Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Majrooh Sultanpuri


This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6309 Post No. : 19530

We are moving a bit away from the Rare/Rarely Heard song series of Asha Bhosle and turn to a beautiful mujra by Lata Mangeshkar. The song is “Dil Ka Karar Layi” from “Kundan” (1972). The song is penned by Majrooh Sultanpuri and composed by Ganesh.

I used to love this song after its release and till about the early 1980s when it stopped playing on Radio Ceylon (SLBC). Recently when Atul Ji posted another song from the same movie, I suddenly remembered this song.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6305 Post No. : 19515

“Kundan”(1972) was directed by Prayagraj fopr R M arts productions, Bombay. This B grade Daaku movie had Shatrughan Sinha, Vijayshree (South/new discovery), Ranjeet, Lakshmi Chhaya, Veena Tiwari, Shekhar Purohit, Jayshree T, Indira Bansal, Prakash Mishra, Master Chiku, Fazal Khan, Sujata, Rajani Bala, Prem Sagar, Mirza Musharraf, Anjuman, Maqbool, Kamal Kumar, Arun Kaul, Omi Chopra, Gurbachan, Vinod Rao etc in it. Ram Mohan and Jeevanhad made special appearances in this movie.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6298 Post No. : 19493

“Naach Uthhe Sansaar”(1976) was directed by Yakub Hasan Rizvi for Regal Theatres, Bombay. The movie had Shashi Kapoor, Hema Malini, Simmi Garewal, Rajinder Nath, Leela Mishra etc in it.

HFGK lists six songs in “Naach Uthhe Sansaar”(1976). But I notice that song number 1 (aa jaa re aaja) and song number 6 (sookhi dharti dhool udaawe) is one single song that is erroneously mentioned as two separate songs in HFGK.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6289 Post No. : 19466

#the Decade of Seventies – 1971 – 1980 #
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#Yippeeee to Aanchal-1980 #
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In this post I am presenting a nice ‘morning’ /‘bhor’ song’ from the movie ‘Aanchal-1980’.

Picturisation shows a big house in a vilage where most of the main characters in the movie reside. Rakhee is lip syncing this good morning song in the voice of Lata Mangeshkar. Two decades ago, we had Meena Kumari lip syncing in Lata Mangeshkar’s voice another good morning song ‘jyoti kalash chhalke.’

Like what Meena Kumari was shown doing in that iconic “Bhaabhi Ki Choodiyaan”(1961) song, this “Aanchal”(1980) song shows Rakhee playing her role as an ‘ideal Bhaarteey Naari’ performing early morning household chores such as spraying water (mixed with ‘gobar’), ‘tulsi kee pooja’, feeding the birds, extracting water for household works from the pump, waking up other members of the household, preparing them for going to their work etc.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6285 Post No. : 19456

#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet #
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Today is the last day of the ten-day long ‘Durga Pooja Utsav’ or ‘Navraatree festival’ of this year 2025. The effigies of the demon Ravana are being burnt all over the country to celebrate the victory of Good over the evil. The ten day long staging of Ram Leela will also come to an end today.

Ram Leela is performed in many parts of our country. I was thinking of the past decades from the mid-eighties onwards and I realised that many changes have taken place in the presentation of Raamleelaa thanks to the advancement of technology with time. This can be noticed when the scene on the stage changes from one part to other, where the set up is required to be changed. In olden times the curtains were rolled down to change the backdrop of the characters performing on stage. My guess is that this would have undergone a sea change nowadays where we have technology to help us.

People born before nineties who would have attended Raamleelaa shows in their town or villages must have been witness to funny situations arising during the plays because of various reasons such as forgetting the dialogues, or disruptions due to sudden power-cut etc. These unplanned events during the show would have created situations of laughter and comedy for the audiences.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6283 Post No. : 19447 Movie Count :

5135

‘Dastoor’ (1991) was produced by Harish Munjal and Prem Chugh and was directed by Anil Mattoo. The cast included debutants Dolly Minhas, Pomy Dev in the lead roles supported by Sharmila Tagaore, Suresh Oberoi, Raza Murad, Alok Nath, Manohar Singh, Johny Lever, Kulbhushan Kharbanda, Dinesh Hingoo, Harish Munjal etc. Amita Nangia made her friendly appearance in the film. I have watched the film for the first time only few days back in one sitting. The film is a murder mystery drama with a fast-paced narratives to keep the audience engrossed while watching the film.

