Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Laxmikant Pyarelal


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Recently I wrote up a 1970s song here and today I’m presenting another 1970s song.

I know that by the standards of this blog, the 1970s is a fairly recent decade. Most of the songs here are from an earlier period – and I love this because it gives me an opportunity to listen to, and learn about, so many forgotten gems of an earlier era. I will never forget the thrill I got when I heard “halla gulla lai la (Dholak – 1951)” for the first time – it has since become one of my FAVOURITE songs! Actually I’d always been interested in old songs but thanks to the internet and this blog, my interest has not only been encouraged, it has also been sharpened in the last few years.
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“Taqdeer” (1967) was a Rajshree Productions movie about a family that gets separated from its sole breadwinner (Bharat Bhushan) and lives without him. Bharat Bhushan, presumed dead comes back many years later and finds himself a stranger in his own home. It was a moving tale which was nicelty picturised. The songs of this movie captured the essense of the movie wonderfully well.
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Technically Ramnavmi is over in India, since it is already midnight in India and as such it is a new day. But here is a Ramnavmi song that was quite popular in 1970s and I in fact wonder how I missed out on remembering this song. Peevesie’s mom too remembered it, albeit late and sent this song just minutes before the Ramnavmi day was over.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a new contributor to this blog.

In the early 70s Bangalore was heaven on earth. It was a city you could walk around in, full of gardens and broad sidewalks. If you were a movie lover, this was the place to be. My best friend Aruna lived a few houses away from me, we were constant companions to each other. A short distance from our house was Kempegowda Circle, or KG Circle, that was like a jungle of cinema houses. There were times when we found an empty ticket window, bought a couple of tickets, got into the hall and asked people in seats next to us about the movie that was playing. Some of the halls were so close together, it was hard to figure out where we were.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

One of my many weaknesses is that at any given point in time I’m humming or singing a song, completely oblivious to the surroundings. This has resulted in embarrassing situations at times (like when I burst out singing “chhoo lene do naazuk honthon ko” once while waiting for a flight in the departure lounge in an airport causing some heads to turn). Now, if I’d been Rafi saab or Talat Mahmood or Kishore, I’d probably get away with it – but I have no illusions about my singing having anything close to a favourable impact on the unintended and hapless targets of my indiscretions. It is just one of those things that I need to watch out for, I suppose.
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This blog, which began as a one man show has by now become a multiple contributor bandwagon of likeminded music lovers. With time, we now have several contributors who have begun to achieve their own landmarks of century and multiple century marks.
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“Suhaana Safar” (1970) is an obscure movie despite being a “recent” movie by the standards of this blog :). The movie was produced by R C Kumar and directed by Vijay. Its starcast had Shashi Kapoor, Sharmila Tagore, David Abraham, Lalita Pawar, K. N. Singh, Om Prakash, Tiwari, Bhagwan, Sunder, Manmohan Krishna, Leela Misra, Randhir, Mukri, Keshto Mukherjee etc in it. Now we know why the movie was obscure despite being a recent movie :).
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“Inteqaam” (1969) was a Shaktiman Enterprises movie. It was directed by R K Nayyar. Starcast of the movie had Sanjay Khan, Sadhana,Helen, Anju Mahendru, Bhagwan, Jeevan, Rajendranath, Asit Sen, Siddhu, Azad, Ashok Kumar, Rehman, Iftekhar, Leela Chitnis etc.
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