Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘“Fantasy” song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I have not seen the film YE DIL KISKO DOON (1963) but I have watched all the available video clips of the songs umpteen times . I enjoyed these songs some of which are audio-visual treats. The film was produced under the banner of Bindu Kala Mandir and directed by Kanak Mishra who was also the story and screen play writer. Star cast included Shashi Kapoor, Ragini, Agha,Jayshree Gadkar, Jeevan, Sajjan, Asit Sen etc. All songs of the film were written by Qamar Jalalabadi and set to music by Iqbal Qureshi. The film’s name may have been inspired by a Helen song ‘itni badi mehefil aur ek dil kisko doon’ from the film ‘Dil Apna Aur Preet Paraayi” (1960), but could not inspire thea udience to come to the theatres and watch the film. The film failed at the box office and with this, Shashi Kapoor’s struggling days to establish him as a lead actor were prolonged. It was about 2 years later that he could established himself as a lead actor with the box office success of the film ‘Jab Jab Phool Khile’ (1965). For Iqbal Qureshi, the film’s music director, once again the luck was not in his favour. His efforts in churning out great songs were wasted in a film that has now been almost forgotten.
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This article is written by Sadananad Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

ALBELAA (1951) was a musical blockbuster produced and directed by Master Bhagwan. In my childhood days, I had quite often heard ‘shaam dhale khidki tale tum seeti bajaanaa chhod do’ but none of the other songs from the film. I saw this film for the first time on Doordarshan in early 80s. Thereafter, I must have seen this movie a couple of times after I bought VCD of this film last year. This was Bhagwan’s first venture for a big budget film after producing and directing some low budget C grade films. The film was the third highest box office grosser of 1951 ranking after ‘Aawaraa’ and ‘Baazi’. It was an amazing feat for Bhagwan to achieve a box office success with this film despite having a run of the mill story ( probably based on his own life), a lacklustre direction and a non-conventional lead actor like him. The credit goes to the film’s foot tapping songs which became a craze those days and are still popular with the new generation as well.
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Between 1950s to 1970s, there was a series of British movies whose titles began with “Carry on..” . These movies were low budget comedy movies, whose comedy consisted of parody, farce, slapstick and double entendre, as wikipedia puts it. In India, I S Johar took a leaf out of this “Carry On” series movies, and he produced a few such movies whose titles began with “Johar in..”.
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“Dil Tera Deewaana” (1962) was a Padmini Pictures production. It was directed by B Ramkrishna Pantulu. The satr cast included Shammi Kapoor, Mala Sinha, Mehmood,Shubha Khote,Pran, Om Prakash, Ulhas, Mohan Choti, Mumtaz Begam, Kammo, Manmohan Krishna etc.
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“Aao Pyaar Karen” (1964) was a movie produced by Filmalaya. This movie was a home production of Joy Mukherji, the hero of this movie, because his family was the major stake holder in Filmalaya. Saira Bano was the leading lady opposte him. Other actors in this movie were Madhvi, Shyam Chatterji, Rajendranath, Merlyn, Manavendranath, Jayant Shah etc. This movie was directed by R K Nayyar.
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“Sujata” (1959) is a critically acclaimed movie and it is a musical blockbuster too. I am aware of most of the better known songs of this movie, which have gone on to become evergreen classics. But this movie also has a few lesser known songs.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The melodious strains of ‘Chalo Dildaar Chalo, Chaand Ke Paar Chalo’, composed more than 4 decades ago, sound and feel like a fresh breeze of air, every time one listens to it. The magnum opus of the famously talented Ghulam Mohammed, a string of his best creations – ‘Chalte Chalte Yun Hi Koi Mil Gayaa Thhaa’, ‘Inhi Logon Ne Le Leena Dupatta Mera’, ‘Mausam Hai Aashiqaana’ and more – establish the definition of what Ghulam Mohammed’s body of musical creation is. A pity that this success came somewhat late in the day – a release that marked a watershed in the history of Hindi film music was to happen about three years after the demise of its creator.
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