Posts Tagged ‘Sanjeev Kumar’
Paise ka khel niraalaa
Posted on: July 9, 2017
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today (9 july 2017) is the birth anniversary of Sanjeev Kumar (9 july 1938-6 november 1985), one of the true legendary actors of Hindi cinema.
Today, he would have been 79 – but sadly, he didn’t even get to live to the age of 50. He was just 47 when a heart attack took him away from this world, and from millions of his fans. Just like Guru Dutt (also coincidentally born on the 9th of July and who died way too early), Sanjeev Kumar’s death left a void in Hindi cinema.
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Log to mar kar jalte honge
Posted on: June 24, 2017
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Gauri” (1968) was produced by Sivaji Ganeshan and directed by A Bhimsingh for Sivaji Films Production, Madras. The movie had Sunil Dutt, Nutan, Sanjeev Kumar, Mumtaz, Rajendra Nath, Laxmi Chhaya, Urmila Bhatt, Leela Mishra, Ashim Kumar, Shivraj, Randhir, Shyamlal, Umesh Sharma, Sheikh, Rajendra Dara, Om Prakash etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Naya Din Nayi Raat” (1974) was produced by N P Ali and directed by A Bhimsingh for Jamu Pictures. The movie had Sanjeev Kumar, Jaya Bhaduri, Naazneen, Farida Jalal, Tuntun, Indira Bansal, Lalita Pawar, Shivraj, Sunder, V.Gopal, Johnny Whisky, Dilip Dutt, Polson, Keshav Rana, Hameed, Dada Mirasi, Rirkoo, Bedi, Master Aziz, Swaraj, Baby Pinky, Om Prkash, Mukri, Madhu, Mona Saxena, Lalita Kumari, Devika, Manorama, Shyama, Mohan Sharma, David Abraham, Bharati, Devika, Anand, Bihari, Narbada Shankar, Pakkoda Kader, Umesh Sharma etc in it.
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Haseenon ki duniya khudgarz hai
Posted on: November 11, 2016
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all Atulites
So let us have a song today(11 november 2016) to wish the Bengali/ Nepali beauty Mala Sinha on her 80th birthday. I don’t remember when was it that I became aware of this sweet smiled, doe eyed and talented actress. Must be when I saw a song where she was running around singing “Neeli aankh milalo ji, dil mein aaj chuppa lo jee” or singing “yaa allah yaa allah dil le gaya”. But I must have also seen her sing “chupke se dil dai de de nahin te shor mach jayega” alongwith our own Rajesh Khanna. She looked very cute and naughty in all these songs. Who can forget her say “hum moond ke palkon ko iss dil ko sazaa de toh”; or her “bade naa samajh ho yeh kya chahate ho”; looks like I can go on and on and on with my list of favourite Mala Sinha songs (didn’t know I knew so many!) But then she slowly graduated to roles of playing slightly senior characters not like Nirupa Roy or Indrani Mukherjee’s mother act but more like Asha Parekh or Waheeda Rehman’s wife of the senior hero who gets a song or two as in some of her 80s and 90s movies.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo everyone
Here is a typical Kishore Kumar song. Combining with RD Burman he gives us a bhajan, qawwali and Hindustani classical all at one shot. Such a song has entertainment value and Kishore Kumar doesn’t disappoint (has he ever?) And there are very few Bollywood actors who can carry it off with equal gusto.
Here we have our very own Sanjeev Kumar giving a paisa vasool performance.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
There was some speculation among regulars about the inactivity in the blog today despite it being a sunday. Someone felt that it was the long weekend effect.
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- In: Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | philosophical song | Poignant Song | Post by Sudhir | Purvaiyya song | Rafi - 'अ' से 'ह' तक | Rafi solo | Rafi songs | Remorse | sad song | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1980 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 24
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‘ध’
“धीरे चल ज़रा, ओ पागल पुरवइय्या”
Vintage Rafi – that was my reaction on hearing this song, actually for the first time yesterday. And then I checked the other details, and find, this song is likely one the few very last songs that Rafi Sb would have recorded. This song comes from the 1980 vigilantes-and-robbers type story – ‘Hum Paanch’. As I chanced upon this song and started to play, my first feeling was – 1960s, or thereabouts. The sedate rhythm and the soft rendition, gives that charmed old world feeling of the golden era. Just that the picturization visual in the video clip gives one the clue that this song is much later than 1960s.
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