Archive for the ‘Actor-Singer song’ Category
Rang Rasiya Aao Re
Posted on: February 7, 2018
- In: Actor-Singer song | Biography of actors | Biography of artists | Calling the beloved | Classical composition | Debut song of movie in the blog | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics by Sudhir | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Rare song | Song of 1939 | Songs of 1930s (1931 to 1940) | Vatsala Kumthekar Solo Songs | Vatsala Kumthekar Songs | Yearwise breakup of songs
- 22 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3491 | Post No. : | 14023 | Movie Count : |
3875 |
There was a time when the films made in Hindi could be classified easily as A grade, B grade and C grade films. A grade films were those made by big and famous banners with top class actors and leading music directors. B grade films were those made with second rung of actors, director and music directors. C grade films were those films which were made by not so famous banners, almost unknown actors directors and composers. Usually C grade films used to be action/stunt films, made on shoestring budgets, having a fixed story line resembling Tarzan, Hercules or Hollywood action films of Robin Hood, with the background of a jungle, tribe people, king-queen-wicked wazir and similar stories.
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- In: "Sales pitch" song | Actor-Singer song | Debut song of movie in the blog | Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | Post by Sadanand Kamath | Rare song | Shyam Sundar (Sr) Solo Songs | Shyam Sundar (Sr) Songs' | Song of 1939 | Songs of 1930s (1931 to 1940) | Yearwise breakup of songs
- 5 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3488 | Post No. : | 14011 | Movie Count : |
3870 |
In the early 1970s in Mumbai, it was quite common to see Pathan moneylenders standing outside the gates of the factories, mills, railway workshops and even some of the Government offices. Pathan moneylenders used to lend money at high interest rates, mostly to workers and subordinate staff who were in perpetual need of money. I had frequently watched them standing outside the main gate of my office, normally in pair, during the first week of every month. Their operations were always discreet without inviting any attention from the passers-by except that their distinct dress and caps would identify them to be the Pathans.
I had got the first hand information on the modus operandi of the Pathan moneylenders from one of my subordinate staff who was perpetually indebted to them. On the salary day, they would be present at the gate at the start of the office, at lunch time and the office closing time. If a borrower is not able to pay the monthly interest/principal amount, he would try to avoid the Pathans by not going out of the office during lunch time, would leave the office well before the closing time or leave late. But the network of the Pathans was so large that they would eventually catch the defaulters and get at least the interest amount by their discreet strong arm methods.
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Haay rasiya badaa naadaan
Posted on: February 3, 2018
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3487 | Post No. : | 14005 |
‘Pardesi Mehmaan’ (1948) was directed by Aspi for Ranjit Movietone, Bombay. The move had Kamal Kapoor, Husn Banu, Rajrani, Ghulam Mohammed, Sheikh Hasan, Abdul Rehman, Afghan Sandow, Azim, Bipin Gupta, Kaizer etc in it.
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Khayaam Hai Allah Waala
Posted on: February 1, 2018
- In: Actor-Singer song | Blog century song | Century songs for the blog | Dance song | Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | Post by Sudhir | Rare song | Saaqi - Maikhana Song | Songs of 1940s (1941 to 1950) | Songs of 1946 | Suraiyya solo | Suraiyya songs | Thousandth song for the blog | Thousandth song in the blog | Yearwise breakup of songs
- 18 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
This article is the 14000th song post in the blog.
| Blog Day : | 3485 | Post No. : | 14000 |
Aah, the magical triple zero. There is always quite a long wait to get to a milestone that carries all zeroes in the last three digits. Welcome all, to the fourteenth such milestone. Yes, I hear you say it – it IS getting to be a staggering collection, this ASAD blog. You can pick your time preference, we are on to the
- 3, 485th day, or
- at 497 weeks and 6 days, or
- 114 months and 14 days, or
- 9 Years, 6 Months and 14 Days
of the continued proliferation of this blog.
