Archive for the ‘Feelings of heart’ Category
Aisa lagey kahin door se
Posted on: June 30, 2011
It is generally believed that songs become rare and obscure due to ravages of time. And the process is speeded up if the song is from an obscure movie.
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It is a song that I have heard many a times right from my younger days, and I in fact had noted down the lyrics of this song in a diary that I used to maintain in 1970s. This diary had lyrics of songs noted down by me from radio as well as scorecards of test matches (noted down through radio commentary) that India played those days. 🙂
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Jhooloongi jhooloongi
Posted on: June 30, 2011
“Shakuntala” (1943) is easily a milestone movie in the annals of Hindi movies. It was the very first movie of Rajkamal Chitramandir that V Shantaram had founded. This was the first time that V Shantaram collaborated with Vasant Desai as music director and Jayshree as the leading lady. He in fact fell in love with Jayshree and married her during that time. This movie was a big success and our resident expert Mr Arunkumar Deshmukh informs us that this movie had run for 104 weeks (viz two years) in a single movie hall namely Swastik Cinema of Bombay.
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Mere do nainaa matwaare
Posted on: June 29, 2011
When one listens to the songs of the golden era, one realises that the overall quality of the songs was quite high. Not just the big name music directors, even small time music directors were creating quality stuff. The only difference between big names and small names was marketability, otherwise qualitywise, even music directors confined to B and C grade movies were just as good as the A grade music directors.
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O jiyaa o jiyaa kuchh bol do
Posted on: June 29, 2011
- In: Dev Anand songs | Dev Anand songs by Rafi | expression of love | Feelings of heart | Lata solo | Lata song | Lyrics by nahm | Lyrics contributed by readers | Multiple version song | Rafi solo | Rafi songs | Rail song | Songs of 1960s (1961 to 1970) | Songs of 1961 | Theme song | Title song | Yearwise breakup of songs
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This evergreen song from “Jab Pyaar Kisi Se Hota Hai”(1961) wears multiple hats. The song is a multiple version song in the sense that this song is sung independently by two singer, viz Rafi in one version and Lata in another version. The song can be called the title song as well as theme song. The male version of the song is rail song as well.
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These are are days of consumerism where people have mind boggling variety of materials to choose from. It is difficult to imagine today that Indian shops till 1970s wore spartan looks and they hardly had anything to offer. People got “phoren” goods from abroad and flaunted them proudly. And smuggling (bringing items without paying the exorbitant taxes) was a flourishing business.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
Parbat Pe Apna Dera (1944) is one of the more important creations of V Shantaram. The film deals with the concept of ‘maya’ the enduring allurement of the material world that spares no one. The theme also deals with the consequences fo desires, which are mostly painful and damaging. Briefly, Ulhas is an ascetic who lives alone on a hilltop, and does not allows any visitors or passersby to come to him. Once, Vanmala chances to come face to face with this ascetic, in one of her treks. She is injured, and the ascetic has some cure that relieves her of pain. She is the daughter of a rich person, probably used to having her way. She insists on continuing to meet Ulhas, against his wishes, and continues to bring him gifts, almost setting up a household on the hilltop, once where there was an abode of renunciation. One thing leads to another, and the ascetic ties the nuptial knot with this rich lady, leaves his ‘parbat’ (symbolically the high vantage point of human experience), and comes down to ‘civilization’ to live with his newfound family.
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Mohabbat ke gul haa
Posted on: June 29, 2011
This article is written by Sudhir,a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.
It is said that illustrious poets and their marvelous, amazing poetry has existed and will continues to exist till the end of time. Alas, the divinity that was bestowed by the cadence of KL Saigal’s rendition, was reserved for a privileged few. Any piece of poetry that was fortunate enough to be sung by this singer, came to life in his voice, as nothing else ever before or after him. From the simple, to the truly inspired creations of famous poets, each rendering was as if the singer himself was living the very life that the verse manifested. There may be words to describe the voice and the tone of KL Saigal, but there is no words, no comparison to the vitality and the liveliness that his voice imparted to the words.
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Sun man ke meet more prem geet
Posted on: June 28, 2011
Most nice songs usually become popular. Or is it really so ? There is much legwork involved before the songs of a movie can become popular. The movie, as well as its songs need to arouse the curiosity of public before their release. For that the movie and its songs need to be marketed. In case the movie has saleable stars and the movie is made by a well known production house with deep pockets, then the songs of that movie stand a good chance of being heard.
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I have recently come across a song from a movie called “Daanaa Paani” (1953). Hardly any information is available about this movie and the brief information available about this movie is faithfully reproduced in all sites. The information being, this movie had Bharat Bhushan, Meena Kumari and Shashi Kapoor in it. When one does maths, Shashi Kapoor must be all of 14 years old at the time this movie was released. So it is not as if he was carrying the movie on his shoulders.
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