Vora recommended that he go and meet ‘Mr Perfectionist’ Aamir Khan. Aamir was shooting on the sets of Ghulam at Sanpada in Navi Mumbai. He needed someone to write some funny shayaris for a character in his next film Sarfarosh. When Nitin reached there he found that due to some technical slag the whole unit was on standby while it was being rectified. Seeing Aamir free, Nitin went up to him and requested him to give a listen to one of the songs he had written. Aamir heard it and immediately called the director Vikram Bhatt. They both found the song unusual but nice. That song which got included in the movie was ‘Aati Kya Khandala’ which became a super duper hit (It was sung by Aamir himself with Alka Yagnik. Its not yet on the blog and I’m reserving it for a future post by me. Me. Me. Peevsie’s mom and other’s please note 😀 ). This song will probably feature in any playlist of Bambaiyya Hindi songs.

He was to follow it up with many hits. One of these is already on our blog. That is the famous Apun Bola Tu Meri Laila from Josh (2000) which has already had a post by Peevsie’s mom nearly 6 years back on 20th August here:-

In the tagging it has got miscredited to Sameer (who also wrote for the movie) and thus it became his “secret debut” on the blog (the writeup does mention him in one place!). The correctness of the credit can be easily seen on the CD here

Some of his other popular songs include Excuse Me Kya Re (from Style 2001) and Khallas from RGV’s Company (2002). He penned for many more movies being sought out for the Bambaiyya flavour. He was also called for children’s movies like Chhota Chetan (1998) and Jajantaram Mamantaram (2003).

He talked about all this in a 2017 interview with Mid Day.
To quote from it:-

Writing in tapori language was a skill that Raikwar developed after he moved to Mumbai from Pune in 1987. By then, he had already tried his hand at singing in orchestras, something his father wanted him to do since he was a successful show organiser. “But I didn’t see myself singing in orchestras all my life. I was aware of the risk and struggle involved in Bollywood, but I was adamant to make it,” he says. With little money to spend, Raikwar’s story reads like that of so many others who move to Mumbai from smaller towns to try their luck. “When a man is struggling, he spends time with people who are like him. So I would sit at chai tapris and talk to rickshawallas, drivers and daily wage labourers. Because I’m talkative and an extrovert by nature, I could strike up a conversation with just about anyone. That’s how I picked up the slang,” he says. Even when he didn’t have projects, Raikwar would write and seek feedback from his friends, some of whom were already working in the film industry as supporting actors. And it’s through their assistance that he finally met Anil Kapoor on the sets of Ladla. “I consider that the turning point in my life. Anil Kapoor felt I had potential and introduced me to directors and filmmakers,” he says. Raikwar’s first song was Teri Tirchi Nazar Main Hai Jaadoo for Anil Kapoor-starrer Loafer in 1996. But it was Aati Kya Khandala that earned him fame like no other. In fact, it helped him bag a Shah Rukh Khan film soon after. “I remember writing Apun Bola in 15 minutes after I heard the script. I wanted it to reflect Goan culture so I included words like kokum curry. You’ll also find words like ‘hoinga’ and ‘karenga’, just the way a Catholic aunty would say them,” he says.

In 2014, Raikwar had to put all work on the backburner for two years due to an illness. It began with bouts of headache, and he was later diagnosed with subdural hematoma of the brain. “The clots had to be removed through surgery. For a long time, I couldn’t work because of the illness. I’m fine now, and hope to get back to what I do best,” he says.

“I think what worked for me at that point was the novelty factor. People dig variety. For instance, we may love our vada pav, but when the burger made an entry in early 2000, we started queuing up for it. It’s the same with songs,” he says. These days, Raikwar is working on his debut album for which he has collaborated with Shrikant Ahire, one of Maharashtra’s foremost shadow dancers. He plans to release a single from it next month. The song is called Khan Sahab Apne Ladke Ko Sambhal. “I thought I’d write in a manner that people identify with. I can’t write in a flowery and larger-than-life way. It’s not me.”

