Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Artist century song in blog’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Searching for and finding rarities in the world of music, is a keen and interesting pursuit. The Hindi film songs have so many variants attached to their existence. Songs that appear in film, but are not released elsewhere. Songs that are on records but not included in the film. Version songs – the official song in the film and on the record, is also available on record in the voice of a different singer. This case is different from the same song sung by more than one singer and included in the film. Then we have the variations between the song published on record and the song as picturized in the film.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Roshan – a name that spells a purist, a name that is acknowledged as a creator of master melodies. The career of an artist in the film industry is measured by the films one is associated with. In a short career of 19 years, this giant amongst music directors accomplished 56 films. The filmography is as impressive as can be – Baawre Nain (1950), Humlog and Malhaar (1951), Anhonee, Naubahaaar and Malhaar in 1952, Maalkin, Aagosh and Maashooqa in 1953, Chandni Chowk and Jashan in 1955, Agra Road and Coffee House in 1957, Aji Bas Shukriya in 1958, CID Girl and Heera Moti in 1959, and then on to sixties with Barsaat Ki Raat, Baabar, Aarti, Surat Aur Seerat, Wallaah Kya Baat Hai, Dil Hi To Hai, Taj Mahal, Chitralekha, Bheegi Raat, Nai Umar Ki Nai Fasal, Devar, Mamta, Bahu Begum and Anokhi Raat. In this sampler list, each film represents a treasure of melodies that would be the envy of other music directors. With this post, we are celebrating the 200th song of this illustrious melody maker to be represented on this blog.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is perhaps the inability of our times to distinguish between the “good” and the “great”, the “noteworthy” and the “legendary”, the “impressive” and the “brilliant”, that leads us to use the latter of the two adjectives in each case in far greater measure, and for far more modest achievements than would have been approved of by an earlier generation. Or maybe it is just our laziness, or our tendency to exaggerate, that leads us to our use (or abuse) of the English language in this manner.
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I tend to liken the journey of this blog to a train. But nowadays I find the comparison less appropriate because a train stops at intermediate stations for a while whereas we in this blog do not stop at any of the milestones and keep going along, though we may sometimes become somewhat slower than usual for various reasons. So that way, I find the comparison of this blog with a road journey somewhat more appropriate where one need not stop anywhere, and one can see milestones going past at high speed.
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“Madhosh” (1974) was produced by Tahir Hussain and directed by Desh Gautam. The movie had Reena Roy, Rakesh Roshan, Mahendra Sandhu, Johny Walker, Helen, Jayshree T, Ravindra Kapoor etc in it. Present day star Aamir Khan is also present in the movie as a child artist.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Seven thousand. And the mind says, Goodness, are we already there?

A fabulous pace and a fantastic record. The steady pace with which the team is pulling together is simply marvelous. And more than that, it is Atul ji’s single minded devotion to this endeavor. One can barely begin to imagine the amount of time and effort that he is relentlessly putting in, day in and day out. That is nothing less than fantastic.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

One more century we celebrate today. This post is the 300th song composed by music director Ravi, to adorn the pages of this blog.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Imagine that you reached someplace where a song is playing, probably on a radio. But unfortunately it seems you have missed almost the entire song. What you hear as you get into listening range is just the last one or two lines playing. The words you hear do not seem to be part of the main song lyrics. And the words you hear do not seem to make a coherent sentence. You may just skip the thought and move on. Or if you are more Hindi-film-music inclined, you would start to wonder what the song was and who would have been the singer of this song, of which you have heard just a snippet.
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Today (24 october) is the birth anniversary of Jeevan, one of the major villains of Hindi movies from 1950s to 1970s.

Villains of Hindi movies typically concentrated on torturing the lead actors rather than lip syncing songs, and so there may not be too many songs that could be said to be picturised on them.
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