Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Nanha Farishta


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4981 Post No. : 16864

Today 8th March, 2022 is the 101st birth anniversary of poet-lyricist Sahir Ludhianvi (08.03.1921 – 25.10.1980).

As per statistics available he has written around 717 to 730 songs in Hindi Films. On our blog we have so far covered 704 songs penned by Sahir Ludhianvi. Around six to eight songs from the remaining songs seems to be difficult to find or they may not be available at all. Following is the details of movies and the number of songs from these movies yet to be posted on the blog.

Sl. No. as per Sahir’s Filmography Movie Name Year Music Director Remaining Songs
1 Aazadi Ki Raah Pe 1948 GD Kapoor 3
7 Laal Kunwar 1952 SD Burman 3
53 Dilli Ka Daada 1962 N Dutta 1
58 Gumraah 1963 Ravi 1
78 Nanha Farishta 1969 Kalyanji-Anandji 1
85 Bhaai Ho To Aisa 1972 Sonik Omi 3
101 Jaagriti 1977 Laxmikant-Pyarelal 2
104 Hum Tere Aashiq Hain 1979 Ravindra Jain 4
106 Chambal Ki Qasam 1979 Khayyam 2
107 Chehre Pe Chehra 1980 N Dutta 4
115 Chingaari 1989 Ravi 3
TOTAL 27

Today I present here a song from the movie ‘Nanha Farishta’ (1969). ‘Nanha Farishta’ was directed by T Prakash Rao for Vijaya International, Madras. It was produced by B Nagi Reddi and Chakrapani. This movie was presented by B Nagi Reddi.

The star cast of the movie lists Pran, Ajit, Anwar Hussain, Padmini, Balraj Sahni and Baby Rani, supported by Suresh, Mukri, Raj Mehra, Sundar, Maruti, Prem Kumar and Johnny Walker.

Story of this movie was written by Thuraiyoor K Moorthy, and dialogues were written by Inder Raj Anand. Editing of this movie was done by BS Glaad.

This movie had four songs written by Sahir Ludhianvi and music composed by Kalyanji-Anandji.

The playback singers for this movie are Lata Mangeshkar, Mohd Rafi, Asha Bhonsle, Kishore Kumar, Manna Dey, Mahendra Kapoor and Manhar. [Author’s Note: The titles of the movie also mentioned the name of S Balbir in the list of playback singers, however HFGK has not mentioned Balbir’s name for any song of this movie.]

HFGK mentions the following four songs from this movie.

Song  Posted On
 O Natkhat Nanhi Laadli Tujhe Dekhen  26.12.2020
 Chandaa Kaahe Ka Tera Maama  08.03.2021
 O Re O, Sharaabi Tujhme Ek Kharaabi  Being discussed today
 Bachche Mein Hai Bhagwaan  14.11.2014

Kalyanji-Anandji have worked with Sahir Ludhianvi in two movies, as per following details.

Movie Year MD Songs by Sahir
(in blog)
Songs by Sahir
(per HFGK)
Songs by Sahir (per – The People’s Poet)
Nanha Farishta 1969 Kalyanji-Anandji 3 4 4
Shankar Shambhu 1976 Kalyanji-Anandji 5 5 5

From the above table we can see that only one song from the movide ‘Nanha Farishta’ which is also the last song of ‘Sahir – KA’ association remains to be posted on the blog. This is also the final song from this movie to be posted on the blog.

This song is sung by Asha Bhonsle and on-screen Padmini is lip-syncing for Asha Bhonsle’s voice. Also seen in the picturization of the song are Pran, Ajit, and Anwar Hussain.

The song happens when the three criminals Pran, Ajit and Anwar Hussain got drunk and request Gauri (Padmini) to sing a song for them. Gauri is the caretaker of the little girl Baby (Baby Rani) whom the three have abducted after killing her father. Later the three criminals develop a soft corner for the baby girl and kidnapped her caretaker Gauri as well when the little girl fall sick.

Gauri has a plan for the criminals and that is why she readily agrees to sing and dance for the drunken criminals. But that is not to be disclosed here and that is something we have to leave intact for those who are interested in watching this movie. I have also not watched this movie and the above storyline in short is from what I got to read on internet.

With this post, the film ‘Nanha Farishta’ (1969) now joins the list of Yippeee’d movies on the blog.

Let us listen to the today’s song now.

