Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Feelings of heart’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Gaurav”(1947) was directed by K J Parmar for Mukti Productions, Bombay. This obscure “social” movie had Zeenat, Ghanshyam, Raj Mehra, Munshi Khanjar, Charubala, Shobharani, O P Gaud, Baby Rajni, Hira Date, D Babulal, Pinakin Shah, Pratap Ojha, Anant Acharya etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kavi”(1954) was directed by Debki Bose for sunrise Pictures, Bombay. The movie had Bharat Bhushan, Geeta Bali, Nalini Jaywant, Chandrashekhar, B M Vyas, Jankidas, Om Prakash etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Kaun Pardesi”(1947) was ws directed by J U Trivedi for Shree Vishwakala Movietone, Bombay. This “social” movie had Yashwant Dave, Kathana, Samson, P D Lal, Pt Iqbal, Haridas, R Karan singh, Pt Kaul, Mumtaz Begam, Kanta, Ram Pyari, Khursheed Akhtar, Flora etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today, I am writing about one of the prominent actors of 1930s and 40s who started his film career in the silent film era and became producer-director during the second half of 1940s. His name – Mazhar Khan, a forgotten name not only for the current generation but also for many in my generation as well.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Last of the Music Moguls. Not that there have not been more prolific artists and music directors after him. One can readily name a few – Anu Malik, AR Rahman, Ilayaraja. But me, personally speaking, will not put the follow on ‘champs’ in the same bracket. Something ended when he left us, twenty three years ago. Times were-a-changing even as the 1960s played itself out. And he himself was singularly instrumental in that transformation.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In a calendar year we celebrate special anniversaries of personalities related to HFM in almost all the months. Moreover, we pay our respect and homages on the remembrance day of such personalities too.

We also celebrate birth anniversaries of our team members and their family members and other ‘special days’ in their life, through posts/songs on the blog.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Beeswin Sadi”(1945) is an obscure movie which was produced and directed by M Bhawnani for Bhawnani Productions, Bombay. This movie had Motilal, Mazhar Khan, Nargis, Ashalata, Gope, Majumdar, Navin etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

At the time of the release of National Studios’ film ‘Roti’ (1942) in August 1942, the production house was sold to KM Modi, a prominent film exhibitors of that time who had no interest in producing films. At that time, three films of National Studios were under the advance stage of completion. ‘Jawaani’ (1942) was one among the three films, other two films being ‘Lala ji’ (1942) and ‘Apna Paraaya’ (1942). Anil Biswas was the music directors for all the three films.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (25 june 2017) is the 93rd birth anniversary of Madan Mohan (25 june 1924- 14 july 1975). We in this blog traditionally cover songs of artists on their anniversaries. Madan Mohan is a key artist for this blog and we indeed have discussed his songsextensively in the blog, not only on his anniversaries, but also on other days.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Some established producer-directors generally have their wish list to make a film or two on the subjects that are close to their hearts. The fulfilment of their wishes gets postponed until such time the producer-directors are able to make the successful films in normal course of their career. After all, they need the financial security to take risk in producing films of their personal choices irrespective of the outcome at the box office.
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