The opening scene of the film gives a feel of watching some of the suspense thriller films of the 1960s like ‘Wo Kaun Thhi’ (1964), ‘Poonam Ki Raat’ (1965) and ‘Mera Saaya’ (1966). A girl in white, without any expression, walks through the forest in a dark night with a background song, her destination being an architecturally impressive palatial mansion in which the owner lives alone. The caretkaer of the dmansion is seen smoking his chillum. After some time, he is seen switching off the lights of the first floor of the mansion. Simultaneously, a man in hat is also walking toward the mansion. An unidentified person has killed the watchman of the mansion by suffocating him. Inside the house is a pet eagle which makes a noise, probably giving a notice that someone has entered inside the mansion. Another man is slowly climbing the stairs with camera focussed only on his legs. Now, inside the mansion, there are four persons in addition to the owner of the house – the caretaker, the girl in white, the man with a hat and a person climbing the stairs in the mansion. All these scenes of movements give an indication to the audience that something is going to happen inside the mansion.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6282 Post No. : 19443

Today’s song is from a unique film- Love in Bombay-1975.

It is generally said that records are for breaking. It means, in any field, if a record of achievement is made, sometime or the other, that record is broken. Some records are such that one feels, ‘now this will never be broken. It is the ultimate’.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6280 Post No. : 19438

‘Pakhandee’ (1983) was produced by Robert D’Souza and was directed by Samir Ganguly. The cast included Shashi Kapoor, Sanjeev Kumar, Zeenat Aman, Asha Parekh, Ranjeet, Helen, Jagdeep, Asit Sen, Leela Mishra, Anwar Hussain, Kader Khan, N A Ansari, Dinesh Thakur, Sudhir etc. This was Samir Ganguly’s last film as a director.

Samir Ganguly was born in Lucknow in 1936. His father was working in the railway while his mother was a housewife. He was the youngest of the seven children. After the retirement of his father in 1947, Samir was looked after by his brother-in-law (his sister’s husband) in Jaipur who was financially well-off. After his brother-in-law’s retirement, Samir came to Mumbai in 1953 in search of employment during which he stayed with another brother-in-law, Subodh Mukerji who was the younger brother of Filmistan’s boss, Shashadhar Mukerji.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6261 Post No. : 19371

#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet #
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(Asha Bhonsle’s 92nd birthday 8th September 2025)

Today 8th September 2025 is the ninety-third birthday of legendary singer of Hindi Films – Asha Bhonsle. On this occasion we are celebrating her birthday by presenting some songs sung by her here on this blog. Though I had mentioned in my first post today that I will be sharing songs sung by Asha Bhonsle from different collaborations, songs presented by me form this post onwards will have the same composer viz. R.D. Burman with different lyricists. 🙂

In this post I am presenting a lesser heard song sung by Asha Bhonsle from the movie ‘Aanchal-1980’.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6260 Post No. : 19366

‘Shrimaan Shrimati’ (1982) was produced by B Nagi Reddy under the banner of Vijaya Productions and was directed by Vijaya Reddy. The cast included Sanjeev Kumar, Rakhee, Rakesh Roshan, Deepti Naval, Amol Palekar, Sarika, Dheeraj Kumar, Lalita Pawar, A K Hangal, Paintal, Naaz, Leela Mishra, Dinesh Hingoo etc with special appearances by Dr. Shreeram Lagoo and Ramesh Deo. The film was a remake of the Telugu film, ‘Tayaramma Bangarayya’ (1979) which was also remade in Tamil as ‘Sathya Sundharam’ (1981). This was B Nagi Reddy’s last Hindi film as a producer. It is interesting to note from his filmography as producer that his last four Hindi films had Sanjeev Kumar in the lead role with music director, Rajesh Roshan.
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