Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘expression of love’ Category


“Kailashpati” (1962) was a B grade mythological movie which was an Alice Pictures production. It was produced and directed by Dhirubhai Desai. The movie had Sumitra Devi, Mahesh kumar Desai, Jeevan, Niranjan Sharma, Padma Rani, Premlata, Paul Sharma, Abhimanyu Sharma, Bhoj Kumar, Polson, Laxmi Kant Bagla, Champak Lala, Darshan Kumar, Dushyant, Nitin Kumar, S.P.Kalla, Deepak Kumar, Prakash Bagla, Indira Bansal etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We all know that Madan Mohan left for his heavently abode during the making of this film “Laila Majnu”. The film released in 1976 and the music of this film was super hit and it is very popular to this day. The success that eluded him during his lifetime was only destined to be his after his death. I have been meaning to write down the lyrics of this films songs, as many of them are still to be discussed in this blog.
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The Bangla novel “Parineeta” has inspired the making of several films in Bangla as well as in Hindi. Some of these movies had the same titles as the title of the novel. Then there were movies with different titles too, but based on the same story.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Taatarstan is an autonomous republic within the Russian Federation, which is situated along the banks of the River Volga, and to the west of the Ural Mountains. Historically, this is a small kingdom that was absorbed into the USSR after the Bolshevik Revolution in 1917, as an autonomous republic. The original inhabitants, called the Tataar or Taatari people, belong to the ethnic Taatar group from the old Turkistan (modern day Turkey), who spread out over a large part of East Europe in the eighth century AD. As a part of this migration, a group of enthnic Taatari people settled down at the banks of River Volga, and established the original Taatari kingdom.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The haunting image of a worn-out, white bearded face, with lines of age alluding to maybe a century of anguish, haltingly climbing down the service staircase in the deserted studio, wanting to reach the chair with ‘Director’ imprinted on its back. Or the vision of a decrepit man standing in the theatre doorway, his hands out flung across the entrance, and the sharp lighting from behind giving an impression of a phoenix rising from the ashes. These two celluloid illustrations are probably two of a handful of very gripping, compelling and spellbinding images that have left a lasting imprint on the minds of the cinema viewers and more importantly, a telling statement that redefined the very cultural fabric of the society and of film making itself.
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