Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Aankh” song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Thanks to Arun ji for prodding the memory cells. Here is another wonderful melody from the film ‘Light House’ (1958). This time around, it is a song of exuberance, executed in a very fast tempo. It is the same team that has given two melancholic gems, “Tang Aa Chuke Hain Kashmakash-e-Zindagi Se Hum” and “Kis Jagah Jaayen Kis Ko Dikhlaayen” – lyrics from the pen of Sahir Ludhianvi, music under the stewardship of N Dutta, and the wonderful rendition by Asha Bhosle.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

A gem of a soft romantic duet. ‘Mere Armaan Mere Sapne’ is a somewhat better remembered film from early sixties (1963). Produced under the banner of Lalit Kala Mandir, Bombay, this film is directed by Arvind Soni. The lyrics for this film are penned by Rajendra Krishan, and the wonderful compositions are by N Dutta. The film has a good star cast that includes Pradeep Kumar, Jaishree Gadkar, Aseem Kumar, Kumari Naaz, Sumitra Devi, Pran, Asit Sen, Agha, Manmohan Krishan, Badri Prasad, Johnny Whisky, Paul Mahendra, Padma Devi, Paro Devi, Samar Chatterjee etc.
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“Bedaag” (1965) was produced by Anoop Sharma and directed by R Bhattacharya. The star cast of the movie included names like Manoj Kumar, Nanda, Lalita Pawar, Shashikala, Shobha Khote, Raj Mehra, Mumtaz, Kammo, Sonia Lee, Mehmood, Walter Lavarre, Gyani etc.
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“Anokhi Ada” (1948) was a Mehboob Production movie. It was directed by Mehboob himself and the star cast of the movie included names like Prem Adeeb, Surendra, Naseem Bano, Pratima Devi, Zeb Qureshi, Cuckoo, Bhudo Advani, Nawab, Murad,etc.
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While looking at the picturisation of this song, I wondered why this song does not qualify to be called a Mujra song. As it is, Mujra songs are those songs where the clients are ordinary folks or spoilt nawaabs. If the same dance is performed in a royal court, it becomes a royal court (Rajdarbaar) dance.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Mahendra Kapoor today, 9th Jan, his birth anniversary.

Mahendra ji was born in Amritsar, Punjab on 9th January, 1934. As a child and a teenager, he was very much enamored and inspired by Rafi Saab. Right from childhood, he had a very good singing voice and a penchant for singing, no doubt motivated by his singing idol. He received his education in music from some very well known names of that era, viz., Pt. Husnlal, Pt. Jagannath Bua, Ustad Niaz Ahmed Khan, Ustad Abdul Rehman Khan, and Pt. Tulsidaas Sharma.
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I never watched “Naya Zamaana”(1971), but I read the screenplay of this movie. Yes, those were the days when the screenplay of movies used to be published and they were eagerly lapped up by movie lovers. I read the screenplays of not only this movie, but also that of “Aasheerwaad” (1968), “Kati Panag”(1970), “Bobby” (1973) etc. These screenplays also had stills from the movie. These books described the story so vividly that one could visualise the movie in the eyes of the mind. Much later, when I watched “Bobby”(1973), I felt like I had watched this movie earlier while in reality I had only read its screenplay.
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