Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Today, May 1st, is the 93rd birthday of one of the icons among the playback singers who has enthralled the listeners of both filmy and non-filmy songs with his versatile singing for over five decades. He is Prabodh Chandra Dey, popularly known as Manna Dey. We are fortunate that Manna Dey is with us to remain a source of inspiration for budding singers.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Earlier today, in another post I had mulled over the decline of films with mythological themes. Extending that concern further, I would also include the theme of Muslim religious and social films, which seem to be on the decline. Once again, in the 90s and later, I cannot really recall any significant film based on Islamic social and religious values.
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Though I have not watched “Love In Shimla” (1960) but I have gained enough information about the movie by watching the picturisation of various songs of the movie and by going through the comments of readers who have clearly watched the movie. 🙂
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

As I see in the “some stats” page, Lyricist poet Majrooh Sultanpuri has 525 songs in the blog, which is the highest so far for a lyricist in the blog. The word “Majrooh” could not have been his real name. It is the “takkhallus” (Pen name) of the poet. “Majrooh” means injured/pained or a someone broken hearted and in pain. Others may have a different view of this words meaning, but I hate to go to online dictionaries to find meanings of urdu words. I would rather go by the feel.
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“Howrah Bridge” (1958) was a suspense movie which was produced and directed by Shakti Samanta under his banner of Shri Shakti Films Production. The movie had Ashok Kumar, Madhubala, K N Singh, Kammo, Sunder, Salien Bose, Krishnakant, Helen, Dhumal, Madan Puri, Bhagwan Sinha, Kundan, Om Prakash etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ever since Ghulam Haider introduced dholak (belonging to the percussion family) as a major musical instrument for song compositions in the super hit film ‘Khazaanchi’ (1941), it has become an inseparable part of Hindi film songs. In fact in the 50s, prominent music directors started engaging specialist dholak players in the songs’ orchestration. The introduction of dholak in the Hindi film songs has made some of them so rhythmic that a music lover consciously or unconsciously replays the rhythmic beats with his fingers on whatever place he find near him, be it on a sofa hand rest or on a table top or play it on any of the kitchen vessels as Bhagwan did in ‘ kismet ki hawa kabhi garam kabhi naram’ (Albelaa-1951).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

For many years now, and please correct me if I am making this statement in error – for many years now, I do not recall having seen or heard about a film on mythological theme coming from the mainstream film industry. Maybe it is a sign of time, to be aware of. The industry seems to be getting more and more aligned with a global market and a global audience, that this genre of movie making appears to be dying out. And to think that the film industry started off in the first place with stories and themes based on mythology. Even in the 70s and somewhat in the 80s, some production banners dared to attempt making such films, but in the 90s and after, this genre has pretty much disappeared from the screen.
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This article is written by Santosh Ojha, a fellow enthusiast of Hindi movie music and an old contributor to this blog.

When Atul wrote to me in his usual polite way the other day that I must write a post on this song I was taken aback. I have been a (mostly silent) reader of his blog and I have even written a few pieces for it but none for a very long time. Perhaps he thought I might like to do this piece on Don’s “Khaike paan banaraswala” as most of my early pieces were on Amitabh Bachchan’s movies of that era as I am an unabashed AB fan. What he did not know when he wrote to me is that I had another “qualification” for doing this piece; I studied for five years in Banaras.
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“Aag aur Daag” (1970) was produced by Swarn singh and directed by A Salaam. this movie had Joy Mukherjee, Komal, Jayant, Zeb Rahman, Helen, Master Bhagwan, I. S. Johar, Madan Puri, Sudhir, Rajan Haksar, Kundan, Paro, Sumeet Pathak, Raj Rani, Roopali, Samina, Shabana, Shaloo, Shefali, M.B. Shetty etc in it.
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