For some reason, the album and song are yet to release though the 2017 interview suggested it would happen soon. No other work from him has come too as far as I can see.

Coming to the song post, It’s a very danceable song composed by our composer ‘quartet’ of Nitin Raikwar, Aadesh Shrivastav and Jatin-Lalit. Joining Nitin Raikwar sing in the movie are Aadesh Shrivastav himself and Actor/Singer Arun Bakshi who you all stalwarts probably already know about from his multiple movies. Written in his usual tapori style, the song for me at its core is quite a philosophical song asking one to not worry about our troubles and that we will one day have everything we want. The song has a nice uplifting mood to it that I love to listen when feeling a bit down sometimes. The feelings of the song somehow remind me of Manna Dey’s rendition of ‘Door Tera Gaon Ho, Thake Tere Paaon Hon Chalta Chal’ from movie Fashionable Wife (1959) which too I am fond of.

Here is the song for you all Bambaiyya Hindi lovers:-

Its picturised on Akshay Kumar, Arjun and Paresh Rawal. The song had become quite an anthem in those days just like today we have Apna Time Aayega but probably in a larger way. A view of the youtube comments of the song will prove that.

Karan Arora says, “My dad is a GM in maruti showroom now……. But 15 years ago…we had a financial crisis…He had to work as a driver under an advocate….we use to live on rent in one room of a govt. Apartment. I was 5 years old At that time.. Jab bhi main dukhi hota tha….he always use to say ” fatela jeb sil jayega…. Jo chahega mil jayega….. Tere bhi din ayenge chhote…. ” to encourage me… But us time esa lagta tha ki future hi nahi hai hamaara…but here we are… Living happily now… So I’m just sharing my story with you guys to encourage everyone who’s struggling in life right now….. Abhi main tum log ko kehta hoon “fatela jeb sil jayega… Jo chahega mil jayega…. Tere bhi din ayenge chhote”……bs rukne ka nahi…. Chalte raho…. 💙💙💙”

Saurabh Mahambrey says, “If three blind guys can sing about a better tomorrow and successful rob a bank …. You can do anything 😂😂😂”

Enceladus says, “2019 anyone 😂 this song is for eternal struggle”

Shubh Patil says, “Best way to get rid of anxiety attacks.. 2019 still here😁😁”

CRT says, “Whenever I feel down, I remember this song. And half of my tension goes away 😃”

Ansh Patil says, “Iconic song.. Amazing movie.. Specially Paresh Rawal rocks”

Shubham Hatekar says, “This song encourages me more than “Apna Time ayega”. Anyone feels same.”

I certainly feel the same. Stay motivated and keep going. You are stronger than the sum of all your troubles. Never forget that.

Video

audio

Song-Phatela Jeb Sil Jayega (Aankhen)(2002) Singers-Arun Bakshi, Aadesh Shrivastav, Nitin Raikwar, Lyrics-Nitin Raikwar, MD-Nitin Raikwar, Aadesh Shrivastav, Jatin-Lalit
Chorus

Lyrics

Phatela Jeb Sil Jaayega
Jo Chaahega Mil Jaayega
Tere Bhi Din Aayenge Chhote
Achcha Khaasa Hil Jaayega
Rukne Ka Nahin
Thakne Ka Nahi
Life Mein Chalte Rehne Ka
Are Bheja Kyon Sarkaane Ka
Sahi Bolta Hai Sahi Bolta Hai
Tension Kaayko Lene Ka
Sahi Bolta Hai Sahi Bolta Hai
Phatela Jeb Sil Jaayega
Jo Chaahega Mil Jaayega
Tere Bhi Din Aayenge Chhote
Achcha Khaasa Hil Jaayega
Rukne Ka Nahin Thakne Ka Nahin
Life Mein Chalte Rehne Ka
Are Bheja Kyon Sarkaane Ka
Sahi Bolta Hai Sahi Bolta Hai
Tension Kaayko Lene Ka
Sahi Bolta Hai Sahi Bolta Hai

