Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Amitabh Bachchan songs’ Category


“Mili” (1975) was a copy of “Anand” (1971) which in turn was a copy of a Japanese award winning movie that Hrishikesh Mukherji had seen in a film festival sometime in late 1960s. I do not now remember the name of this movie but I had read about it in magazines of 1970s. I request other readers to tell me the name of this movie which inspired these movies.
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Hrishikesh Mukherjee had watched a Japanese movie, which depicts a man who has only a few days to live but instead of being melancholic, he lives his life cheerfully and spreads happiness all around him. Hrishikesh Mukherjee liked that movie so much that he adpated the movie into Hindi and created “Anand” (1970). Not content with that, he re adapted the same adaptation to change the gender of the main character and he thus came up with “Mili” (1975). Both these movies were critically well acclaimed and well received by the ordinary movie watchers as well.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The general memory of the 1969 movie, Saat Hindustaani, is linked to the fact that it was the debut movie for Amitabh Bachhan. However, in my mind, this movie is more associated with the writer director Khwaja Ahmed Abbas or KA Abbas. The Wikipeadia page on Abbas Saab contains very interesting information about this personality, e.g. fact like his family tree is traced back to Ayub Ansari, a close associate of Prophet Mohammed, and that his grandfather was one of the prominent soldiers in the 1857 uprising against the Britishers and a martyr, sentenced to be blown on a cannon, and that Abbas Saab is the great great great grandfather of Shahid Kapoor. Besides these familial facts, Abbas Saab has been a prolific writer and journalist, and a noted story writer and film maker in Hindi Cinema. His column ‘Last Page’ in ‘Blitz’, the Bombay based newspaper, ran from 1935 to 1987, the longest running column in the history of Indian journalism. He wrote 73 books in Hindi, Urdu and English, and is considered as one of the premier Urdu short story writers of the 20th century.
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We often read about real life following reel life and vice versa. I am not talking about movie actors playing roles based on some other real life people. I am talking of the actors playing their own real life stories on the silver screen.There have been quite a few cases where actors enacted their own real life stories in movies.
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This article is written by Lalitha, a fellow enthusiast of Hindi movie songs and a regular visitor and contributor to this blog.

Loris, or lullabies, have always had a special place in Indian life, and many of these are sung by mothers and grandmothers as they rock the baby to sleep in the old fashioned cradle formed by hanging a long piece of cloth from a hook in the ceiling or in a regular cradle. Some loris have also been sung by men, generally widowers, and these tend to be melancholy ones, but there are some exceptions. In Carnatic music, the raga Neelambari is the one used to induce sleep and most lullabies in the South are sung in this raga.
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“Kabhi Kabhi” (1976) is a movie whose music was quite unlike the music prevalent in Hindi movies at that time. The music of this movie had a retro feel about it and music lovers liked that. The songs of this movie became popular and they in fact have outlived most songs of that era.
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This song from “Shahanshah”(1988) wears many hats. this song is not only the movie opening song, this is also the theme song as well as the title song. In addition this song is also the introdution song that introduces us to the main character of the movie, viz Shahanshah, played by Amitabh Bachchan.
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