Song – O Re O Sharaabi Tujh Mein Ek Kharaabi (Nanha Farishta) (1969) Singer – Asha Bhosle, Lyrics – Sahir Ludhianvi, MD – Kalyanji Anandji
Male Voice

Lyrics

o o sharaabi
tujh mein ek kharaabi

kya

huhh huhh huhh huhh

o re o sharaabi
tujh mein ek kharaabi
o re o o sharaabi
tujh mein ek kharaabi
seekha na kisi se tune pyaar karna
tujhe aa main pyaar sikha doon
aa main pyaar sikha doon
o re o sharaabi
tujh mein ek kharaabi

rura rara rura rara ae ae ae
ta rura rara rura rara ae ae ae

kaanch jaise badan mein
surkh sona bharaa hai
surkh sona bharaa hai
jaam se lab hataa le ae
jaam mein kya dharaa hai
jaam mein kya dharaa hai
aise na bujhegi kabhi pyaas dil ki
arey aa main pyaas bujha doon
aa main pyaar sikha doon
o o o o sharaabi
tujh mein ek kharaabi

honthh kyun kaanpte hain ae ae ae
saans kyun phoolti hai
saans kyun phoolti hai
paanv kyun dolte hain ae ae
zulf kyon jhoolti hai
zulf kyon jhoolti hai
tu jo meri aankhon ki zubaan samjhe tujhe
saare bhed bataa doon
aa main pyaar sikha doon
o re o sharaabi
tujh mein ek kharaabi

rura rara rura rara ae ae ae
ta rura rara rura rara ae ae ae

ho sakey to samajh le ae ae ae
raat kya keh rahi hai
raat kya keh rahi hai
ye dhadkti khaamoshi ee ee
baat kya keh rahi hai
baat kya keh rahi hai
thoda sa ishaara ho to
pal bhar mein abhi
laakhon rang lutaa doon
aa main pyaar sikha doon
o o o o sharaabi
tujh mein ek kharaabi
seekha na kisi se tu ne pyaar karna
tujhe aa main pyaar sikha doon
aa main pyaar sikha doon
o re o sharaabi
tujh mein ek kharaabi

huhh huhh huhh

bahot achchhe

very good very good

once more

————————————————
Hindi script lyrics (Provided by Sudhir Kapur)
————————————————

ओ ओ शराबी
तुझमें एक खराबी

क्या

हुःह हुःह हुःह हुःह

ओ रे ओ शराबी
तुझ में एक खराबी
ओ रे ओ शराबी
तुझ में एक खराबी
सीखा ना किसी से तूने प्यार करना
तुझे आ मैं प्यार सीखा दूँ
आ मैं प्यार सीखा दूँ
ओ रे ओ शराबी
तुझ में एक खराबी

रुरा रुरा रुरा रुरा ए ए ए
ता रुरा रुरा रुरा रुरा ए ए ए

काँच जैसे बदन में
सुर्ख सोना भरा है
सुर्ख सोना भरा है
जाम लब से हटा ले
जाम में क्या धरा है
जाम में क्या धरा है
ऐसे ना बुझेगी कभी प्यास दिल की
अरे आ मैं प्यास बुझा दूँ
आ मैं प्यार सीखा दूँ
ओ ओ ओ ओ शराबी
तुझ में एक खराबी

होंठ क्यों काँपते हैं
सांस क्यों फूलती है
सांस क्यों फूलती है
पाँव क्यों डोलते हैं
जुल्फ क्यों झूलती है
जुल्फ क्यों झूलती है
तू जो मेरी आँखों की ज़ुबान समझे तुझे
सारे भेद बता दूँ
आ मैं प्यार सीखा दूँ
ओ रे ओ शराबी
तुझ में एक खराबी

रुरा रुरा रुरा रुरा ए ए ए
ता रुरा रुरा रुरा रुरा ए ए ए

हो सके तो समझ ले
रात क्या कह रही है
रात क्या कह रही है
ये धड़कती खामोशी
बात क्या कह रही है
बात क्या कह रही है
थोड़ा सा इशारा हो तो
पल भर में अभी
लाखों रंग लुटा दूँ
आ मैं प्यार सीखा दूँ
ओ ओ ओ ओ शराबी
तुझ में एक खराबी
सीखा ना किसी से तूने प्यार करना
तुझे आ मैं प्यार सीखा दूँ
आ मैं प्यार सीखा दूँ
ओ रे ओ शराबी
तुझ में एक खराबी

हुःह हुःह हुःह

बहुत अच्छे

वेरी गुड वेरी गुड

वांस मोर


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day:

4616 Post No. : 16256

A celebration of 100 years of Sahir Ludhianvi – his 700th song being posted on our blog.

A hundred years today. Being celebrated by the 700th post on our blog.