Given where we are today, and from when we started, the average posting rate has been a tad over 4 songs a day, 4.0172 to be precise. Or to put it another way, if we were exactly at 4 songs a day, then today we would have been at 13,940, requiring 15 more days to hit the 14K milestone. So we are running marginally faster than 4 songs a day. And today morning, I was just wondering, maybe I should suggest to Atul ji, and maybe we should name this blog as AFSAD, instead of ASAD. OK yes, you guessed it right – Atul-Four-Songs-A-Day. 😀 😀
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Tan prem ki raakh lagaa kar ke
Posted on: January 31, 2018
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3484 | Post No. : | 13994 | Movie Count : |
3865 |
Today’s song is from film Azaadi-35.
It is always a pleasure for me to write on films and songs of the 1930s and the 1940s. It is a different world altogether and traversing on the path of these decades is easy, for there is no crowd here. Not many writers are interested in discussing songs from the 1930s in details.
There are several reasons for this. First and foremost is lack of information. Considering what our love for recording history of old films and the artistes is, one has to be lucky to a great extent to have enough material to write about, in the first place. Secondly, most artistes of the 1930s and early 1940s were the lot carried forward or brought forward from the Silent Era. By the end of the first 10 years, most of these brought forward artistes went into oblivion and new force of artistes entered the film industry.
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Mast pawan shaakhen lahraayen
Posted on: January 24, 2018
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
3477 | Post No. : | 13968 | Movie Count : |
3857 |
The year 1940 can be regarded as a benchmark year for Hindi film industry to assess its progress in the talkie era as it marked about a decade since talkies came into being. Although studio systems (in which artists were on the payrolls of the studios) continued, slowly the star system was evolving in which the star actor commanded the salary acccording to his success rate in box office collections. During this period, actors with star values emerged. They commanded good salary from their respective studios to ward off poaching by the competing film production companies. Films with K L Saigal, Prithviraj Kapoor, Chandramohan, Surendra, Motilal, Ashok Kumar, Durga Khote, Madhuri, Sabita Devi, Kanan Devi, Shobhana Samarth, Leela Chitnis, Naseem Bano etc were expected to be box office hits.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3476 | Post No. : | 13961 |
Today, 23rd January 2018 is the 121st Birth Anniversary of India’s best known revolutionary- Netaji Subhash Chandra Bose. His life story and name is known to every Indian. It is not only very inspiring, but is very motivating as well. Unfortunately Netaji did not get the kind of help or support he needed and deserved for his Military action, from Indian politicians of his times. Netaji’s philosophy clashed with the Non-Violence policy espoused by Gandhi and his Congress Party. He pursued his dream single handedly. It is once in a Century that such a person is born. My respectful obeisance to Netaji.
On this occasion, here is a song describing his life which was nothing but a life of Balidaan or sacrifice.
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- In: Actor-Singer song | Devnagri script lyrics by Sudhir | Duet | Feelings of heart | Guest posts | K L Saigal Film songs | Love song | Lyrics contributed by readers | Post by Sudhir | Rare song | Song of 1935 | Songs of 1930s (1931 to 1940) | Vagaries Of Love | Yearwise breakup of songs
- 15 Comments
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3471 | Post No. : | 13935 |
Today is an important day, maybe one of the most important day in the annals of Hindi film music. Today, 18th January, is the day the legendary Saigal Sb completed his mortal journey and departed from this world. After so much that has been written about him, any more contributions would simply be repetitions. But then, no matter how much we may write about him and his singing, it will never ever be able to express the complete emotions about him, and his voice. For one cannot fathom in words and language, that which is a gift of divine.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
| Blog Day : | 3458 | Post No. : | 13877 |
Hullo to Atuldom
Today’s song from a film called “Daal-me-kala” (that is how it was spelt in the titles, when I saw the movie yesterday) which released in 1964. It had a star cast of Kishore Kumar, Nimmi, Agha, Shammi, Abhi Bhattacharya, Bepin Gupta, Om Prakash, Mumtaz Begum, Sulochana Chatterjee, Tun Tun, Sunder, Keshto Mukherjee etc. the movie had four lyricists- Raja Mehdi Ali Khan, Bharat Vyas, Santoshi (again as shown in the titles, must be P.L. Santoshi) and Majrooh Sultanpuri. The playback singers used were Kishore Kumar, Asha Bhonsle, Manna Dey and C. Ramchandra. Music director was C. Ramchandra. The movie was produced by Bepin Gupta and directed by Satyen Bose.
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