Khaane Ka Hai Chicken Curry
Usko Mangta Patti Hari
Jeb Main Tere Dus Rupiya
Peele Cutting Khaale Bhajiya
Khaane Ka Hai Chicken Curry
Usko Mangta Patti Hari
Jeb Main Tere Dus Rupiya
Peele Cutting Khaale Bhajiya
Kismat Pe Rone Ka Nahin
calendar Badalte Rehne Ka
Are Bheja Kyon Sarkaane Ka
Sahi Bolta Hai Sahi Bolta Hai
Are Tension Kaayko Lene Ka
Sahi Bolta Hai Sahi Bolta Hai

Aaj To Hai Andhera
Kal Hoga Ujaala
Are Apni Diwali Hogi
Kisi Aur Ka Hoga Diwala
Kal Dekh Lena Paisa
Ho Ga Goni Bhar Kar
Income Tax Officer
To Haath Dhokhe Hi
Peeche Pad Jaayega
Ha Ha Ha
Phatela Jab Sil Jaayega
Jo Chaahega Mil Jaayega
Tere Bhi Din Aayenge Chhote
Achcha Khaasa Hil Jaayega
Rukne Ka Nahin
Thakne Ka Nahin
Life Mein Chalte Rehne Ka
Are Bheja Kyon Sarkaane Ka
Sahi Bolta Hai Sahi Bolta Hai
Are Tension Kaayko Lene Ka
Sahi Bolta Hai Sahi Bolta Hai

Phatela Jeb Sil Jaayega
Jo Chaahe Mil Jaayega
Are Bhalta Hich Pakda Baap
Line Mein Aa
Line Mein Aa
Dhin Taak Dhin Taak
Tere Bhi Din Aayenge Chhote
Achcha Khaasa Hil Jaayega
Rukne Ka Nahni Thakne Ka Nahin
Life Mein Chalte Rehne Ka
Life Mein Chalte Rehne Ka
ha
Life Mein Chalte Rehne Ka

Are Bheja Kyon Sarkane Ka
Sahi Bolta Hai Sahi Bolta Hai
Tension Kaayko Lene Ka
Sahi Bolta Hai Sahi Bolta Hai
Sahi Bolta Hai Sahi Bolta Hai
Sahi Bolta Hai Sahi Bolta.Hai
Sahi Bolta Hai Sahi Bolta Hai

—————————————————–
Devnagri Lyrics (Provided by Gajendra Khanna)
—————————————————-

फटेला जेब सिल जायेगा
जो चाहेगा मिल जाएगा
तेरे भी दिन आएंगे छोटे
अच्छा खासा हिल जाएगा
रुकने का नहीं थकने का नहीं
लाईफ में चलते रहने का
अरे भेजा क्यों सरकाने का
सही बोलता है सही बोलता है
टेन्शन कायेको लेने का
फटेला जेब सिल जाएगा
जो चाहेगा मिल जाएगा
तेरे भी दिन आएंगे छोटे
अच्छा खासा हिल जाएगा
रुकने का नहीं थकने का नहीं
लाईफ में चलते रहने का
अरे भेजा क्यों सरकाने का
सही बोलता है सही बोलता है
टेन्शन कायको लेने का
सही बोलता है सही बोलता है

