Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Diversion” song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6380 Post No. : 19785

Today, January 5, 2025, is the 44th Remembrance Day of Ramchandra Narhar Chitalkar, popularly known as C Ramchandra as a music director and Chitalkar as a playback singer. He regaled the connoisseurs of Hindi film music with his melodious musical compositions in the 1950s and 1960s. He was the pioneer of introducing popular foot-tapping songs with western musical influence and western musical instruments like saxophone and guitar in his compositions as early as in the 1940s. At the same time, he was composing classical raag-based as well as folk-based songs. He was trained in Hindustani classical music for six years first under Vinayakbua Patwardhan and later Shankarrao Sapre.

Despite producing many melodious songs especially in the 1950s, it is unfortunate that C Ramchandra did not get any award – whether National Film Award or Filmfare Award as a music director. The first Filmfare Awards were announced in April 1954 for films released in 1953. But his film, ‘Anarkali (1953) was not in the reckoning for the best music director’s award. His film, ‘Aazaad’ (1955) and ‘Paighaam’ (1959) were nominated for the Filmfare Award in best music director category but did not win. But the fact remains that many of his melodious and rhythmic songs of 1950s are still popular among the current generation which itself is a great award to a creative genius.
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6367 Post No. : 19747

Mukesh and his Actors – 08

In one of my recent posts, I made a reference of yesteryear actress, the beautiful Bina Rai.

Today’s post covers Mukesh’s association with her husband.😊

Actor, Director, Producer, Novelist Prem Nath needs no introduction.

Here is his wiki page.

Here is a news article on him, and

Here is a bio-post on our blog.

Skipping his career details which are well covered in the links above, we shall discuss the details of the songs that Mukesh sang for him.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6356 Post No. : 19706

Kamsune/Unsune songs of Asha Bhosle – 74

Today’s rare song of Asha Bhosle is “Band Kamre Mein Ek Ladki” from “Agent Vinod” (1977). There’s also some ad-lib by Mahendra Sandhu during the interludes. The song is penned by Ravindra Raval and composed by Raam Laxman.

“Agent Vinod-1977” was directed by Deepak Bahri for ‘Sargam Pictures Pvt. Ltd., Bombay’.

It had Mahendra Sandhu, Asha Sachdev, Rehana Sultana, Iftekhar, Pinchoo Kapoor, Nazir Hussain, Ravindra Kapoor, K.N. Singh,etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6354 Post No. : 19698

Today, December 10, 2025, is the 24th Remembrance Day of Kumudlal Ganguly, well-known by his screen name, Ashok Kumar (13/10/1911 – 10/12/2001), the first super star and the Bhishma Pitamah of Hindi films. He was conferred the Dadasaheb Phalke Award in 1988 for his contributions to Indian Cinema and Padma Bhushan Award in 1999.

Ashok Kumar was the eldest among four siblings and his father, a practicing lawyer in Khandwa wanted him to follow his profession. He was admitted to a law college in Kolkata where he may have been influenced by New Theatres films thus creating his interest in cinema. But his interest was confined to the technical side of the film making. He joined The Bombay Talkies as a laboratory technician where his brother-in-law (sister’s husband), Sashadhar Mukerji was a sound engineer and production manager in 1934.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6261 Post No. : 19375

#The Decade of Eightees – 1981 – 1990 #
———————————————————————

(Asha Bhonsle’s 92nd birthday 8th September 2025)

Today 8th September 2025 is 93rd birthday of legendary singer Asha Bhonsle(born on 08.09.1933). We are all aware of the accomplishments of this voice/ One cannot imagine our HFM (for me Marathi film music too) without her voice. She has been ruling the hearts of music lovers for over seven decades.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6241 Post No. : 19302

Today, August 19, 2025, is the 6th Remembrance Day of a ‘ruhaani‘ music director, Mohammed Zahoor Khayyam Hashmi (18/02/1927 – 19/08/2019), better known as Khayyam. His musical career can be divided into three parts. The first part (1948-67) was his struggling years during which he mostly got low budget films. In the second part (1967-74), he took sabbatical from the Hindi film industry and concentrated in composing non-film Hindi songs. In the last part of his musical career, (1974-2013) he rejoined his musical career in Hindi films during which he had a successful stint both financially and career-wise.

