Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Feelings of heart’ Category


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Paapi”(1953) was directed by Chandulal Shah for Ranjit Movietone, Bombay. The movie had Raj Kapoor and Nargis in lead roles, with Raj Kapoor playing a double role. The movie also had Dulaari, P Kailash, Maruti, Ramesh Thakur, Amarnath, Mehar Banu, Shrawan Kumar, Butaram Sharma etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aastik”(1956) was produced by Gordhan Das Kakkad and directed by S P Kalla for Rani Productions, Bombay. The movie had shahu Modak, Paro, Meenakshi, B M Vyas, Nagpal, Anand Joshi, Pravil Paul, Lotan, Ramesh, Micky, Dinanath, M S Phatak, Naazi, Shaanti, Mithailal, Master Dabboo, Master Babu etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Rifle Girl”(1958) was produced by Dhanpat Rai and directed by B J Patel for People pictures, Bombay. The movie had Neelofar, Mehru, Samar Roy, Habeeb, Rajan Kapoor, Mirajkar, Azeem, Uma, Tiger (dog), I D Chaudhary, Vishwa Mehra, Lallu (monkey) etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There are many lyricists who joined Hindi film industry since the talkies came into being. While some of them became famous, many remained in the background though some of them were connected with the film industry for a considerable length of time. The result is we do not have much information about the latter category of lyricists as far as their their detailed profiles are concerned. In this category, the names of Dr. Safdar ‘Aah’ Sitapuri, Rammurti Chaturvedi, Bhutaram Sharma, Shams Lucknowi, Kaif Irfani, Shevan Rizvi and many more come to my mind. Among the ‘many mores’ is the lyricist Aziz Kashmiri about whom very little is known of his life before he joined Hindi film industry.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today’s song is from film Durgapooja-54, a Mythological film. It is a lovely duet of Rafi and Asha Bhonsle. Looks like, songs of C.Ramchandra and songs from religious films will not leave me alone in my life !
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Why am I producing REHANA (1946)?

This was the heading of a full page advertisement issued by the producer G A Thakur, the owner of Girdhar Bahar Productions in October 1945 issue of ‘Filmindia’ magazine. He was announcing his intention of producing ‘Rehana’ (1946), the story of which is based on the Middle-East background. I have paraphrased below the reasons given by the producer in the advertisement:
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mahal”(1969) was a Roopkala Pictures production. It was produced by Mahipat Ray Shah and directed by Shankar Mukherji. The movie had Dev Anand, Asha Parekh, Farida Jalal,D K Sapru, Azra,Abhi Bhattacharya, Kamal Mehra, Sudhir, David Abraham, Sunder, Siddhu, Rajan Haksar, Ratnamala, Pratima Devi, Naina, Ram Singh, R P Kapoor, Manju, Uma Dutt, Nadir, Rehana Vakil, Murad etc in it.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 30
– – – – – – – – – – – – – – – – – – – – – – – – – –

‘म’

“मैंने सौ बार ख़यालों में बनाए खाके”

jo baat tujh mein hai
teri tasveer mein nahin. . .

It would be an interesting exercise, to do a series of songs, wherein one song is introduced through another song. So many times it happens, a song starts to play, and the mind automatically thinks of another song that expresses similar emotions. I am sure we will be able to list numerous such pairs. There is after all, only so many emotions that the human mind plays with. It is the poet’s mind that will express the same thought in a huge variety of combinations of words.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the 1930s and 1940s, there was a producer and director by the name of Kikubhai Desai. He had produced and directed many mythological films in the silent era. With the advent of talkies in 1931, Kikubhai Desai switched over to talkies. His expertise lay in producing talkies of stunt, costume and magical genres. He also directed a few of these films produced by him under these genres. Some of the films he produced under the banner of Paramount Pictures were ‘Chalta Purza’ (1934), ‘Khooni Kanjhar’ (1935), ’Jaadui Danda’ (1935), ‘Burkhawali’ (1936), ‘Guru Ghantal’ (1937), ‘Alladdin Aur Jaadui Chiraag’ (1938), ‘Aflatoon Aurat’ (1940) etc. These films were meant for mass entertainment only. The films were produced at his own Paramount Studio, now known as Filmalaya Studio.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Never before I had to piece together so little information from so many sources about a song that I liked so much as in case of “Ut’re jo zindagi teri gehraaiyon men hum” from Pratibha (1984).
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