खाने का है चिकन करी
उसको मंगता पत्ती हरी
जेब में तेरे दस रुपया
पीले कटिंग खा ले भजिया
खाने का है चिकन करी
उसको मंगता पत्ती हरी
पीले कटिंग खा ले भजिया
किस्मत पे रोने का नहीं
क्या लेनदार बदलते रहने का
अरे भेजा क्यों सरकाने का
सही बोलता है सही बोलता है
अरे टेन्शन कायको लेने का
सही बोलता है सही बोलता है
आज तो है अन्धेरा कल होगा उजाला
अरे अपनी दिवाली होगी
किसी और का होगा दिवाला
कल देख लेना पैसा
होगा गोनी भर कर
इन्कम टैक्स आफिसर
तो हाथ धो के ही पीछे पड़ जाएगा
हा हा हा
फटेला जेब सिल जाएगा
जो चाहेगा मिल जाएगा
तेरे भी दिन आएंगे छोटे
अच्छा खासा हिल जाएगा
रुकने का नहीं थकने का नहीं
लाईफ में चलते रहने का
अरे भेजा क्यों सरकाने का
सही बोलता है सही बोलता है
अरे टेन्शन कायको लेने का
सही बोलता है सही बोलता है
फटेला जेब सिल जाएगा
जो चाहे मिल जाएगा
अरे भलता हीच पकड़ा बाप
लाईन में आ लाईन में आ
धिन ताक धिन ताक
तेरे भी दिन आएंगे छोटे
अच्छा खासा हिल जाएगा
रुकने का नहीं थकने का नहीं
लाईफ में चलते रहने का
लाईफ में चलते रहने का
लाईफ में चलते रहने का

अरे भेजा क्यों सरकाने का
सही बोलता है सही बोलता है
टेन्शन कायको लेने का
सही बोलता है सही बोलता है
सही बोलता है सही बोलता है
सही बोलता है सही बोलता है
सही बोलता है सही बोलता है


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day : 3699 Post No. : 14617

Hullo to all in Atuldom

I have written two posts in the past to celebrate this actor’s birthday. Both times the occasion had been a last-minute discovery. Also last year I happened to discover that this actor shared his special date with music composer- Pyarelal Ramprasad Sharma, of the Laxmikant- Pyarelal duo.

Pyarelal Sharma was the son of a trumpeter popular as “Babaji” or Ramprasad Sharma and learnt the basics of music from his father. He was tutored to play the violin by a Goan musician, Anthony Gonsalves – a music composer and arranger who had assisted many prominent music directors of the 50s & 60s and it is widely believed that hugely popular song “My name is Anthony Gonsalves” that Laxmi-Pyare composed for Manmohan Desai’s Amar Akbar Anthony was a tribute to Pyarelalji’s music teacher. He made his entry into movies along with Laxmikant Kudalkar by assisting all the reputed composers of the 50s. In fact, they also assisted R D Burman in his first movie “Chhote Nawab” and their friendship continued even after L-P made a name for themselves in later years. The stats page of our blog gives the number of songs by this duo as 2901 and we have posted only 772 songs; so that leaves us with a very wide choice to go with this post.

But when we try to find songs in combination with the actor who turns a year older today, things become slightly difficult. Though L-P have given music to many movies that starred this actor there are very few songs actually picturised or choreographed on him. This is partly because in the period when L-P were active this actor used to primarily play villainous roles. He might be present on the scene during a song or two but not actually shake a leg, “John Jaani Janardhan” from Naseeb is one such example (that was an L-P composition)- our today’s birthday boy is present in the song as Amitabh’s boss. Now I see an “Aah! I know who she is talking about” reaction from whoever is reading this.

Of course, there are two bosses for Amitabh in that song and so, without further ado, let us wish Shakti Kapoor on his birthday. 🙂
Today’s song is from Yash Johar’s Dharma Productions’ 1990 release “Agneepath” which was directed by Mukul Anand. The title was taken from Harivanshrai Bachchan’s poem with the same name which is recited at the beginning of the movie. It starred Amitabh Bachchan and Danny in main characters and Shakti Kapoor plays himself (an actor visiting Kancha Cheena, the villain, in his den) in a guest appearance for a song and dance sequence along with Archana Puran Singh.