Khayyam was born in Rahon in Nawanshahr district (now Shaheed Bhagat Singh Nagar) of Punjab in a Muslim scholar’s family who loved poetry and music. There used to be a regular gathering in his father’s large library room to discuss poetry and music which included films as well as classical music. All the family members were highly educated. His father expected Khayyam to follow suit. But he was glued more to the gramophone record player listening to film songs than to his schoolbooks (akin to the addiction to smartphone among today’s school going children) as he wished to become an actor-singer like K L Saigal, his idol.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6235 Post No. : 19279

YouTube is an American social media and online video sharing platform owned by Google. It is an amazing tool that helps us in our blogging expedition. Based on our previous search history, it keeps suggesting links to videos.

That means, for followers of ATULSONGADAY, YouTube will keep suggesting videos of Hindi Fillum Sangeet. The suggestions may also be based on any particular actor, movie or artist, specially if we have looked up for songs of the concerned artist.

So, as I was browsing through YouTube yesterday, I came across a song which had Sunny Deol trying to shake a leg in tandem with Sridevi for a song that was playbacked (I am sure there is no such word in the English dictionary) by Suresh Wadkar and Asha Bhosle. It had Meenakshi Seshadri & Anil Kapoor, standing among the people who were watching the proceedings. On looking up for details, on our blog of course, I found that it has found its place on the blog in 2022 with this post by Avinashji.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6212 Post No. : 19187

“Ehsaan”(1970) was produced by S J Rajdeo and directed by Shiv Kumar for Sargam Chitra, Bombay. The movie had Joy Mukherjee, Anjana, Rajendranath, Helen, Shabana, Aruna Irani, K.N. Singh, Madan Puri, Bipin Gupta, Sunder, Tuntun, Johny Whisky, Sulochana Chatterjee, Azad, Sheri, Renu, Rajan Kapoor, and wonder child Bobby in it. They were supported by Shri Bhagwan, Viju Khote, Uma Dutt, Kamal Deep, P.K. Naidu, Dhanraj, Haroon, Bhagwan Sinha, Prince Arjun, Moolchand and dogs Roxy & Rani.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6207 Post No. : 19166

Decoit films have been an important genre of Hindi films for a long time. Perhaps, the first talkie film in this genre was ‘Daaku Mansoor (1934) which was directed by Nitin Bose with K L Saigal in the title role. But, after going through the synopsis, the film appeared to be more of a costume drama than a decoit film though the story involved a decoit.

The genre of decoit films started attaining prominence during 1950s and 60s, probably in the background of the stories that were circulated in the newspapers about the prominent decoits of Chambal valley and elsewhere. The newspapers sensationalised the dread decoits like Gabbar Singh, Maan Singh, Mohar Singh, Putli Bai etc on their daring dacoity and the fear they instilled in their area of operations. Such news became the inspirations for many Hindi films such as ‘Mother India’ (1957), ‘Ganga Jamuna’ (1961), ‘Jis Desh Mein Ganga Behti Hai’ (1962), ‘Mujhe Jeene Do’ (1963) etc. This trend continued in the 1970s with films like ‘Mera Gaon Mera Desh’ (1971), ‘Khotey Sikkey’ (1973), ‘Kachhe Dhaage’ (1973), Sholay’ (1975), ‘Ganga Ki Saugandh’ (1978) etc. In recent years, ‘Paan Singh Tomar’ (2014) and ‘Sonchiraiya’ (2019) were made with decoit stories.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6187 Post No. : 19107

Hullo Atuldom

Taking out 1924 from 2025 gives us 101. Is the figure correct? Does that mean today would have been the 101st birthday of Madan Mohan- the composer who gave us such gems as “Rasm-e-ulfat ko nibhaein to nibhaein kaise“, “Kar chale hum fida“, “Kaun Aaya Mere Man Ke Dwaare” and lots more. Our blog’s stats page gives the number of songs as 630 of which the blog has 577.

Madan Mohan’s music was characterised by his immense ability to blend elements of Indian classical music into a new style of Hindi filmi song. He had a keen and sensitive ear for the nuances of Indian classical tunes, and combined them with elements of Western music such as harmonies to produce a style of music that could be appreciated by both classical music aficionados and the common person alike.
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