Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for July 2012


Here in this blog we discuss songs from Hindi movies on a daily basis. Since we discuss songs so it is natural that we discuss the people also who are involved in the making of these songs. They could be the singers, lyricists or the music directors, or they could be actors figuring in the picturisation of these songs. Rougly speaking, this blog by now had 6280 plus songs from 2000 plus movies. Over three hundred singers, over three hundred lyricists, and over two hundred music directors have been discussed in the blog so far. I have not counted the number of actors figuring in these songs, but that number is likely to be more than three hundreds as well.
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Indians in the past decades tended to suffer from low self esteem, because India as a country was a “developing nation”, a euphemism for a poor and underdeveloped nation. It was not uncommon for movies to reflect that. Tragedy movies did well at the box office. The hero typically would get bashed up at the hands of the villain throughout the movie.
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“Ishq Par Zor Nahin” (1970) was a Twinkle Stars presentation. It was produced by Suresh Saigal and directed by Ramesh Saigal. The movie had Sadhana, Dharmendra, Biswajeet, Kamini Kaushal,Madhumati, Nadira,Randhir, Meena.T, Udayachandrika(south),Leela Mishra, Jagdeesh Raj, Abhi Bhattacharya, Jagdeep etc in it.
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Today (21 july) is the birthday of Anand Bakshi (21 july 1920-30 march 2002). He was one of the most prolific lyricists in the annals of Hindi movie music. This blog has 466 songs written by him. The most prolific decade for Anand Bakshi was the decade of 1970s, which was also the decade that I grew up in.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is said that among the domesticated animals, dogs have a special bonding with human beings. They can anticipate their masters’ mind and act accordingly. During my childhood, we had cats as pet but not the dogs. However, we always had some street dogs around us who were like pets to us. While our pet cats’ loyalty was suspect, I always found street dogs around us very loyal. Theyalso had the ability of assessing the degree of our docility and act accordingly.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Babu Moshai, zindagi badi honi chaahiye lambi nahi”

The exuberant, prophetic words enunciated by a character – terminally ill, fully aware of his fate, and yet living the life to its brim. Anand (1971), the character that captured the imagination of multiple generations of viewers, has gone down in the film history as the ultimate optimist and a very endearing idealist. The wonder that this film is, simply never ceases for me. The extrovert, loud mouthed, always hungry for a conversation, and food – in his filmi demise, he taught a valuable lesson for the living.
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Last week, I suddenly felt an urge to write an article on Shashi Kapoor whom I admire for being a different Kapoor from his two illustrious brothers – Raj Kapoor and Shammi Kapoor. He may not have the genius and business acumen of Raj Kapoor nor have the yahoo image of Shammi Kapoor. But he scored over his two illustrious brothers in that he was the most handsome among them. I remember a handsome and boyish looking Shashi Kapoor in ‘Waqt’ (1965). With his handsome and ever smiling face, he had a huge fan following during his hey days. He was different from his brothers on one more count – he married an English girl Jennifer Kendal who was associated with a theater group.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

‘Poonam Ki Raat’ (1965) – a film that is rich in wonderful songs. The lyrics from the pen of Shailendra and the lilting tunes from the baton of Salil Chaudhry, have made almost all songs of this film as wonderful gems. Three songs from the film are already represented here – the soulful and pensive rendering of “Dil Tadpe Tadpaaye” by Rafi Saab, the fabulous, ritzy dance number “Ta Dhim Tana Dhim. . .” that only Asha Bhosle can do, and the haunting sounds of “Saathi Re. . . Tujh Bin Jiyaa Udaas Re” in the voice of Lata Mangeshkar. So now it is the turn of a romantic duet to follow. And this song here is one wonderful melodious creation, with voices of Mukesh and Lata Mangeshkar.
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