The song confirms, what I always felt, that Shakti Kapoor was a better dancer than many of the lead actors, barring Mithun Chakravarty Jeetendra or Govinda (to name a few of our good dancing actors), of that time who used to be his co-stars. He definitely had a sense of rhythm. And he looks so good in this song, that I have a feeling he should have got a few lead actor or hero-type roles. I remember seeing him in a movie where Smita Patil falls in love with him and marries him only to be cheated later on. The same was the case with Swaroop Sampat in Himmatwala and Karamdaata.

The song was written by Anand Bakshi. Aadesh Shrivastava and Runa Laila are the playback singers. Goga Kapoor and Bob Christo are seen frolicking around in the party.

Here is wishing Pyarelalji and Shakti Kapoor a very Happy and musical birthday today (3 september 2018).

Video

Song-Ali baaba mil gaya chaalis choron se (Agnipath)(1990) Singers-Runa Laila, Aadesh Shrivastava, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal
Chorus

Lyrics

ali baba
ali baba
mil gaya chaalis choron se
ali baba
ali baba
mil gaya chaalis choron se

jhoomo
naacho
jhoomo naacho gaao
jhoomo
naacho
gaao
o yaaron zoro shoron se
ali baba
ali baba
mil gaya chaalis choron se
ali baba
oo laa
??
??
ek shaayar ka kahaa
sun le zamaane waale
dost hote nahin sab
haath milaane waale

kaun hai dil mein
kis pe nazar hai
kaun hai dil mein
kaun hai dil mein
kis pe nazar hai
kis pe nazar hai
tumko pata hai
humko khabar hai
nahin kuchh kehna auron se
ali baba
oo laa aa
ali baba
mil gaya chaalis choron se
ali baaba

hmm
raaz hote nahin ye
sabko bataane waale
dost hote nahin sab
haath milaane waale

aisi cheez
koi pi li hai
ho aisi cheez
koi pi li hai
pyaas bujhi nahin
aag lagi hai
ye dil dhadka hai zoron se
ali baba
oo laaa aa aa
ali baba
mil gaya chaalis choron se
ali baba

hmm
jaam hote nahin sab
peene pilaane waale
dost hote nahin sab
haath milaane waale

yaa yaa yaa
??

door tumhen jaane na doongi
ho door tumhen jaane na doongi
baandh ke tumko main rakh loongi
ghani zulfon ki chhaaon(?) mein
ali baba
oo laa
ali baba
mil gaya chaalis choron se
ali baba

hmmm
yaar hote nahin sab
pyar jataane waale
dost hote nahin sab
haath milaane waale

jhoomo
naacho
jhoomo naacho gaao
jhoomo
naacho
gaao
o yaaron zoro shoron se
ali baba
oo laa aa aa
ali baba
mil gaya chaalis choron se
ali baba
oo laa aa
aaaaa

ali baba
oo laa
aaaaa

ali baba


I have posted a song from “Joru Ka Ghulaam” (1972) where Rajesh Khanna was the lead actor. Another movie of the same name was released in 2000, and guess who was the lead actor in this movie ? It was Twinkle Khanna, daughter of our beloved Kaka.
Read more on this topic…


“Aao Pyaar Karen” (1994) was the debut movie of Aadesh Srivastava as a music director, and he certainly caught the attention of people with his music in this movie.
Read more on this topic…


This movie “Aao Pyaar Karen” (1994) is a recent movie by the standards of this blog. This movie had a couple of nice songs composed by debutant music director Aadesh Srivastava.
Read more on this topic…


I am of the opinion that most great Bollywood songs on any topic were created before 1980. After 1980, there was a steady deterioration in the quality of such songs where lyrics took the back seat and plagiarised “disco” tunes replaced erstwhile tunes.
Read more on this topic…


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16600 song posts by now.

This blog is active and online for over 4000 days since its beginning on 19 july 2008.

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(© 2008 - 2021) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16615

Number of movies covered in the blog

Movies with all their songs covered =1280
Total Number of movies covered=4520

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