Posts Tagged ‘Kanhaiyalal’
- In: Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | philosophical song | Poignant Song | Post by Sudhir | Purvaiyya song | Rafi - 'अ' से 'ह' तक | Rafi solo | Rafi songs | Remorse | sad song | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1980 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 24
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‘ध’
“धीरे चल ज़रा, ओ पागल पुरवइय्या”
Vintage Rafi – that was my reaction on hearing this song, actually for the first time yesterday. And then I checked the other details, and find, this song is likely one the few very last songs that Rafi Sb would have recorded. This song comes from the 1980 vigilantes-and-robbers type story – ‘Hum Paanch’. As I chanced upon this song and started to play, my first feeling was – 1960s, or thereabouts. The sedate rhythm and the soft rendition, gives that charmed old world feeling of the golden era. Just that the picturization visual in the video clip gives one the clue that this song is much later than 1960s.
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- In: Devnagri script lyrics by Sudhir | Festival song | Guest posts | Holi song | Lyrics contributed by readers | Manna Dey songs | Post by Sudhir | Rafi songs | Song sung by three or more singers | Songs of 1960s (1961 to 1970) | Songs of 1966 | Suman Kalyanpur songs | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The best thing about Holi songs is that in most cases, the message of colors is immediately apparent in the coloring of the lyrics. The songs get created in the spirit of Holi itself. It is a social and group celebrations, and the songs of this festival are sung by multiple singers, and performed by a multitude of players on the screen. And as we sit down to color code the lyrics, the resulting view is as colorful as the festival itself.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Rare Performances – Things Unique and Unexpected #5
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Most artists are typecast – very strictly, very narrowly, and sometimes one would say, very harshly too. The first level of typecasting is basic and is based on the chosen field of performance. Artists are lyricists, writers, music directors, actors, singers, directors etc. This level of categorization is natural and acceptable. Almost always, an artist will
focus on his or her chosen field of specialization. And that is where majority of them remain confined for a majority of the time of their careers.
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This article is written by Arunkumar Deshmukh, a fellow ehthusiast of Hindi movie music and a regular contributor to this blog.
The Fourth song in “The flavour of the 30s” series is from the film COMRADES-1939 and it is sung by Surendranath and Maya Banerjee. The music is by Anil Biswas.
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