Sahir Ludhianvi – the “. . . Pal Do Pal Ka Shaayar. . .“, who would be actually “. . . Har Ik Pal Ka Shaayar. . .“, being relevant for all times, and responsive to all the pitfalls and tragedies of the human experience. But then also, never to be discounted for romanticism a la “Ye Raat Ye Chaandni Phir Kahaan. . .” and “Yoon To Hamne Laakh Haseen Dekhe Hain“, or even as “Phir Na Keeje Meri Gustaakh Nigaahi Ka Gila“, or the upbeat strings of “Mere Labon Pe Dekho Aaj Bhi Taraane Hain. . .“, or even the most in depth portrayal of the bhakti (devotion) sentiment, as in “Aan Milo Aan Milo Shyaam Saanwre“, and “Tum Bansi Ho Main Taan, Ham Tum Do Nahin” and even more intense in “Aaj Sajan Mohey Ang Laga Lo. . .“.

Yes, it is the poet who is Har Ik Pal Ka Shaayar, touching all the facets of experiences of life, from the time when a child is pining for the moon as a toy, and all the way to the derelict conclusion of the human life as in “Lo Apna Jahaan Duniyawaalo, Hum Is Duniya Ko Chhod Chale“.

Sahir Sb seemed to have an affinity for the phrase ‘pal do pal’. We hear these words in ‘Railway Platform’ (1957) –

Pal Do Pal Ka Saath Hamaara, Pal Do Pal Ki Yaari
Aaj Ruke To Kal Karni Hai Chalne Ki Tayaari
Basti Basti Parvat Parvat. . .

Repeated in ‘Mehmaan’ (1974)

. . .
Pal Do Pal Dhoom Machha Ley
Yoon Mar Mat Mar Mat Yaaraa

In ‘Zameer’ (1975), he would write

Zindagi Hansne Gaane Ke Liye Hai Pal
Do Pal. . .

Then again in ‘Burning Train’ (1980), reminding us of the shades of ‘Railway Platform’

Pal Do Pal Ka Saath Hamaara
Pal Do Pal Ke Yaaraane Hain. . .

And yes, ‘Kabhi Kabhi’ (1976) of course,

Main Pal Do Pal Ka Shaayar Hoon
Pal Do Pal Meri Kahaani Hai
Pal Do Pal Meri Hasti Hai
Pal Do Pal Meri Jawaani Hai

In ‘Pyaasa’ of 1957, he had posed three very profound questions in the lines of poetry he wrote for that film. At a personal level, the query was “Jaane Wo Kaise Log The Jin Ke Pyaar Ko Pyaar Mila“. On the plane of social strife and stigma he had asked “Jinhen Naaz Hai Hind Par Wo Kahaan Hain“. And then, the ultimate question of life that he has posed is “Ye Duniya Agar Mil Bhi Jaaye To Kya Hai“. The film gains its depths, attempting to interpret and address these questions. And more than sixty years later, these questions continue to haunt the discerning mind. Timeless queries, one would say, but still, crystallized for once in words by Sahir.

There is this one incisive insight that the poet possesses, or maybe the other way round, this incisive insight possesses the poet. Each verse, each song that he has penned in his lifetime, goes well beyond the simple words that he wrote. His words, his lines offer you, nay they force you to take a pause and think – what profundity, in just this simple arrangement of 8, 10 or 15 words. And the thought will stay in the mind for much much longer that what it took to simply read the words for once.

This life, ‘zindagi’ – the incisive insight brings out so many facets that the poet examined it. In 1954, he penned the following for ‘Taxi Driver’

Ae Meri Zindagi
Aaj Raat Jhoom Le, Aasmaan Ko Choom Le
Kis Ko Pata Hai Kal Aaye Ke Na Aaye. . .

For ‘Munim Ji’in 1955, he wrote

Ek Taraf Haseen Jalwe Hain
Ik Taraf Jawaani
Zindagi Hai Zinda. . .

In 1958, his words for ‘Light House’ are

Tang Aa Chuke Hain Kashmakash-e-Zindagi Se Hum
Thukra Na Den Jahaan Ko Kahin Be-dilee Se Hum

With 1960 came ‘Barsaat Ki Raat’ and the promising words are

Zindagi Bhar Nahin Bhoolegi Wo Barsaat Ki Raat. . .

1962, and it is ‘Hum Dono’, with the lines

Main Zindagi Ka Sath Nibhata Chala Gaya. . .

With ‘Aaj Aur Kal’, 1963, ‘Zindagi’ was a most depressing thought.

