Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for September 2014


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shriman Shrimati” (1982) was produced by B Nagi Reddy and directed by Vijaya Reddy for Vijoaya Productions Private Limited. Or to put it briefly, this movie was a production from the publishers of “Chandamama”- the Children’s magazine that used to get published in some 14 languages during those days !
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yash Chopra was born on 27 september (1931) whereas Lata’s birthday falls one day later on 28 september (1929). “We re both librans and thus understand each other as persons, perfectly..” wrote Yash Chopra in his Foreward to Lata Geetkosh (vol VI) which was complied and edited by Snehashish Chatterji, a Lata devotee par excellence who has made it his life’s mission to bring out all the lyrics of Lata in various volumes of Lata Geetkosh and the above Vol VI is the first volume in the series which covers Lata’s songs from 1966 to 1970.. The first few pages of the book, which give the statistics of Lata songs during that period is in itself worth the price of the volume (Rs/-695/-). These statistics page tell us that Lata sang 549 songs in 233 movies from 1966-1970 which included 382 solos, 132 duets (with male singers) and 32 duets (with female singers) and three other songs.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Memsaab” ( 1971), a lesser known movie than “Memsaab “(1956) was produced and directed by Atmaram for Guru Dutt Film Combines. The movie had Vinod Khanna, Yogita Bali, Bindu, Abhi Bhattacharya, Asrani,Meena T., Jayashree T., Asit Sen, Hercules, Jagdish Raj, Mac Mohan, Naval Kumar, Rajen Hakser, Rajan, Shakoor,Tarun Bose, Mridula, Ashoo, Tarun Bose, Mac Mohan,Jagdish Raj, Keshto Mukherjee etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni raaten – Song No. 11
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A legend was born on 28/09/1929. Today (28 september 2014) is Lata Mangeshkar’s 86th Birthday that we all celebrate on this blog. Many many happy returns of the day to her and may she live a long and healthy life.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws. This is the 300th article in the blog for Mr Sadanand Kamath.

A man with a spiritual bend of mind would believe that his destiny was pre-planned even before he was born. There are others who believe that they can mold their own destiny. Shailendra was one of those who seemed to have believed that he could be master of his own destiny. That he was a member of Indian People’s Theatre Association (IPTA) indicates what destiny he had chosen for himself. He had taken up the task of awakening the Indian masses on their rights and duties in the background of post-independent India. It was therefore no surprise when he spurned Raj Kapoor of his offer of taking his inspirational song for the film Aag (1948) telling him that his poems were not for sale. However, Raj Kapoor left his address with him in case he had a change of mind.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

SONGS FROM ARTISTE NAME FILMS…..Song No.6
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Today’s song is from film Madhuri-1932 Although actress Madhuri was not a part of this film cast, she was very much around in the industry, doing many films since the silent films from 1927 to Talkie films.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Of late, I have been watching some offbeat Hindi movies (also called parallel cinemas or middle cinemas) on DVDs which I had bought at the time of my retirement to watch them later at my leisure. These type of films though artistically well conceived with good narrative style, the realism depicted in some of such films are too disturbing for me. Going by my experience, such well made films may not have repeat audience either in theatres or for watching on DVDs. After watching ‘ Kaagaz Ke Phool’ (1959) sometime in mid 6Os during Guru Dutt’s film festival, I have yet to amass courage to watch it once more though I have the DVD of the film. As against this, I must have watched umpteen times, movies like ‘Chalti Ka Naam Gaadi’ (1958), ‘Padosan’ (1968), and ‘Chupke Chupke’ (1975). Among the films of the recent period, I have seen ‘3 Idiots’ (2OO9) at least 3 times.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It was 1958. A singing contest was organized in Bombay, sponsored by Murphy radios. The judges of the contest were the ‘दिग्गज‘ music directors of that era – Naushad, Anil Biswas, C Ramchandra, Vasant Desai and Madan Mohan. With a battery of such illustrious composers sitting in the jury, just be able to participate and perform in their presence, would have been a privilege. And for sure, the best talented aspirants had applied to be part of this contest. The singer that this impressive selection panel honored to be the best singer was a young man, originally from Amritsar, but settled in Bombay since childhood. The interesting thing about this young man was that he had been earlier rejected in auditions by All India Radio and Young India Ltd. (the gramophone records company). Along with being honored as the winner the verdict of this panel, Mahendra Kapoor got an opportunity immediately to sing for some of the music directors on the judge’s panel.

Remembering Mahendra Kapoor on the anniversary of his passing away (27th September).
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the discussion of the last two Suraiyya songs, I have discussed the statistics of Suraiyya songs- moviewise as well as music directorwise. In this writeup, I have given lyricists wise breakup of all Suraiyya songs in HFM.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

A voice that is a signature of mysteries. The deep bass vibrations resound like the echoing sound waves passing through the gullies and valleys of the mountainside, covered with moist and heavy fog, adding to the bass heaviness. Reminds one of ‘sannaata’ and ‘kahmoshi’ and ‘kohraa’ of the lonely pathways, being tread by a ‘raahgir’ – the ‘banjaara’ traveler walking alone and humming ‘chal akela. . .’.

Remembering Hemant Da on the anniversary of his passing away (26th September).
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