Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Asha Bhonsle songs’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Taatarstan is an autonomous republic within the Russian Federation, which is situated along the banks of the River Volga, and to the west of the Ural Mountains. Historically, this is a small kingdom that was absorbed into the USSR after the Bolshevik Revolution in 1917, as an autonomous republic. The original inhabitants, called the Tataar or Taatari people, belong to the ethnic Taatar group from the old Turkistan (modern day Turkey), who spread out over a large part of East Europe in the eighth century AD. As a part of this migration, a group of enthnic Taatari people settled down at the banks of River Volga, and established the original Taatari kingdom.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Here is another fun song from the film “Minister”. Two months ago the post another song “Aji Biwi ko ghar pe bitthla ke” from this film appeared in the blog. The song I am discussing now will be the third song from this film. This is a “telephone song” sung by Mohammed Rafi and Asha Bhosle. Music is by Madan Mohan and Lyricist is Rajendra Krishan. Unfortunately, I dont recognise the two actors who are lip synching this song. The song is funny enough, just like “mere piyaa gaye rangoon”. Bhagwaan Dada is seen only briefly during the song. Telephone songs have their own appeal as the the singers are required to be on the opposite ends of the line. But in this song, though it starts in a telephone booth and ends there too, the protagonists are singing it with each other and roaming around outdoors.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In my school days, our Hindi teachers quite often used to mention about the troika of Hindi poets, Prasad-Pant-Nirala ( Jaishankar Prasad, Sumitranadan Pant and Suryakant Tripathi ‘Nirala’). They were the pioneers of ‘chhaayawadi’ (romanticism) movement in Hindi poetry. At a time when norms for writing Hindi poetry were different, these poets created a niche for themselves and set a new standard for Hindi poetry. About four decades later, a similar troika of poets was continuing the tradition of writing poetry in similar style but for Hindi films. The poetry was written in simple words for the benefit of masses. In doing so, they extended their coverage beyond ‘chhaayawad’ to include social issues, philosophy of life etc. These poets also created a niche for themselves at a time when the Hindi film songs were mostly written in Hindustani ( mix of Hindi and Urdu words). Pandit Bharat Vyas was one among the troika of poets who wrote lyrics for Hindi film songs, the other two being Pandit Narendra Sharma and Kavi Pradeep.
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“Geet Gaaya Pattharon Ne” (1964) was produced and directed by V Shantaram. This movie introduced Rajshree (daughter of V Shantaram) alongwith Jeetendra. The movie also had Surendra Bharati, Nana Palsikar, K. Date, C. H. Atma, Babloo etc in it.
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Watching old Hindi movies (and its songs) is a good way to look back at the past and see how things were back then. Another way of looking back at the past is by going through the publications of those days.

I recall that I was an avid reader of books in my younger days, viz 1970s. I would read each and every book, whether they were meant for kids or grown ups. In addition to being an avid reader, I was an avid collectors of children’s magazines in Hindi. The children’s magazines in Hindi those days used to be “Bal Bhatri”, “Nandan”,”Champak”,”Parag”, “Lotpot”, Chandamama”, “Indrajaal Comics” etc. You name the children’s magazines and I collected them. I not only collected them, I catalogued them systematically too. They were my prized possessions. I would not be averse to get hold of magazines not in my collection, but I would be quite reluctatnt to lend my magazines to others, because the likelihood of the borrower returning the book were remote in most cases. One needed to pester the borrower hard, sometimes by visiting his home, before one could get your book back.
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“Laal Kothi” (1978) was a movie produced by Tollywood, as the Bangla movie industry is known. The movie was produced in Bangla and Hindi both. Most of the actors were from the Bangla film industry and/or those conversant with Bangla. This movie, produced under the banner of Peacock Films was produced by Ashis Roy. It was directed by Kanak Mukherji and Mohinder Batra. The starcast had Tanuja, Ranjit Mullick, Danny Denzongpa, Utpal Dutt, Anil Dhawan, Tarun Kumar, Master Partha Mukherjee, Swaraj Chatterjee, Arun, Ranjan Mukherjee, Gupte etc.
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Today (3 july) is the death anniversary of Raj Kumar. Raj Kumar made his debut as an actor in 1950s and his most productive decade as an actor was the decade of 1960s. There are actors who are remembered for songs picturised on him, but Raj Kumar is often remembered for some of the immortal dialogues picturised on her. For instance, the dialogue of “Waqt” (1975)- “ye bacchon ke khelne ki cheez nahin hai Chunar seth…”, and the “Paakeeja” (1971) dialogue’ “Aape paaon dekhe…”.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ek gaana hai, kareeb chaalis saal puraana – “Chain Se Humko Kabhi, Aap Ne Jeene Ne Diyaa” . From the film ‘Pran Jaaye Par Vachan Na Jaaye’. And the year is 1973. Yes getting to be about 40 years ago. But listening to this song, even today – the sound, the feelings, and the words – all appear to be so young and so fresh. And the lyricist – composer pair is SH Behari and OP Nayyar. A partnership that started in the mid 50s, and flowered exceptionally in the decade of 60s to give so many memorable songs one after another.
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