Maut Kitni Bhi Sangdil Ho Magar
Zindagi Se To Meharbaan Hogi

‘Chandi Ki Deewaar’ and 1964, another depressing sentiment

Kahin Qaraar Na Ho Aur Kahin Khushi Na Miley
Hamaare Baad Kisi Ko Ye Zindagi Na Mile

And then, a refreshing thought in 1965, with these lines in ‘Shagoon’,

Ham Hain Maayoos Magar Itne Bhi Maayoos Nahin
Ek Na Ek Din To Yah Ashqon Ki Ladi Tootegi
Ek Na Ek Din To Chhatenge Ye Ghamon Ke Baadal
Ek Na Ek Din To Ujaale Ki Kiran Phootegi
Zindagi Zulm Sahi Zabr Sahi Gham Hi Sahi

On to 1969, and the life is a happenstance – film is ‘Aadmi Aur Insaan’,

Zindagi Ittefaaq Hai
Kal Bhi Ittefaaq Thi Aaj Bhi Ittefaaq Hai

And in the same film, we have the sobering sentiment as,

Zindagi Ki Raah Mein Khushi Ke Phool Bhi
Zindagi Ki Raah Mein Ghamon Ki Dhool Bhi
Zindagi Kabhi Yaqeen Kabhi Gumaan Hai
Har Qadam Pe Teraa-Meraa Imtahaan Hai
Zindagi Ke Rang Kai Re Saathi Re. . .

Come 1975, and it is ‘Ek Mahal Ho Sapnon Ka’; the refrain once again is downbeat as in

Dekha Hai Zindagi Ko Kuchh Itna Qareeb Se
Chehre Tamaam Lagne Lage Hain Ajeeb Se

But then it is ‘Zameer’ in the same year that bounces back to say,

Zindagi Hansne Gaane Ke Liye Hai Pal Do Pal
Ise Khona Nahin Kho Ke Rona Nahin

Plus a more sobering thought, from the same film,

Tum Bhi Chalo Hum Bhi Chalen
Chalti Rahe Zindagi
Naa Zameen Manzil Naa Aasmaan
Zindagi Hai Zindagi

With ‘Kaala Pathar’ in 1979 came the motorcycling song that infused the bubbling spirit of freedom and hope.

Jaate Huye Qadmon Se
Aate Huye Qadmon Se
Bhari Rahegi Raahguzar
Jo Ham Gaye To Kuchh Nahin
Ik Raastaa Hai Zindagi
Jo Tham Gaye To Kuchh Nahin
Ye Qadam Kisi Muqaam Pe
Jo Jam Gaye To Kuchh Nahin

Coming to the song being presented today. It is a wonder that I thought of, as I listened to this song today after a very long time. Yes, a child pining for getting the moon to play with. And with the ‘बाल हठ’ (a child’s obduracy), it is an overwhelming experience to be able to convince the child and talk it out of its impossible wish. As I listened, I am reminded of the story from the Ramayan – the passage where Ram, as a toddler, one day gets into His mind that he wants the moon to play with. No amount of coaxing and appeasing and promises by the parents and others can talk Him out of His insistence. And the accompanying wailing and waving of arms is making Kaushalya and Dashrath very worried and uncomfortable. Rajguru, Vashishth ji is summoned for help. He arrives and says, well, if the child is wanting the moon, give Him the moon. The parents are confused, and ask Vashishth ji, as to how to make that happen.

Rajguru asks for a large dish (‘परात’) with raised edges. The dish is placed in front of the child, and is filled with water. Instantly, the likeness of the moon is reflected in the water in the dish. So Vashishth ji beckons the child and points to the reflection and says, here is the moon, now play. So the toddler Ram, seeing that the moon is now so close, puts His hands in water, but swish and splash as He may, He is not able to hold in hand, the reflection that can be seen with the eyes. But the splashing play pleases Him, and the wailing is forgotten.

Sahir Sb is addressing the same situation in this song, likely that the child is insisting on visiting ‘Chanda Mama’. And as is the rule in Hindi films – well, you have a song to for a three-minute-disposition-of-a-difficult-situation. The lines in the song are actually trying to reason with the child, based on some simple logic statements, that aim at convincing the child that they (the three bad men in the film) are much better suited to be ‘Mamma’ to the child than the distant moon.

So there is arguments like, hads ‘Chanda Mama’ ever visited you? Has ‘Chanda Mama’ ever invited you to his place. He just sits in the sky and creates a fake uproar. Where as we (the three bad men in the film) are with you every day. We play with you, we take care of you and bring you toys. And so, as is wont in Hindi films, all it takes is three minutes of music and song to change the mind of any individual in any situation. Start the song, and you can time the mind conversion almost exactly to 3 minutes (maybe plus a few more seconds).

The video of this song is not available, but it most certainly is picturized on Geeta (role played by Baby Rani) who plays the upset little child, wanting the moon, and the three bad men – Govind, Joseph and Nazir (roles played by Pran, Ajit and Anwar Hussain respectively). The singing voice for the three bad men are back played by Manna Dey, Mahendra Kapoor and Manhar. The singing voice is not identified for a few lines at the end of the song, which are apparently lip synced by the child.

The film is ‘Nanha Farishta’ from 1969. A film by T Prakash Rao, is a touching tale of three criminals whose lives are transformed by the love a small child girl they have kidnapped. The star cast of this film includes Pran, Ajit, Anwar Hussain, Baby Rani, Padmini, Pandharibai, Balraj Sahni, Johnny Walker, Suresh, Mukri, Raj Mehra, Sunder, Maruti, and Prem Kumar.

The film has four songs, all penned by Sahir Sb. The music is composed by Kalyanji Anandji. Two of the four songs are already showcased on our blog. This is the third song to find its place here, as the centenary celebration of this gifted poet. And we also add the celebration of adding the 700th song by Sahir Sb to our blog.

A very refreshingly joyful song – yes, Sahir Sb had the versatility to pen such gems also.

Listen and enjoy.

Song – Chanda Kaahe Ka Tera Maama (Nanha Farishta) (1969) Singer – Manna Dey, Mahendra Kapoor, Manhar, Unidentified Child Voice, Lyrics – Sahir Ludhianvi, MD – Kalyanji Anandji
Manna Dey + Mahendra Kapoor + Manhar

Lyrics

arre chanda kaahe ka tera mamma
mamma

chanda kaahe ka tera mamma
naabhe ke naama na jaama
jaama
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma

na tujh se milne dharti pe aaye
na tujh ko apni nagri dikhaaye
hum ko to chanda bilkul na bhaaye
bilkul na bhaaye
hamen bilkul na bhaaye
amber pe baitha chaahat jataaye
jhootha machaaye humgaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma

hum tujh ko nit nit godi khelaayen
arre nehla dhula ke powder lagaayen
haathi dilaayen ghoda dilaayen
haathi dilaayen munni ghoda dilaayen
naach aur ga ke kartab dikhaayen
tak dhin tak dhin sa re ga ma. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa
chanda kaahe ka tera mamma

tu hai chaheti tu hai dulaari
mariam hamaari seeta hamaari
dil tujh pe sadqe
jaan tujh pe waari
donon jahaan se tu hum ko hai pyaari
hum ne tera haath thaama. . .
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre tum ho mere mammaa
chanda kaahe ka tera mamma
chanda nahin hai mera mamma
mamma
mamma mamma mamma
arre hum hain tere mammaa
mamma mamma mamma
arre hum hain tere mammaa

————————————————————
Hindi Script Lyrics
(Provided by Sudhir)
————————————————————
अरे चंदा काहे का तेरा मामा
मामा

चंदा काहे का तेरा मामा
नाभे के नामा ना जामा
जामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा

ना तुझसे मिलने धरती पे आए
ना तुझको अपनी नागरी दिखाये
हमको तो चंदा बिलकुल ना भाए
बिलकुल ना भाए
हमें बिलकुल ना भाए
अंबर पे बैठा चाहत जताए
झूठा मचाये हंगामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा

हम तुझको नित नित गोदी खिलाएँ
अरे नहला धुला के पाउडर लगाएँ
हाथी दिलाएँ घोड़ा दिलाएँ
हाथी दिलाएँ मुन्नी घोड़ा दिलाएँ
नाच और गा के करतब दिखाएँ
तक धिन तक धिन सा रे गा मा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
चंदा काहे का तेरा मामा

तू है चहेती तू है दुलारी
मरियम हमारी सीता हमारी
दिल तुझपे सदक़े
जां तुझपे वारी
दोनों जहां से तू हमको है प्यारी
हमने तेरा हाथ थामा॰ ॰ ॰
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे तुम हो मेरे मामा
चंदा काहे का तेरा मामा
चंदा नहीं है मेरा मामा
मामा
मामा मामा मामा
अरे हम हैं तेरे मामा
मामा मामा मामा
अरे हम हैं तेरे मामा

 


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (14 november 2014) is the birth anniversary of Pt Jawaharlal Nehru (14 november 1889-27 may 1964), India’s first Prime Minister. This day is celebrated in India as Children’s day.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over FOURTEEN years. This blog has over 17000 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

17100

Number of movies covered in the blog

Movies with all their songs covered =1329
Total Number of movies covered=4609

Total visits so far

  • 15,374,249 hits

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Historical dates

Blog Start date: 19 july 2008

Active for more than 5000 days.

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